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History of Sanskrit Poetics

History of Sanskrit Poetics
Author: Pandurang Vaman Kane
Publisher: Motilal Banarsidass Publ.
Total Pages: 476
Release: 1971
Genre: Literary Criticism
ISBN: 9788120802742

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This book has inspired many scholars to study the numerous works on Alankara, to produce papers dealing with several aspects of Alankarasastra and to publish several important texts. The author has made substantial additions and changes in this edition and has included valuable new material.The book is divided into two parts. The first part contains an account of the important works on Alankarasastra, a brief analysis of their contents and the chronology of writers on Alankarasastra and other kindred matters. The second part comprises a review of subjects that fall under the purview of Alankarasastra. The author has attempted to show how from very small beginnings various theories of Poetics and Literary Criticism were evolved, to dilate upon the different aspects of an elaborate theory of Poetics and trace the history of literary theories in India.


History of Sanskrit Poetics

History of Sanskrit Poetics
Author: P. V. Kane
Publisher:
Total Pages: 446
Release: 1971
Genre: Poetics
ISBN:

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A History of Sanskrit Literature

A History of Sanskrit Literature
Author: Arthur Berriedale Keith
Publisher:
Total Pages: 750
Release: 1920
Genre: Sanskrit literature
ISBN:

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History of Sanskrit Poetics

History of Sanskrit Poetics
Author: Sushil Kumar De
Publisher:
Total Pages: 361
Release: 1988
Genre:
ISBN:

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Extreme Poetry

Extreme Poetry
Author: Yigal Bronner
Publisher: Columbia University Press
Total Pages: 378
Release: 2010
Genre: Education
ISBN: 0231151608

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Beginning in the sixth century C.E. and continuing for more than a thousand years, an extraordinary poetic practice was the trademark of a major literary movement in South Asia. Authors invented a special language to depict both the apparent and hidden sides of disguised or dual characters, and then used it to narrate India's major epics, the Ramayana and the Mahabharata, simultaneously. Originally produced in Sanskrit, these dual narratives eventually worked their way into regional languages, especially Telugu and Tamil, and other artistic media, such as sculpture. Scholars have long dismissed simultaneous narration as a mere curiosity, if not a sign of cultural decline in medieval India. Yet Yigal Bronner's Extreme Poetry effectively negates this position, proving that, far from being a meaningless pastime, this intricate, "bitextual" technique both transcended and reinvented Sanskrit literary expression. The poems of simultaneous narration teased and estranged existing convention and showcased the interrelations between the tradition's foundational texts. By focusing on these achievements and their reverberations through time, Bronner rewrites the history of Sanskrit literature and its aesthetic goals. He also expands on contemporary theories of intertextuality, which have been largely confined to Western texts and practices.