History of Music in Columbus, Georgia, 1828-1928
Author | : Katherine Hines Mahan |
Publisher | : |
Total Pages | : 816 |
Release | : 1968 |
Genre | : Music |
ISBN | : |
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Author | : Katherine Hines Mahan |
Publisher | : |
Total Pages | : 816 |
Release | : 1968 |
Genre | : Music |
ISBN | : |
Author | : Katherine Hines Mahan |
Publisher | : |
Total Pages | : 230 |
Release | : 1968 |
Genre | : Music |
ISBN | : |
Author | : Candace Bailey |
Publisher | : SIU Press |
Total Pages | : 276 |
Release | : 2010-05-05 |
Genre | : History |
ISBN | : 0809385570 |
Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.
Author | : E. Lawrence Abel |
Publisher | : Stackpole Books |
Total Pages | : 428 |
Release | : 2000-01-01 |
Genre | : History |
ISBN | : 0811746763 |
Scholarly volumes have been written about the causes of the war, presenting plausible reasons for the bloodbath of the 1860s. The arguments are endless and fascinating. Every generation finds new insight into the times. What has largely been ignored is the role of songs in America’s Civil War. This book chronicles the war’s social history in terms of its seldom discussed musical side, and is told from the perspective of the South. Outmanned and outgunned during the War, the South was certainly not musically bested.
Author | : Walter E. Steinhaus |
Publisher | : |
Total Pages | : 354 |
Release | : 1973 |
Genre | : Community music |
ISBN | : |
Author | : Katherine K. Preston |
Publisher | : University of Illinois Press |
Total Pages | : 508 |
Release | : 1993 |
Genre | : Music |
ISBN | : 9780252070020 |
"Leads the reader on an operatic tour of pre-Civil War America in this cultural study of what was an almost ubiquitous art form. It covers orchestral and choral musicians as well as stars, impresarios, business methods, repertories, advertising techniques, itineraries, sizes of companies, and methods of travel." -- Publisher's description
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 1428 |
Release | : 1971 |
Genre | : Copyright |
ISBN | : |
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 1510 |
Release | : 1972 |
Genre | : Copyright |
ISBN | : |
Author | : |
Publisher | : New York : R.R. Bowker Company |
Total Pages | : 1728 |
Release | : 1981 |
Genre | : Performing Arts |
ISBN | : |
Author | : Virginia Estes Causey |
Publisher | : University of Georgia Press |
Total Pages | : 344 |
Release | : 2019 |
Genre | : History |
ISBN | : 0820354996 |
Columbus is the third-largest city in Georgia, and Red Clay, White Water, and Blues is its first comprehensive history. Virginia E. Causey documents the city's founding in 1828 and brings its story to the present, examining the economic, political, social, and cultural changes over the period. It is the first history of the city that analyzes the significant contributions of all its citizens, including African Americans, women, and the working class. Causey, who has lived and worked in Columbus for more than forty years, focuses on three defining characteristics of the city's history: the role that geography has played in its evolution, specifically its location on the Chattahoochee River along the Fall Line, making it an ideal place to establish water-powered textile mills; the fact that the control of city's affairs rested in the hands of a particular business elite; and the endemic presence of violence that left a "bloody trail" throughout local history. Causey traces the life of Columbus: its founding and early boom years; the Civil War and its aftermath; conflicts as a modern city emerged in the first half of the twentieth century; racial tension and economic decline in the mid-to-late 1900s; and rebirth and revival of the city in the twenty-first century. Peppered throughout are compelling anecdotes about the city's most colorful characters, including Sol Smith and His Dramatic Company, music phenom Blind Tom Wiggins, suffragist Augusta Howard, industrialist and philanthropist G. Gunby Jordan, peanut purveyor Tom Huston, blueswoman Ma Rainey, novelist Carson McCullers, and insurance magnate John Amos.