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| Author | : David Bordwell |
| Publisher | : Harvard University Press |
| Total Pages | : 338 |
| Release | : 1997 |
| Genre | : History |
| ISBN | : 9780674634299 |
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
| Author | : John Howard Reid |
| Publisher | : Lulu.com |
| Total Pages | : 103 |
| Release | : 2013-05-21 |
| Genre | : Performing Arts |
| ISBN | : 1304056023 |
Table of Contents: Abraham Lincoln, Adventures of Marco Polo, Affaire Nina B., All Quiet on the Western Front, Anastasia, Anna Boleyn, Assassination of Jesse James, Belle Starr, The Big Knife, Bonnie Prince Charlie, Boys Town, Brigham Young, Butch and Sundance: The Early Days, Captain Fly-By-Night, Carry On Dick, Charge of the Light Brigade, Children of Eve, Cleopatra, The Court Martial of Billy Mitchell, The Cruel Sea, Day of the Locust, Destination Unknown, Disraeli, Divine Lady, The Devil's Brigade, The Devil's Needle, Don't Lose Your Head, Dr. Jekyll and Mr. Hyde, End of the Trail, The Enforcer, Excalibur, Fangs of Destiny, Great Gatsby, Great Dictator, Great Moment, Hawk of the Hills, Helen of Troy, Humanity and Paper Balloons, If I Were King, The Informer, In Old Arizona, In Old Chicago Is Paris Burning?, James Dean Story, The Jayhawkers, Joyeux Noel, King of Kings, The Lady of the Lake, The Law and Outlaw, Lives of a Bengal Lancer, The Lawless Breed, Man with the Green Carnation, Marco Polo, etc. etc.
| Author | : Caroline Young |
| Publisher | : Frances Lincoln |
| Total Pages | : 0 |
| Release | : 2012-10-02 |
| Genre | : Design |
| ISBN | : 9780711233751 |
Classic Hollywood Style explores iconic looks from the golden era of Hollywood, covering 35 films from the 1920s to the end of the 1960s. Caroline Young looks at the history and social context of the costumes through stories from the production, photos, interviews and original costume design sketches, and tips on how to 'get the look' today. While we celebrate the glacial elegance of Grace Kelly and the skin-tight sexiness of Marilyn Monroe, behind every look on screen was the costume designer who shaped the image. In the golden age of Hollywood, designers like Edith Head, Adrian and Travis Banton became stars in their own right. Women queued up to see the latest Joan Crawford and Greta Garbo release to lust after the glamorous costumes the stars would wear on screen. Department stores shamelessly mass-produced copies of gowns, film magazines would preview the new looks and women ran up their own versions on their sewing machines. In the 1960s women lowered their hems and sported berets to look just like Faye Dunaway in Bonnie and Clyde. Even today, an article on the little black dress will inevitably make mention of Audrey Hepburn. Every one of these films has perfectly captured a moment of fashion zeitgeist or has become an indelible image of cinema, whether it is Garbo in a trenchcoat in A Woman of Affairs, Joan Crawford's shoulder pads in Mildred Pierce, Rita Hayworth's strapless dress in Gilda, James Dean's red windbreaker in Rebel Without a Cause or Steve McQueen's ivy league style in The Thomas Crown Affair. Through archived records, studio press releases, behind the scenes memos, costume designer sketches and notes, censorship records and articles from magazines of the time, this is a behind-the-scenes look at the classic costumes of the silver screen.
| Author | : Wheeler Winston Dixon |
| Publisher | : Rutgers University Press |
| Total Pages | : 525 |
| Release | : 2018-03-30 |
| Genre | : Art |
| ISBN | : 0813595169 |
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
| Author | : Barry Langford |
| Publisher | : Edinburgh University Press |
| Total Pages | : 320 |
| Release | : 2010-08-31 |
| Genre | : Business & Economics |
| ISBN | : 0748643214 |
At the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry in ways beyond imagination in 1945. Nonetheless, at the start of a new century Hollywood's worldwide dominance is intact - indeed, in today's global economy the products of the American entertainment industry (of which movies are now only one part) are more ubiquitous than ever. How does today's "e;Hollywood"e; - absorbed into transnational media conglomerates like NewsCorp., Sony, and Viacom - differ from the legendary studios of Hollywood's Golden Age? What are the dominant frameworks and conventions, the historical contexts and the governing attitudes through which films are made, marketed and consumed today? How have these changed across the last seven decades? And how have these evolving contexts helped shape the form, the style and the content of Hollywood movies, from Singin' in the Rain to Pirates of the Caribbean? Barry Langford explains and interrogates the concept of "e;post-classical"e; Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present. Integrating film history, discussion of movies' social and political dimensions, and analysis of Hollywood's distinctive methods of storytelling, Post-Classical Hollywood charts key critical debates alongside the histories they interpret, while offering its own account of the "e;post-classical."e; Wide-ranging yet concise, challenging and insightful, Post-Classical Hollywood offers a new perspective on the most enduringly fascinating artform of our age.
| Author | : David Bordwell |
| Publisher | : Routledge |
| Total Pages | : 1338 |
| Release | : 2003-09-02 |
| Genre | : Social Science |
| ISBN | : 1134988087 |
'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.
| Author | : Christopher Beach |
| Publisher | : Univ of California Press |
| Total Pages | : 246 |
| Release | : 2015-05 |
| Genre | : Performing Arts |
| ISBN | : 0520284356 |
The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth century—such as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert Burks—this pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film.
| Author | : Douglas Gomery |
| Publisher | : Routledge |
| Total Pages | : 774 |
| Release | : 2011-02-28 |
| Genre | : Performing Arts |
| ISBN | : 1136835245 |
How can we understand the history of film? Historical facts don’t answer the basic questions of film history. History, as this fascinating book shows, is more than the simple accumulation of film titles, facts and figures. This is a survey of over 100 years of cinema history, from its beginnings in 1895, to its current state in the 21st century. An accessible, introductory text, Movie History: A Survey looks at not only the major films, filmmakers, and cinema institutions throughout the years, but also extends to the production, distribution, exhibition, technology and reception of films. The textbook is divided chronologically into four sections, using the timeline of technological changes Written by two highly respected film scholars and experienced teachers, Movie History is the ideal textbook for students studying film history.
| Author | : Robert Burgoyne |
| Publisher | : Wiley-Blackwell |
| Total Pages | : 200 |
| Release | : 2008-02-11 |
| Genre | : Performing Arts |
| ISBN | : |
Takes you on a cinematic journey through the controversial portrayal of history on film - from the swashbuckling epics of the silent era to up-to-the-minute dramas like World Trade Center. With thought-provoking analysis, this work examines the power of historic films to entertain and promote national myths while influencing public opinion.
| Author | : Gerald Mast |
| Publisher | : MacMillan Publishing Company |
| Total Pages | : 712 |
| Release | : 1992 |
| Genre | : Performing Arts |
| ISBN | : |
B> The seventh edition of A Short History of the Movies continues the tradition that has made it one of the most popular books ever in film history. This volume offers students a panoramic overview of the worldwide development of film, from the early Mack Sennett and Charlie Chaplin shorts, through the studio heyday of the 1930s and 1940s and the Hollywood Renaissance of the 1960s and 1970s, to the pictures and their technology appearing in the multiplexes of today. This new edition, which has been revised and rewritten to reflect current scholarship and recent industry developments, and new films and filmmakers, represents an accurate, scrupulous updating of a classic. Features an emphasis on key historical and aesthetic principles provides solid scholarship in an accessible, intelligent, and readable format. Inlcudes almost 500 color and black-and-white photographs including frame enlargements and production stills. Includes evaluations of great works from such directors as Griffith, Ford, Scorsese, and Hitchcock illuminates conflicts and controversies in many areas of filmmaking. Also features extensive treatment of international film enables comparison and contrast between American films and those of other countries, particularly Germany, Russia, France, Italy, and China. For anyone interested in the history of film.
