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| Author | : Peter Walls |
| Publisher | : Boydell & Brewer Incorporated |
| Total Pages | : 184 |
| Release | : 2003 |
| Genre | : Music |
| ISBN | : 9781843830054 |
Both a defence of research aiming to recover how music sounded in the past and an argument for the application of such historical research to performance.
| Author | : Aaron Copland (American composer, writer on music, pianist, conductor and teacher) |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1953 |
| Genre | : |
| ISBN | : |
| Author | : Naomi A. Weiss |
| Publisher | : Univ of California Press |
| Total Pages | : 300 |
| Release | : 2024-05-21 |
| Genre | : Drama |
| ISBN | : 0520401441 |
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides' allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides' experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.
| Author | : Ronald M. Radano |
| Publisher | : University of Chicago Press |
| Total Pages | : 728 |
| Release | : 2000-12 |
| Genre | : History |
| ISBN | : 9780226701998 |
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
| Author | : Leo Treitler |
| Publisher | : |
| Total Pages | : 336 |
| Release | : 1989 |
| Genre | : Music |
| ISBN | : |
| Author | : Peter Walls |
| Publisher | : Routledge |
| Total Pages | : 588 |
| Release | : 2017-07-05 |
| Genre | : History |
| ISBN | : 1351574728 |
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
| Author | : Mary Cyr |
| Publisher | : Routledge |
| Total Pages | : 281 |
| Release | : 2016-04-01 |
| Genre | : Music |
| ISBN | : 1317048822 |
Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.
| Author | : Laurenz Lütteken |
| Publisher | : University of California Press |
| Total Pages | : 240 |
| Release | : 2019-01-08 |
| Genre | : Music |
| ISBN | : 0520297903 |
Where previous accounts of the Renaissance have not fully acknowledged the role that music played in this decisive period of cultural history, Laurenz Lütteken merges historical music analysis with the analysis of the other arts to provide a richer context for the emergence and evolution of creative cultures across civilizations. This fascinating panorama foregrounds music as a substantial component of the era and considers musical works and practices in a wider cultural-historical context. Among the topics surveyed are music's relationship to antiquity, the position of music within systems of the arts, the emergence of the concept of the musical work, as well as music's relationship to the theory and practice of painting, literature, and architecture. What becomes clear is that the Renaissance gave rise to many musical concepts and practices that persist to this day, whether the figure of the composer, musical institutions, and modes of musical writing and memory.
| Author | : Kofi Agawu |
| Publisher | : Oxford University Press |
| Total Pages | : 389 |
| Release | : 2016 |
| Genre | : Music |
| ISBN | : 0190263202 |
The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music.
| Author | : Jocelyn Thorpe |
| Publisher | : Routledge |
| Total Pages | : 495 |
| Release | : 2016-11-10 |
| Genre | : Business & Economics |
| ISBN | : 1317353560 |
This book examines the challenges and possibilities of conducting cultural environmental history research today. Disciplinary commitments certainly influence the questions scholars ask and the ways they seek out answers, but some methodological challenges go beyond the boundaries of any one discipline. The book examines: how to account for the fact that humans are not the only actors in history yet dominate archival records; how to attend to the non-visual senses when traditional sources offer only a two-dimensional, non-sensory version of the past; how to decolonize research in and beyond the archives; and how effectively to use sources and means of communication made available in the digital age. This book will be a valuable resource for those interested in environmental history and politics, sustainable development and historical geography.
