Historic House Museums in Connecticut and Rhode Island
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Release | : 1976 |
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Release | : 1976 |
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Author | : Rhode Island Historic Houses and Museum Committee |
Publisher | : |
Total Pages | : 3 |
Release | : 1970 |
Genre | : Historic buildings |
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Author | : Source Wikipedia |
Publisher | : University-Press.org |
Total Pages | : 24 |
Release | : 2013-09 |
Genre | : |
ISBN | : 9781230481685 |
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 23. Chapters: Belcourt Castle, The Breakers, The Elms, Rosecliff, Rough Point, Green Animals Topiary Garden, Wanton-Lyman-Hazard House, Gilbert Stuart Birthplace, Chateau-sur-Mer, Whitehall Museum House, Isaac Bell House, Hunter House, Smith's Castle, Marble House, Beechwood, Eleazer Arnold House, Clemence-Irons House, John Brown House, Kingscote, Nelson W. Aldrich House, Blithewold Mansion, Gardens and Arboretum, Governor Stephen Hopkins House, John N. A. Griswold House, General Nathanael Greene Homestead, Vernon Court, Governor Henry Lippitt House, Samuel Whitehorne House, Smith-Appleby House, Hearthside, Mount Hope Farm, Wilbor House, Gov. William Sprague Mansion, Paine House, Gen. James Mitchell Varnum House, Chepstow, Linden Place. Excerpt: Belcourt Castle is the former summer cottage of Oliver Hazard Perry Belmont, located on Bellevue Avenue in Newport, Rhode Island. Begun in 1891 and completed in 1894, it was intended to be used for only six to eight weeks of the year. Designed in a multitude of European styles and periods, Belcourt was designed with heavy emphasis on French Renaissance and Gothic decor, with further borrowings from German, English and Italian design. In the Gilded Age, the castle was well noted for its extensive stables and carriage areas, which were incorporated into the main structure. Located on Bellevue Avenue at Lakeview Avenue, Belcourt was designed by Richard Morris Hunt for thirty-three-year-old Oliver Belmont who was still a bachelor during the construction of his 50,000 square foot (4,600 m ), 60 room summer villa. Based on the Louis XIII hunting lodge at Versailles, Belcourt incorporated Oliver's love of pageantry, history and horses in its magnificent interior halls, salons and ballrooms. The Belmont Stakes was named for his father and he was known for his skill as a four-in-hand carriage...
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Total Pages | : 84 |
Release | : 1882 |
Genre | : Connecticut |
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Author | : Patricia Chambers Walker |
Publisher | : Rowman & Littlefield |
Total Pages | : 516 |
Release | : 2000 |
Genre | : History |
ISBN | : 9780742503441 |
The first comprehensive guide to America's historic house museums, this directory moves beyond merely listing institutions to providing information about interpretive themes, historical and architectural significance, collections, and cultural and social importance, along with programming events and facility information. Useful cross-reference guides provide quick and easy ways of locating information on almost 2500 museums. A multi-functional reference for museum professionals, local historians, historic preservationists or anyone interested in America's historic house museums.
Author | : Vitetta Group |
Publisher | : |
Total Pages | : 152 |
Release | : 2001 |
Genre | : Historic buildings |
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Author | : Franklin D Vagnone |
Publisher | : Left Coast Press |
Total Pages | : 263 |
Release | : 2016 |
Genre | : Art |
ISBN | : 1629581712 |
This book offers a step-by-step guide to historic house museums to make them more informative and sustainable through an inclusive, visitor-centered paradigm of the shared experience of human habitation.
Author | : Kenneth C. Turino |
Publisher | : Rowman & Littlefield |
Total Pages | : 320 |
Release | : 2019-09-13 |
Genre | : Business & Economics |
ISBN | : 1442272996 |
Creating tours, school programs, and other interpretive activities at historic house museums are among the most effective ways to engage the public in the history of their community and yet many organizations fail to achieve their potential. This guide describes the essential elements of successful interpretation: content, audience, and methods.
Author | : Norman Morrison Isham |
Publisher | : |
Total Pages | : 234 |
Release | : 1895 |
Genre | : Architecture |
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Author | : Linda Young |
Publisher | : Rowman & Littlefield |
Total Pages | : 313 |
Release | : 2016-12-13 |
Genre | : Business & Economics |
ISBN | : 1442239778 |
Historic House Museums in the United States and the United Kingdom: A History addresses the phenomenon of historic houses as a distinct species of museum. Everyone understands the special nature of an art museum, a national museum, or a science museum, but “house museum” nearly always requires clarification. In the United States the term is almost synonymous with historic preservation; in the United Kingdom, it is simply unfamiliar, the very idea being conflated with stately homes and the National Trust. By analyzing the motivation of the founders, and subsequent keepers, of house museums, Linda Young identifies a typology that casts light on what house museums were intended to represent and their significance (or lack thereof) today. This book examines: • heroes’ houses: once inhabited by great persons (e.g., Shakespeare’s birthplace, Washington’s Mount Vernon); • artwork houses: national identity as specially visible in house design, style, and technique (e.g., Frank Lloyd Wright houses, Modernist houses); • collectors’ houses: a microcosm of collecting in situ domesticu, subsequently presented to the nation as the exemplars of taste (e.g., Sir John Soane’s Museum, Isabella Stewart Gardner Museum); • English country houses: the palaces of the aristocracy, maintained thanks to primogeniture but threatened with redundancy and rescued as museums to be touted as the peak of English national culture; English country houses: the palaces of the aristocracy, maintained for centuries thanks to primogeniture but threatened by redundancy and strangely rescued as museums, now touted as the peak of English national culture; • Everyman/woman’s social history houses: the modern, demotic response to elite houses, presented as social history but tinged with generic ancestor veneration (e.g., tenement house museums in Glasgow and New York).