Histoire Du Roman Francais Depuis 1918
Author | : C. E. Magny |
Publisher | : |
Total Pages | : 0 |
Release | : 1950 |
Genre | : |
ISBN | : |
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Author | : C. E. Magny |
Publisher | : |
Total Pages | : 0 |
Release | : 1950 |
Genre | : |
ISBN | : |
Author | : Claude-Edmonde 1913-1966 Magny |
Publisher | : Hassell Street Press |
Total Pages | : 364 |
Release | : 2021-09-09 |
Genre | : |
ISBN | : 9781014008411 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Claude-Edmonde Magny |
Publisher | : |
Total Pages | : 350 |
Release | : 1950 |
Genre | : French fiction |
ISBN | : |
Author | : Rene Lalou |
Publisher | : |
Total Pages | : 127 |
Release | : 1941 |
Genre | : French fiction |
ISBN | : |
Author | : Leonid Livak |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 332 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9780299185145 |
Here, reintroduced into literary circulation, is an ignored yet rich and original page in Russian literary history--the "unnoticed generation" of Russian writers who took up residence in France after the Bolshevik coup of 1917. Leonid Livak analyzes the position of these writers in the context of French modernist literature, examining the ways in which French literary life influenced émigré artistic identities and oeuvre. The book challenges commonly accepted notions of émigré isolation from French literature and culture and is instrumental in reaching a fuller understanding of the cultural mechanisms involved in the effort by an expatriate community to carry on a creative existence.
Author | : Mieke Bal |
Publisher | : University of Chicago Press |
Total Pages | : 516 |
Release | : 2006-05-15 |
Genre | : Art |
ISBN | : 0226035859 |
This reader brings together a representative collection of Mieke Bal's work that distills her broad interests and areas of expertise. It is organised into four parts, reflecting the fields that Bal has most profoundly influenced: literary study, interdisciplinary methodology, visual analysis, and postmodern theology.
Author | : Martin Hurcombe |
Publisher | : BRILL |
Total Pages | : 277 |
Release | : 2021-11-01 |
Genre | : Social Science |
ISBN | : 9004486682 |
This volume represents the first in-depth English-language study of the French combat novel of the Great War, an immensely popular genre at the time which includes influential texts such as Henri Barbusse’s Le Feu and Roland Dorgelès’s Les Croix de bois. It explores through these works, and less well-known but equally popular patriotic novels of the period, the effect that experiencing war has upon the writer’s understanding of the world, arguing that, in their depiction of conflict, these writers demonstrate a decidedly complex and modernist understanding of humanity’s place in the world. In particular, the author examines the French combat novel’s evocation of a world where a sense of the Absurd vies with the novelist’s desire to re-impose order through a particular political understanding of the Great War itself, be it in the form of revolutionary socialism, French nationalism, or humanism. In this way, this volume contends, ideology becomes a force for responding to and countering the sense of contingency that characterises the human experience of combat. It will be of interest to scholars of twentieth-century French fiction and thought.
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 1510 |
Release | : 1971 |
Genre | : Copyright |
ISBN | : |
Author | : Olga Fischer |
Publisher | : John Benjamins Publishing |
Total Pages | : 412 |
Release | : 2001-01-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 9789027225740 |
This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the 'mise en abyme', to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare's rhetoric, the structural design of Margaret Atwood's writings and the changing fashions in fictional landscape description. Thus, these analyses of 'the motivated sign' represent yet another strong challenge to Saussure's dogma of arbitrariness (Jakobson).
Author | : Ken Ireland |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 344 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780838638637 |
Building on critical theories of narrative, this study analyses temporal and continuity relations in fiction