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Laura Esquivel's Mexican Fictions

Laura Esquivel's Mexican Fictions
Author: Elizabeth Moore Willingham
Publisher: Apollo Books
Total Pages: 312
Release: 2012-05-18
Genre: Literary Criticism
ISBN: 9781845195564

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This book - now available in paperback - is the first in-depth review and assessment of Laura Esquivel criticism. Outstanding essayists - from diverse critical perspectives in Latin American literature and film - explore Esquivel's critical reputation, contextualize her work in literary movements, and consider her four novels, as well as the film based on Like Water for Chocolate. The book begins with An Introduction to Esquivel Criticism, reviewing 20 years of global praise and condemnation. Elena Poniatowska, in an essay provided in the original Spanish and in translation, reflects on her first reading of Like Water for Chocolate. From unique critical perspectives, Jeffrey Oxford, Patrick Duffey, and Debra Andrist probe the novel as film and fiction. The Rev. Dr. Stephen Butler Murray explores Esquivel's spiritual focus, while cultural geographer Maria Elena Christie uses words and images to compare Mexican kitchen-space and Esquivel's first novel. Elizabeth Coonrod Martinez and Lydia H. Rodriguez affirm divergent readings of The Law of Love, and Elizabeth M. Willingham discusses the contested national identity in Swift as Desire. Jeanne L. Gillespie and Ryan F. Long approach Malinche: A Novel through historical documents and popular and religious culture. In the closing essay, Alberto Julian Perez contextualizes Esquivel's fiction within Feminist and Hispanic literary movements. This book has won the Harvey L. Johnson Book Award for 2011, conferred by the South Central Organization of Latin American Studies at its 44th annual Congress in Miami, Florida (March 9, 2012).


Writing the Apocalypse

Writing the Apocalypse
Author: Lois Parkinson Zamora
Publisher: Cambridge University Press
Total Pages: 254
Release: 1989-04-28
Genre: Literary Collections
ISBN: 9780521362238

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This is a comparative literary study of apocalyptic themes and narrative techniques in the contemporary North and Latin American novel. Zamora explores the history of the myth of apocalypse, from the Bible to medieval and later interpretations, and relates this to the development of American apocalyptic attitudes. She demonstrates that the symbolic tensions inherent in the apocalytic myth have special meaning for postmodern writers. Zamora focuses her examination on the relationship between the temporal ends and the narrative endings in the works of six major novelists: Gabriel Garcia Marquez, Thomas Pynchon, Julio Cortazar, John Barth, Walker Percy, and Carlos Fuentes. Distinguished by its unique, cross-cultural perspective, this book addresses the question of the apocalypse as a matter of intellectual and literary history. Zamora's analysis will enlighten both scholars of North and Latin American literature and readers of contemporary fiction.


The Resilient Apocalypse

The Resilient Apocalypse
Author: Julia A. Kushigian
Publisher: UNC Press Books
Total Pages: 364
Release: 2024-05-01
Genre: Literary Criticism
ISBN: 1469681897

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Portraits of good battling evil in the geography of hell come in many forms in the Hispanic World. Apocalyptic nightmares, frightful images of chaos and death are inclusive and interrelated, yet simultaneously project an exceptional quality ("never seen or experienced before," "the mother of all battles," "I am the only one who can fix it"). This investigation explores how narrative logic may challenge unified notions of finalities when images remain unfulfilled in a proscribed End. By redeploying transglobal character and narrative potential, the Apocalypse suggests bewildering complexities as it trains its lens on New Beginnings. Here analysis explores resilient formulas for combating the End through resistance in Latin America, Spain and Latin@ communities in the US. Whether revealed through gilded illustrations, messianic chronicles, poetry, Baroque letters, racially-motivated novels, sexuality and spirituality in film or intimidating immigrant photos, apocalyptic examples explode notions of final moments. The Resilient Apocalypse ironically performs as both an internal defense (a vehicle for mourning) and a counter-discourse to power (a mechanism for resistance). This study argues for a strategy that listens to and keeps the enemy "in sight and in mind," a method for grappling with and engaging difference by decolonizing the politics of the End. It reformulates an incomplete, mythical, and uncanny narrative into a poetics of resistance with communal solutions and obligations. When the Apocalypse is unremittingly sought after to impose social justice, salvation and reason, it paradoxically introduces future hope against itself. In the works of Beato de Liebana, Sor Juana Ines de la Cruz, Cirilo Villaverde, Cristina Garcia, Martin Kohan, Jennifer Maytorena Taylor, Santiago Roncagliolo, Alfonso Cuaron, etc., rival traditions internalize competing apocalyptic worldviews and arrive at sustainable plans of action for negotiating the afterward. By bracketing the finality of the End and proposing a tension between conflict archaeology and the transcendence of opposition through renovation, salvation or hope, this study reveals how plural, competing viewpoints of the End go a long way to legitimizing each other. Ultimately, The Resilient Apocalypse traces a compelling narrative theory of unfulfilled promise that forever changes the way we engage the other and value the self during intervals of fear.


The Millennial New World

The Millennial New World
Author: Frank Graziano John D. MacArthur Professor of Hispanic Studies Connecticut College
Publisher: Oxford University Press, USA
Total Pages: 388
Release: 1999-10-30
Genre: History
ISBN: 0198028830

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Much has been written about millennialism in the U.S. and its European roots. But although it is widely recognized that millennialism is also endemic to Latin America, until now there has been no systematic study of this phenomenon as it has flourished in that part of the world. Graziano here offers the first such study, examining Latin American millennialism from its Iberian and indigenous antecedents to present social, revolutionary, religious, and political movements.


Shipwreck and Island Motifs in Literature and the Arts

Shipwreck and Island Motifs in Literature and the Arts
Author:
Publisher: BRILL
Total Pages: 364
Release: 2015-05-19
Genre: Literary Criticism
ISBN: 9004298754

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The motifs of island and shipwreck have been present in literature and the arts from ancient times. Whether they occur as plot elements, as part of literary or film imagery, as symbols in paintings, as leitmotifs in songs, or as concepts in philosophical theories, both have always been a source of fascination to authors, artists and scholars. In Shipwreck and Island Motifs in Literature and the Arts, Brigitte Le Juez and Olga Springer have gathered essays that explore shipwreck and island figures in texts as historically, culturally and artistically diverse as Walter Scott’s The Lord of the Isles, Cristina Fernández Cubas’ “The Lighthouse”, reality TV series Treasure Island, pop songs of the BBC Radio programme Desert Island Discs, or The Otolith Group’s essay-film Hydra Decapita.


Spain is different?

Spain is different?
Author: Dale Knickerbocker
Publisher: University of Wales Press
Total Pages: 283
Release: 2021-12-15
Genre: Literary Criticism
ISBN: 1786838141

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Employs a variety of theoretical approaches, including critical and genre theories, archetypal criticism and biblical studies. Analyses an important literary trend, apocalyptic fiction around the end of the second millennium. Contextualises and explains the Spanish novels historically and compares and contrasts them with other global apocalyptic fictions. Supports its observations with close-reading of the texts.


Monographic Review

Monographic Review
Author:
Publisher:
Total Pages: 172
Release: 1998
Genre: American literature
ISBN:

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