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Hindu Myth, Hindu History, Religion, Art, and Politics

Hindu Myth, Hindu History, Religion, Art, and Politics
Author: Heinrich von Stietencron
Publisher: Orient Blackswan
Total Pages: 352
Release: 2005
Genre: Civilization, Hindu
ISBN: 9788178241227

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Drawing Upon Varions Sources And Currents Folk, Tribal, And The Multilayered Sanskritic Tradition The Author Offers In This Volume, Major Insights Into The Complex Cultural History Of Hindu Traditions.


Hinduism and the Religious Arts

Hinduism and the Religious Arts
Author: Heather Elgood
Publisher: A&C Black
Total Pages: 261
Release: 2000-04-01
Genre: Religion
ISBN: 0304707392

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The roots between the Hindu religion and the wider culture are deep and uniquely complex. No study of either ancient or contemporary Indian culture can be undertaken without a clear understanding of Hindu visual arts and their sources in religious belief and practice. Defining what is meant by religion - no such term exists in Sanskrit - and what is understood by Hindu ideals of beauty, Heather Elgood provides the best synthesis and critical study of recent scholarship on the topic. In addition, this book offers critical background information for anyone interested in the social and anthropological roots of artistic creativity, as well as the rites, practices and beliefs of the hundreds of millions of Hindus in the world today.


Divine Descent and the Four World-Ages in the Mahābhārata – or, Why Does the Kṛṣṇa Avatāra Inaugurate the Worst Yuga?

Divine Descent and the Four World-Ages in the Mahābhārata – or, Why Does the Kṛṣṇa Avatāra Inaugurate the Worst Yuga?
Author: Simon Brodbeck
Publisher: Cardiff University Press
Total Pages: 212
Release: 2022-10-12
Genre: Science
ISBN: 1911653431

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This monograph approaches the Mahābhārata as a single work of literature, and the method is that of close textual study. Key verses are quoted in the original Sanskrit and in English translation. The title problem has been recognised before, but no detailed solution has been forthcoming. The monograph’s objective is to try to articulate a Mahābhārata theology of time. In Chapter 1, the monograph’s argument and synchronic methodology are summarised. In Chapter 2, the cycle of four yugas (world-ages) is outlined and discussed on the basis of the textual evidence. Each yuga is shorter and less moral than the last, and between them they constitute a repeating 12,000-year cycle. In Chapter 3, the Mahābhārata war is shown to be located at the junction between the third and fourth yugas. The idea of God Viṣṇu-Nārāyaṇa descending to improve the world is introduced, and the title question is properly posed: Why does God’s descent as Kṛṣṇa (to make the Mahābhārata war happen) inaugurate the worst yuga? In Chapter 4, the various descents (avatāras, ‘crossings-down’) of God Viṣṇu-Nārāyaṇa are discussed. Also discussed is a theory suggesting that the passage between yugas always requires a divine descent to effect it. The limitations of this theory are described and an alternative sketched. In Chapter 5, two general functions of divine descent are identified: to improve the world morally by killing demons, and to help the personified Earth by reducing the human weight upon her. These two functions are correlated with the two extremities of the four-yuga cycle, between which time oscillates. But the Mahābhārata war is not located at either extremity. Central to the monograph is a survey and discussion of the reasons given for this particular descent. These passages combine the two functions of divine descent, neither of which is entirely appropriate to this moment. It is argued that the descent here represents what happens over the course of the whole cycle. The discussion draws on Vedic literature, touches on gender issues, and shows how the two functions play out in the story of the war. In Chapter 6, the progress of the fourth yuga is tracked through the Mahābhārata’s various characters and then the ancient audience, who would anticipate the start of the next cycle. It is hypothesised that this was to occur through the long-term action of the Mahābhārata, as more and more people would put into practice the teachings presented by Kṛṣṇa in the Bhagavadgītā. The Kṛṣṇa avatāra would thus inaugurate the worst yuga because the seed planted there takes time to ripen. Chapter 7 reflects summarily upon the monograph’s explorations, the theory of divine descent, and the text’s theology of time. By employing a resolutely synchronic methodology the monograph makes a significant contribution on an important and latterly overlooked issue.


Political Violence in Ancient India

Political Violence in Ancient India
Author: Upinder Singh
Publisher: Harvard University Press
Total Pages: 617
Release: 2017-09-25
Genre: History
ISBN: 0674975278

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Foundation -- Transition -- Maturity -- War -- The wilderness.


Portraiture in Early India

Portraiture in Early India
Author: Vincent Lefèvre
Publisher: BRILL
Total Pages: 290
Release: 2011-07-12
Genre: Art
ISBN: 900420735X

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This book highlights the specificities of Indian portraiture in sculpted and painted images, its relationship with divine images and aims, with the help of textual and epigraphical references, to understand the development of Indian imagery. It questions also the social and religious implications related to this issue.


Cultural Identity in Hindi Plays

Cultural Identity in Hindi Plays
Author: Diana Dimitrova
Publisher: Oxford University Press
Total Pages: 209
Release: 2022-10-15
Genre: Group identity in literature
ISBN: 019286906X

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This book deals with the interface between identity, culture and literature. It aims at studying questions of cultural identity and gender in Hindi plays of the 19th- and 20th- centuries and the interplay of poetics and politics, as revealed in the work of several influential playwrights. The book explores questions related to the ways in which seven representative playwrights imagine India and its identity and the ways, in which this concept is revealed in the "narratives of the nation", its postcolonial contentions and the politics of identity, as revealed in the production of various cultural discourses. The chapters explore various aspects of the ongoing process of constructing and narrating culture, gender, the nation and identity. There has been no monograph on the questions of cultural identity in Hindi drama. This is a pioneering project and a desideratum in the field of Hindi literature, South Asian Studies, and broadly, in the study of theatre of India and of South Asian cultures and literatures.


The Making of a Modern Temple and a Hindu City

The Making of a Modern Temple and a Hindu City
Author: Deonnie Moodie
Publisher: Oxford University Press
Total Pages: 288
Release: 2018-11-06
Genre: Religion
ISBN: 0190885289

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Kalighat is said to be the oldest and most potent Hindu pilgrimage site in the city of Kolkata (formerly Calcutta). It is home to the dark goddess Kali in her ferocious form and attracts thousands of worshipers a day, many sacrificing goats at her feet. In The Making of a Modern Temple and a Hindu City, Deonnie Moodie examines the ways middle-class authors, judges, and activists have worked to modernize Kalighat over the past long century. Rather than being rejected or becoming obsolete with the arrival of British colonialism and its accompanying iconoclastic Protestant ideals, the temple became a medium through which middle-class Hindus could produce and publicize their modernity, as well as the modernity of their city and nation. That trend continued and even strengthened in the wake of India's economic liberalization in the 1990s. Kalighat is a superb example of the ways Hindus work to modernize India while also Indianizing modernity through Hinduism's material forms. Moodie explores both middle-class efforts to modernize Kalighat and the lower class's resistance to those efforts. Conflict between class groups throws into high relief the various roles the temple plays in peoples' lives, and explains why the modernizers have struggled to bring their plans to fruition. The Making of a Modern Temple and a Hindu City is the first scholarly work to juxtapose and analyze processes of historiographical, institutional, and physical modernization of a Hindu temple.


Change, Continuity and Complexity

Change, Continuity and Complexity
Author: Jae-Eun Shin
Publisher: Routledge
Total Pages: 376
Release: 2018-05-30
Genre: Religion
ISBN: 0429831021

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The Mah?vidy?s are the representative Tantric feminine pantheon consisting of ten goddesses. It is formed by divergent religious strands and elements: the m?t? and yogin? worship, the cult of K?l? and Tripurasundar?, Vajray?na Buddhism, Jain Vidy?dev?s, ?aiva and Vai??ava faith, ?r?vidy?, the Brahmanical strand of Puranic traditions, etc. This volume is the first attempt to explore the historical process, through which these traditions culminated in the Mah?vidy? cult and the goddesses with different origins and contradictory attributes were brought into a cluster, with special reference to socio-political changes in the lower Ga?g? and Brahmaputra Valley between the 9th and 15th centuries CE. Based on a close analysis of Pur??as, Tantras and inscriptional evidence, and on extensive field research on archaeological remains as well as sacred sites, Jae-Eun Shin discusses the two trajectories of the Mah?vidy?s in eastern ??kta traditions. Each led to the systematization of Da?amah?vidy?s in a specific way: one, as ten manifestations of Durg? upholding dharma in the cosmic dimension, and the other, as ten mandalic goddesses bearing magical powers in the actual sacred site. Their attributes and characteristics have neither been static nor monolithic, and the mode of worship prescribed for them has changed in a dialectical religious process between Brahmanical and Tantric traditions of the region. This is the definitive work for anyone seeking to understand goddess cults of South Asia in general and the history of eastern ??kta traditions in particular. To aid study, the volume includes images, diagrams and maps. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.


Hindu Mysteries of Vedic India

Hindu Mysteries of Vedic India
Author: Henry Romano
Publisher: DTTV PUBLICATIONS
Total Pages: 187
Release:
Genre: History
ISBN:

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The Hinduism of today is a vast and diverse religion, but its roots can be traced back thousands of years to the Vedas. The Rig Veda is an ancient text that outlines the beliefs of early Hindus, including their pantheon of deities. There are many different types of gods in the Hindu tradition (more than 330 million). Still, some hold special significance in the ancient texts: Rudra, Vishnu, Brahma, and Shiva are just some examples. The word "Hinduism" is derived from Sindhu, which means river. The Indus River flows through Pakistan and the Indian states of Jammu and Kashmir, Punjab, Haryana, Rajasthan, Gujarat, and Uttar Pradesh. The religion is also called Sanatana Dharma (Eternal Law) or Bhagavata Dharma (Divine Faith). Hinduism is the world's oldest living major religion. Ancient India's first civilization developed around 2200 B.C., with its roots in Vedic civilization dating back to 1500 B.C. It has no founder, but various sages have written many religious texts over some time, including Vedas (the hymns), Upanishads (philosophical treatises), Puranas(mythology), Ramayana, and Mahabharata epics, as well as treatises on ethics like Manusmriti. The Rigveda is the oldest of the four Vedas and one of India's most important ancient texts. It is a collection of over 10,000 Sanskrit hymns that many different poets wrote. The hymns are dedicated to the gods and goddesses of ancient India, including Indra, Agni (the God of fire), Ushas (Dawn), Sarasvati (Goddess of wisdom), Soma (Moon), and Varuna (God). There are many deities in Hinduism, but they can be broadly categorized into two main groups: Devas (gods) and Asuras (demons). The Devas represent the forces of good, while the Asuras represent the forces of evil; however, there is often an overlap between these two categories. Some well-known Devas include Brahma (the Creator), Vishnu (the Preserver), Shiva/Rudra/Pashupati (the Destroyer), Indra/Agni (king of gods who controls rain and thunderstorms), etc. Some well-known Asuras include Vritra ("dragon"), Hiranyaksha ("golden arm"), and Hiranyakashipu ("lord with golden arms"). The names of these deities may vary from region to region depending on which text you reference; for example, Vishnu may also be known as Narayana or Hari among some communities within South India.


Between Hindu and Christian

Between Hindu and Christian
Author: Kerry P. C. San Chirico
Publisher: Oxford University Press
Total Pages: 361
Release: 2023-01-13
Genre: Religion
ISBN: 0190067128

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"Between Hindu and Christian examines a movement of low caste and Dalit devotees worshipping Jesus in Catholic spaces in Varanasi, the purported heart of Hindu civilization. Through thick description and analysis, the author examines the worldview and ways of life of these devotees, along with the Catholic priests and nuns who mediate Jesus, Mary and other members of the Catholic pantheon in a place never associated with Christianity. The author places this movement within the context of the devotional history of Varanasi, the history of Indian Christianity, the rise of low caste and Dalit emancipatory struggles, and the ascendance of Hindu nationalism to demonstrate, among other things, that religious categories are not nearly as self-evident as they often seem"--