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| Author | : Christie, Manson & Woods |
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| Total Pages | : 0 |
| Release | : 1903 |
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| Release | : 1903 |
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| Author | : Christie, Manson & Woods |
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| Release | : 1903 |
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| Author | : Christie, Manson & Woods |
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| Total Pages | : 23 |
| Release | : 1903 |
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| Author | : Christie Manson And Woods |
| Publisher | : Forgotten Books |
| Total Pages | : 68 |
| Release | : 2018-09-15 |
| Genre | : Art |
| ISBN | : 9781391619965 |
Excerpt from Catalogue of the Highly Important Collection of French Pictures of the Eighteenth Century and Pictures and Drawings of the English School of Reginald Vaile, Esq.: Which Will Be Sold by Auction This drawing was done in 1871 as a poster for Wilkie Collins' dramatised novel. A woodcut was made from it by Mr. Hooper, to whom the artist wrote at the time I am bent on doing all I can, with a first attempt at what I consider might develop into a most important branch of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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| Total Pages | : 10 |
| Release | : 1903 |
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| Author | : Christie, Manson & Woods (London) |
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| Total Pages | : 0 |
| Release | : 1903 |
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| Author | : Monica Preti |
| Publisher | : Routledge |
| Total Pages | : 211 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351569929 |
The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.
| Author | : National Gallery (Great Britain) |
| Publisher | : National Gallery Catalogues |
| Total Pages | : 632 |
| Release | : 2018 |
| Genre | : Art |
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The impressive collection of 18th-century French paintings at the National Gallery, London, includes important works by Boucher, Chardin, David, Fragonard, Watteau, and many others. This volume presents over seventy detailed and extensively illustrated entries that expand our understanding of these paintings. Comprehensive research uncovers new information on provenance and on the lives of identified portrait sitters. Humphrey Wine explains the social and political contexts of many of the paintings, and an introductory essay looks at the attitude of 18th-century Britons to the French, as well as the market for 18th-century French paintings then in London salerooms. Published by National Gallery Company/Distributed by Yale University Press
| Author | : Katharine Baetjer |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 413 |
| Release | : 2019-04-15 |
| Genre | : Art |
| ISBN | : 1588396614 |
This publication catalogues The Met’s remarkable collection of eighteenth-century French paintings in the context of the powerful institutions that governed the visual arts of the time—the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. At the height of their authority during the eighteenth century, these institutions nurtured the talents of artists in all genres. The Met’s collection encompasses stunning examples of work by leading artists of the period, including Antoine Watteau (Mezzetin), Jean Siméon Chardin (The Silver Tureen), François Boucher (The Toilette of Venus), Joseph Siffred Duplessis (Benjamin Franklin), Jean-Baptiste Greuze (Broken Eggs), Hubert Robert (the Bagatelle decorations), Jacques Louis David (The Death of Socrates), the Van Blarenberghes (The Outer Port of Brest), and François Gérard (Charles Maurice de Talleyrand-Périgord). In the book’s introduction, author Katharine Baetjer provides a history of the Académie, its establishment, principles, and regulations, along with a discussion of the beginnings of public art discourse in France, taking us through the reforms unleashed by the Revolution. The consequent democratizing of the Salon, brought about by radicals under the leadership of Jacques Louis David, encouraged the formation of new publics with new tastes in subject matter and genres. The catalogue features 126 paintings by 50 artists. Each section includes a short biography of the artist and in-depth discussions of individual paintings incorporating the most up-to-date scholarship.
