Henry Moore: 1940-49
Author | : Henry Moore |
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Author | : Henry Moore |
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Author | : Henry Moore |
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Total Pages | : 358 |
Release | : 1994 |
Genre | : Drawing, British |
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Author | : Henry Moore |
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Release | : 1994 |
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Author | : Ann Garrould |
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Total Pages | : 0 |
Release | : 2001 |
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Author | : Ann Garrould |
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Release | : 2001 |
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Author | : Ann Garrould |
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Total Pages | : 337 |
Release | : 2001 |
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ISBN | : 9780853316015 |
Author | : Henry Moore |
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Total Pages | : 0 |
Release | : 1963 |
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Author | : Richard Calvocoressi |
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Total Pages | : 0 |
Release | : 2011 |
Genre | : Air raid shelters in art |
ISBN | : 9781906257071 |
Very evocative drawings by Henry Moore and Mikhail Nikolsky created during World War 2.
Author | : Anita Feldman |
Publisher | : Lund Humphries Publishers |
Total Pages | : 168 |
Release | : 2008 |
Genre | : Art |
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Henry Moore Textiles is the first publication of the twenty-eight designs commissioned by the Czech refugee, Zika Ascher from Moore during the last years of the Second World War and the early years of the 1950s. The images are newly photographed for this book and do justice to his abstract and popular patterns. Illustrations of subjects as diverse and random as safety pins or wavey landscapes pepper his accessible work. Issued to accompany an exhibition. Henry Moore Textiles reveal an entirely new dimension to this well-known artist.
Author | : Alan Bartram |
Publisher | : Yale University Press |
Total Pages | : 168 |
Release | : 2004-01-01 |
Genre | : Art |
ISBN | : 9780300101171 |
A stimulating survey of how the Bauhaus and the modernist revolution have shaped graphic design. This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Distinguished book designer and author Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, Laszlo Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples--some of which have not been previously reproduced--clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression--a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today. Engagingly written and handsomely illustrated, this volume is a valuable resource for designers and book lovers everywhere.