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Henry Fielding and the dry mock

Henry Fielding and the dry mock
Author: George R. Levine
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 164
Release: 2015-07-24
Genre: Language Arts & Disciplines
ISBN: 3111400395

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Henry Fielding

Henry Fielding
Author: Thomas R. Cleary
Publisher: Wilfrid Laurier Univ. Press
Total Pages: 366
Release: 2006-01-01
Genre: Biography & Autobiography
ISBN: 0889208581

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An accurate and comprehensive study of the political aspects of Fielding’s art has been sorely needed. As a result of decades of work by literary scholars and a series of great historians, such a study is finally possible. This volume addresses that need, and, in the light of a recent revival of interest in Fielding’s work, it arrives most opportunely. The author offers here a wide-ranging focus and a firm grip on the shifting complexities of Fielding’s political situations—the loyalties and enmities, factional alignments and fractious rhetoric—that allow a satisfactory understanding of Fielding’s political writing. Political writing in Fielding’s day, as in ours, was topical, concerned with evanescent problems and day-to-day needs that were familiar to contemporaries, but that are now recaptured only with greatest difficulty. This study constitutes a thorough reconstruction of Fielding’s political context and extricates from the context Fielding’s own political endeavours. Cleary’s work will make many of Felding’s previously unstudied work accessible to students and scholars of eighteenth-century English literature. A necessary point of reference to both literary specialists and historians concerned with eighteenth-century England.


The Works of Henry Fielding

The Works of Henry Fielding
Author: Henry Fielding
Publisher: Forgotten Books
Total Pages: 670
Release: 2018-01-30
Genre:
ISBN: 9780267221462

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Excerpt from The Works of Henry Fielding: Complete in One Volume, With Memoir of the Author The objects, however, of Fielding's satire were always of a legitimate kind; and in no part of his works do we find anything like a sneer, either against religion or virtue. His farces partook all of the same character; they were admirable burlesque representations, and they were almost invariably successful. The production only of two or three mornings, and struck off in the heat of the moment, they nevertheless pleased the public, and still con tinne to enliven our winters on the stage, by the exquisite manner in which they hit the object at which they are aimed. The representations, says Bishop Hurd, of common nature may either be taken accurately, so as to reflect a faithful and exact image of their original, which alone is that I should call comedy or they may be forced or overcharged above the simple and just proportions of nature, as when the excesses of a few are given for standing cha racters; when not the man in general, but the pas sion is described, or when, in the draught of the man, the leading feature is extended beyond mea sure; and in these cases, the representation holds of the province of farce. This is a just and accurate definition, and the farces of Fielding comprehend all that is required: the mock tragedy of Tom Thumb' is considered replete with as fine a parody as per haps has ever been written; the Lottery, ' The Intriguing Chambermaid, ' and the Virgin Un masked, ' besides the real entertainment they afford, had also, on their first appearance, the merit of bringing out the comic genius of some of our best actresses. Of Mrs. Clive in particular, the author observes in one of his prefaces I cannot help te flecting that the town has one obligation to me, who made the first discovery of your just capacity, and brought you earlier forward on the theatre than the ignorance of some, and the envy of others, would otherwise have permitted. I shall not here dwell on anything so well known as your theatrical merit; which one of the finest judges, and the greatest man of his age, hath acknowledged to exceed, in humour, that of any of your predecessors in his time. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800

The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800
Author: George Watson
Publisher: Cambridge University Press
Total Pages: 1698
Release: 1971-07-02
Genre: Language Arts & Disciplines
ISBN: 9780521079341

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More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.


Institutions of the English Novel

Institutions of the English Novel
Author: Homer Obed Brown
Publisher: University of Pennsylvania Press
Total Pages: 253
Release: 2015-02-23
Genre: Literary Criticism
ISBN: 0812292294

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In Institutions of the English Novel, Homer Obed Brown takes issue with the generally accepted origin of the novel in the early eighteenth century. Brown argues that what we now call the novel did not appear as a recognized single "genre" until the early nineteenth century, when the fictional prose narratives of the preceding century were grouped together under that name. After analyzing the figurative and thematic uses of private letters and social gossip in the constitution of the novel, Brown explores what was instituted in and by the fictions of Defoe, Fielding, Sterne, and Scott, with extensive discussion of the pivotal role Scott's work played in the novel's rise to institutional status. This study is an intriguing demonstration of how these earlier narratives are involved in the development and institution of such political and cultural concepts as self, personal identity, the family, and history, all of which contributed to the later possibility of the novel.