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| Author | : Heiner Müller |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : |
| ISBN | : 9781555541521 |
A volume of plays of the world-renowned author, Heiner Müller.
| Author | : Miguel Ramalhete Gomes |
| Publisher | : Rodopi |
| Total Pages | : 303 |
| Release | : 2016-04-26 |
| Genre | : Drama |
| ISBN | : 940121185X |
Heiner Müller’s re-imaginings of William Shakespeare have puzzled and fascinated readers and spectators alike for the past forty-five years. For the first time, this study addresses all of Müller’s re-workings of Shakespeare, including dramatic adaptations, translations, poems, references in interviews and in his autobiography, as well as fragments of unfinished projects, not forgetting the strong Shakespearean echoes in Müller’s last play, Germania 3. An analysis of Müller’s diverse positions regarding different understandings of history and of its catastrophic violence suggests that Shakespeare is at the literary and theoretical core of Müller’s always complex and conflicted relation with philosophy of history and with the notions of heritage, fragmentation and difference.
| Author | : M. T. De Vries |
| Publisher | : |
| Total Pages | : |
| Release | : 1999 |
| Genre | : |
| ISBN | : |
| Author | : Jonathan Kalb |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 303 |
| Release | : 2001 |
| Genre | : Performing Arts |
| ISBN | : 0879109653 |
The revised and enlarged edition of the first comprehensive English-language study of the work of Heiner Muller, widely regarded as Bertolt Brecht's spiritual heir and as one of the most important German playwrights of the twentieth century. "Kalb's quest to try and penetrate some of the surfaces of what he calls this 'glacially infuriating writer' is engrossing, and he negotiates his own ambivalences and reservations about Muller as theatre-maker and man with both honesty and adroitness...As a piece of scholarship [this] is a breathtaking tour de force." -Mary Luckhurst, New Theatre Quarterly
| Author | : Maria Del Sapio Garbero |
| Publisher | : Routledge |
| Total Pages | : 389 |
| Release | : 2021-12-30 |
| Genre | : Literary Criticism |
| ISBN | : 1000531597 |
Rome was tantamount to its ruins, a dismembered body, to the eyes of those – Italians and foreigners – who visited the city in the years prior to or encompassing the lengthy span of the Renaissance. Drawing on the double movement of archaeological exploration and creative reconstruction entailed in the humanist endeavour to ‘resurrect’ the past, ‘ruins’ are seen as taking precedence over ‘myth’, in Shakespeare’s Rome. They are assigned the role of a heuristic model, and discovered in all their epistemic relevance in Shakespeare’s dramatic vision of history and his negotiation of modernity. This is the first book of its kind to address Shakespeare’s relationship with Rome’s authoritative myth, archaeologically, by taking as a point of departure a chronological reversal, namely the vision of the ‘eternal’ city as a ruinous scenario and hence the ways in which such a layered, ‘silent’, and aporetic scenario allows for an archaeo-anatomical approach to Shakespeare’s Roman works.
| Author | : Michael Dobson |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 195 |
| Release | : 2017-06-23 |
| Genre | : Art |
| ISBN | : 1443878707 |
Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?
| Author | : Wilhelm Hortmann |
| Publisher | : Cambridge University Press |
| Total Pages | : 532 |
| Release | : 1998-05-28 |
| Genre | : Drama |
| ISBN | : 9780521343862 |
Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the reception of Shakespeare during the previous 300 years (Shakespeare on the German Stage, 1586-1914). Hortmann concentrates on the two most important and fruitful periods: the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies, when the German theatre was revitalised by a stormy marriage of avant-garde art and revolutionary politics. A section by Maik Hamburger covers developments in the theatres of the German Democratic Republic. Hortmann focuses on the most representative and colourful directors and actors, describing and illustrating individual productions as examples of particular trends or movements.
| Author | : Diana E. Henderson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 433 |
| Release | : 2022-03-24 |
| Genre | : Literary Criticism |
| ISBN | : 1350110310 |
The Arden Research Handbook of Shakespeare and Adaptation explores the dynamics of adapted Shakespeare across a range of literary genres and new media forms. This comprehensive reference and research resource maps the field of Shakespeare adaptation studies, identifying theories of adaptation, their application in practice and the methodologies that underpin them. It investigates current research and points towards future lines of enquiry for students, researchers and creative practitioners of Shakespeare adaptation. The opening section on research methods and problems considers definitions and theories of Shakespeare adaptation and emphasises how Shakespeare is both adaptor and adapted.A central section develops these theoretical concerns through a series of case studies that move across a range of genres, media forms and cultures to ask not only how Shakespeare is variously transfigured, hybridised and valorised through adaptational play, but also how adaptations produce interpretive communities, and within these potentially new literacies, modes of engagement and sensory pleasures. The volume's third section provides the reader with uniquely detailed insights into creative adaptation, with writers and practice-based researchers reflecting on their close collaborations with Shakespeare's works as an aesthetic, ethical and political encounter. The Handbook further establishes the conceptual parameters of the field through detailed, practical resources that will aid the specialist and non-specialist reader alike, including a guide to research resources and an annotated bibliography.
| Author | : Edward Jones |
| Publisher | : John Wiley & Sons |
| Total Pages | : 384 |
| Release | : 2015-08-14 |
| Genre | : Literary Criticism |
| ISBN | : 1118635159 |
Bringing together a broad range of case studies written bya team of international scholars, this Concise Companionestablishes how manuscripts and printed books met the needs oftwo different approaches to literacy in the early modernperiod. Features essays illustrating the particular ways a manuscriptand a printed book reflect the different emphases of an elite,private and an egalitarian, public culture, both of which accountfor the literary achievements of the Renaissance Includes wide-ranging essays, from printing the Gospels inArabic to a contemporary reconceptualization of Shakespeare'sTitus Andronicus Increases accessibility through a rubric organized aroundarchival and manuscript studies; the provenance of texts andthe authority of editions; and studies of genre, religion andliterary history Announces the recovery of archival documents, which insome instances are over four hundred years old Places translations of Milton's Latin, Greek, and Italianalongside the original texts to increase accessibility for a wideaudience of students and scholars Provides an invaluable platform for highlighting on-goingattention to the history of the book and its corollary subjects ofreading and writing practices in the 1500s and 1600s
| Author | : Aneta Mancewicz |
| Publisher | : Springer Nature |
| Total Pages | : 241 |
| Release | : 2022-10-29 |
| Genre | : Performing Arts |
| ISBN | : 3030968065 |
Post-war European adaptations of Hamlet are defined by ambiguities and inconsistencies. Such features are at odds with the traditional model of adaptation, which focuses on expanding and explaining the source. Inspired by Derrida’s deconstruction, this book introduces a new interpretative paradigm. Central to this paradigm is the idea that an act of adaptation consists in foregrounding gaps and incoherencies in the source; it is about questioning rather than clarifying. The book explores this paradigm through seven representative European adaptations of Hamlet produced between the 1960s and the 2010s: dramatic texts, live theatre productions, and a mixed reality performance. They systematically challenge the post-Romantic idea of Hamlet as a tragedy of great passions and heroic deeds. What does this say about Hamlet’s impact on post-war theatre and culture? The deconstructive analyses offered in this book show how adaptations of Hamlet capture crucial anxieties and concerns of post-war Europe, such as political disillusionment, postmodern scepticism, and feminist resistance, revealing exciting connections between European traditions.
