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Author | : Robert Wicks |
Publisher | : Peter Lang Incorporated, International Academic Publishers |
Total Pages | : 198 |
Release | : 1994 |
Genre | : Art |
ISBN | : |
Download Hegel's Theory of Aesthetic Judgment Book in PDF, ePub and Kindle
Wide-ranging in its philosophical scope, Hegel's Theory of Aesthetic Judgment, critically examines the historical and logical foundations of judgments of beauty in G.W.F. Hegel's philosophy of art. Focusing on the traditional belief that beautiful things display ultimate truth, this study begins with an illustration of how Kantian and Post-Kantian theories of beauty gradually recognized the revelatory function of art. Upon this background, the author shows how Hegel's visionary understanding of beauty assumes that beauty is the experience of rational perfection. Bringing Hegel's theory up-to-date, the work concludes by applying the Hegelian style of artistic evaluation within the postmodern cultural environment.
Author | : Georg Wilhelm Friedrich Hegel |
Publisher | : Oxford University Press, USA |
Total Pages | : 176 |
Release | : 1979 |
Genre | : Art |
ISBN | : |
Download Hegel's Introduction to Aesthetics Book in PDF, ePub and Kindle
Hegel's own introduction to his lectures on aesthetics has become a classsic in its own right. Also contains an essay that explains the metaphysical background of Hegel's aesthetic theory and critically analyzes the doctrines of Hegel's lectures in some detail.
Author | : Jack Kaminsky |
Publisher | : Pickle Partners Publishing |
Total Pages | : 328 |
Release | : 2018-12-01 |
Genre | : Art |
ISBN | : 1789124328 |
Download Hegel on Art Book in PDF, ePub and Kindle
Professor Kaminsky’s lucid exposition is, surprisingly, the first attempt in English to deal extensively and critically with Hegel’s views on art, as outlined in his difficult volumes on that subject. Hegel on Art thus performs a needed service for those interested in either the philosophy or the history of the fine arts. Hegel’s idealistic metaphysics was the last European endeavor to construct a universal philosophical system on the traditional pattern, and to modern readers it can easily appear more imposing than useful. But in his examination of art, according to Professor Kaminsky, the German philosopher became “the most empirical of the empiricists,” and his observations can be valuable to us quite independent of our commitment to his metaphysics. Moreover, as Professor Kaminsky shows, Hegel’s metaphysical framework does give him an advantage not available under the rigorous skepticism of today’s positivist or symbolist: he can recognize that art mirrors the world of action, and so can provide it with objective validity. As the author concludes in Hegel’s defense: “It may well be that only art can be used to communicate the important episodes that happen to us or others....Without art, we lose one of our great sources of information as to who we are and what we ought to do.” “[Kaminsky] succeeds in the difficult task of summarizing Hegel’s aesthetics in a clear, well-balanced text which follows the historical lines set down by the philosopher. His work is the most extensive study of the subject available in English.”—Library Journal
Author | : William Desmond |
Publisher | : State University of New York Press |
Total Pages | : 246 |
Release | : 1986-06-30 |
Genre | : Philosophy |
ISBN | : 1438400926 |
Download Art and the Absolute Book in PDF, ePub and Kindle
Art and the Absolute restores Hegel's aesthetics to a place of central importance in the Hegelian system. In so doing, it brings Hegel into direct relation with the central thrust of contemporary philosophy. The book draws on the astonishing scope and depths of Hegel's Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegel's view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegel's understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegel's aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegel's aesthetic philosophy.
Author | : Paul De Man |
Publisher | : U of Minnesota Press |
Total Pages | : 212 |
Release | : |
Genre | : Literary Criticism |
ISBN | : 9781452900674 |
Download Aesthetic Ideology Book in PDF, ePub and Kindle
A culmination of de Man's thoughts on philosophy, politics and history. The book presents an inquiry into the relation of rhetoric, epistemology and aesthetics, that offers radical notions of materiality. De Man reads Kant and Hegel with a combination of philosophical vigour and interpretive pressure. The texts collected here were written or delivered as lectures during the last years of Man's life, between 1977 and 1983. Many of them have never been available previously in any form; these include essays from Kant's materialism, his relation to Schiller, and the concept of irony.
Author | : Marcio Hemerique Pereira |
Publisher | : GRIN Verlag |
Total Pages | : 15 |
Release | : 2013-01-09 |
Genre | : Philosophy |
ISBN | : 3656348618 |
Download Natural Beauty and Art Beauty: Kant, Hegel and Adorno revisited Book in PDF, ePub and Kindle
Essay from the year 2011 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, ...), grade: A+, Birkbeck, University of London (Humanities), course: Modernism, language: English, abstract: The present essay proposes to compare and contrast the relationship between natural beauty and art beauty as it is conceived by Kant, Hegel and Adorno. Exploring these forms intrinsically attached to public and private concerns of the Aesthetics Theory, I will try to go beyond the author’s texts and understand, if not explore, what they intended to say to the society and the implications it had in our society after that. Equally important, relate their works in Aesthetics and inside-out world. Finally, the essay tangles the different efforts of the writers when using representative forms of speech and what considers being a more viable and broader definition of that Aesthetics.
Author | : Dieter Henrich |
Publisher | : Stanford University Press |
Total Pages | : 116 |
Release | : 1992 |
Genre | : History |
ISBN | : 9780804723671 |
Download Aesthetic Judgment and the Moral Image of the World Book in PDF, ePub and Kindle
This is a collection of four essays on aesthetic, ethical, and political issues by Dieter Henrich, the preeminent Kant scholar in Germany today. Although his interests have ranged widely, he is perhaps best known for rekindling interest in the great classical German tradition from Kant to Hegel. The first essay summarizes Henrich's research into the development of the Kant's moral philosophy, focusing on the architecture of the third Critique. Of special interest in this essay is Henrich's intriguing and wholly new account of the relations between Kant and Rousseau. In the second essay, Henrich analyzes the interrelations between Kant's aesthetics and his cognitive theories. His third essay argues that the justification of the claim that human rights are universally valid requires reference to a moral image of the world. To employ Kant's notion of a moral image of the world without ignoring the insights and experience of this century requires drastic changes in the content of such an image. Finally, in Henrich's ambitious concluding essay, the author compares the development of the political process of the French Revolution and the course of classical German philosophy, raise the general question of the relation between political processes and theorizing, and argues that both the project of political liberty set in motion by the French Revolution, and the projects of classical German philosophy remain incomplete.
Author | : Paul Guyer |
Publisher | : Cambridge University Press |
Total Pages | : 476 |
Release | : 1993 |
Genre | : Philosophy |
ISBN | : 9780521568333 |
Download Kant and the Experience of Freedom Book in PDF, ePub and Kindle
This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself. At the same time he reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments on the basis of the most rigorous principle of duty. Kant's thought is placed in a rich historical context including such figures as Shaftesbury, Hutcheson, Hume, Burke, Kames, as well as Baumgarten, Mendelssohn, Schiller, and Hegel. Other topics treated are the sublime, natural versus artistic beauty, genius and art history, and duty and inclination. These essays extend and enrich the account of Kant's aesthetics in the author's earlier book, Kant and the Claims of Taste (1979).
Author | : Georg Wilhelm Friedrich Hegel |
Publisher | : |
Total Pages | : 523 |
Release | : 2014 |
Genre | : Art |
ISBN | : 0199694826 |
Download Lectures on the Philosophy of Art Book in PDF, ePub and Kindle
Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philosophy of art, but modified them in significant ways from one lecture series to the next. In addition, she makes the case that Hotho's compilation not only concealed this circumstance, by the harmony he created out of diverse source materials, but also imposed some of his own views on aesthetics, views that differ from Hegel's and that the ongoing interpretation of the aesthetics part of Hegel's philosophy has unfortunately taken to be Hegel's own. This translation of the German volume, which contains the first publication of the Hotho transcript and Gethmann-Siefert's essay, makes these important materials accessible to the English reader, materials that should put the English-speaking world's future understanding and interpretation of Hegel's philosophy of art on a sounder footing.
Author | : Kirk Pillow |
Publisher | : MIT Press |
Total Pages | : 400 |
Release | : 2003-01-24 |
Genre | : Philosophy |
ISBN | : 9780262264075 |
Download Sublime Understanding Book in PDF, ePub and Kindle
The topic of the sublime is making a return to contemporary discourse on aesthetics and cognition. In Sublime Understanding, Kirk Pillow makes sublimity the center of an alternative conception of aesthetic response and interpretation. He draws an aesthetics of sublimity from Kant's Critique of Judgment, bolsters it with help from Hegel, and establishes its place in a broadened conception of human understanding (thus differing from the many scholars who use Hegel to dismiss Kant or vice versa). He argues that sublime reflection provides a model for an interpretive response to the uncanny Other outside our conceptual grasp; it advances our sense-making pursuits but eschews unified, conceptual determination. Thus "sublime understanding" is the always partial, indeterminate grasping of contextual wholes through which we make sense of the uncanny particular in both art and the lived world. The book is divided into three parts. In the first two parts, Pillow presents insightful reinterpretations of Kant's and Hegel's aesthetics. In the third part he develops his own model of an aestheticized understanding, which illuminates contemporary discussions of metaphor and interpretation, while bridging Anglo-American and continental treatments of these issues. The presentation is a model of clear and well-crafted exposition, exemplifying the practice of aesthetically reflective sublime understanding that it articulates.