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Hegel's Aesthetics

Hegel's Aesthetics
Author: Lydia L. Moland
Publisher: Oxford University Press, USA
Total Pages: 353
Release: 2019
Genre: Philosophy
ISBN: 0190847328
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Hegel is known as "the father of art history," yet recent scholarship has overlooked his contributions. This is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. In a new analysis of Hegel's notorious "end of art" thesis, Hegel's Aesthetics shows the indispensability of Hegel's aesthetics for understanding his philosophical idealism and introduces a new claim about his account of aesthetic experience. In a departure from previous interpretations, Lydia Moland argues for considering Hegel's discussion of individual arts--architecture, sculpture, painting, music, and poetry--on their own terms, unlocking new insights about his theories of perception, feeling, selfhood, and freedom. This new approach allows Hegel's philosophy to engage with modern aesthetic theories and opens new possibilities for applying Hegel's aesthetics to contemporary art. Moland further elucidates his controversial analysis of symbolic, classical, and romantic art through clarifying Hegel's examples of each. By incorporating newly available sources from Hegel's lectures on art, this book widely expands our understanding of the particular artworks Hegel discusses as well as the theories he rejects. Hegel's Aesthetics further situates his arguments in the intense philosophizing about art among his contemporaries, including Kant, Lessing, Herder, Schelling, and the Schlegel brothers. Ultimately, the book offers a rich vision of the foundation of his ideas about art and the range of their application, confirming Hegel as one of the most important theorists of art in the history of philosophy.

Aesthetics

Aesthetics
Author: Georg Wilhelm Friedrich Hegel
Publisher: OUP UK
Total Pages: 634
Release: 1998
Genre: Philosophy
ISBN: 0198238169
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This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.

Hegel and Aesthetics

Hegel and Aesthetics
Author: William Maker
Publisher: State University of New York Press
Total Pages: 240
Release: 2000-05-11
Genre: Philosophy
ISBN: 0791492729
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Hegel's Lectures on Aesthetics present a systematic and historical overview of the nature and development of art in light of its meaning and philosophical significance. This book considers Hegel's aesthetics from a variety of perspectives. With a strong and clear introduction by William Maker, the individual essays address Hegel's treatment of music, painting, comedy, and architecture, as well as his earlier writings on art, his relations to Schiller and to Schlegel, his treatment of romanticism, the place of aesthetics in the system, and his controversial claims about the overcoming of art. Several perspectives focus specifically on the contemporary relevance of Hegel's aesthetics in light of developments in art since his time, and especially in connection with modernism, postmodernism, and deconstruction. Contributors include William Desmond, Brian K. Etter, Andrew G. Fiala, Martin Gammon, Edward Halper, Stephen Houlgate, David Kolb, Stephen C. Law, Judith Norman, Carl Rapp, Jere Surber, and Richard D. Winfield.

Art and the Absolute

Art and the Absolute
Author: William Desmond
Publisher: State University of New York Press
Total Pages: 246
Release: 1986-06-30
Genre: Philosophy
ISBN: 1438400926
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Art and the Absolute restores Hegel's aesthetics to a place of central importance in the Hegelian system. In so doing, it brings Hegel into direct relation with the central thrust of contemporary philosophy. The book draws on the astonishing scope and depths of Hegel's Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegel's view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegel's understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegel's aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegel's aesthetic philosophy.

Hegel on Beauty

Hegel on Beauty
Author: Julia Peters
Publisher: Routledge
Total Pages: 172
Release: 2014-11-20
Genre: Philosophy
ISBN: 131763523X
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While the current philosophical debate surrounding Hegel’s aesthetics focuses heavily on the philosopher’s controversial ‘end of art’ thesis, its participants rarely give attention to Hegel’s ideas on the nature of beauty and its relation to art. This study seeks to remedy this oversight by placing Hegel’s views on beauty front and center. Peters asks us to rethink the common assumption that Hegelian beauty is exclusive to art and argues that for Hegel beauty, like art, is subject to historical development. Her careful analysis of Hegel’s notion of beauty not only has crucial implications for our understanding of the ‘end of art’ and Hegel’s aesthetics in general, but also sheds light on other fields of Hegel’s philosophy, in particular his anthropology and aspects of his ethical thought.

Hegel on Art

Hegel on Art
Author: Jack Kaminsky
Publisher: Pickle Partners Publishing
Total Pages: 328
Release: 2018-12-01
Genre: Art
ISBN: 1789124328
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Professor Kaminsky’s lucid exposition is, surprisingly, the first attempt in English to deal extensively and critically with Hegel’s views on art, as outlined in his difficult volumes on that subject. Hegel on Art thus performs a needed service for those interested in either the philosophy or the history of the fine arts. Hegel’s idealistic metaphysics was the last European endeavor to construct a universal philosophical system on the traditional pattern, and to modern readers it can easily appear more imposing than useful. But in his examination of art, according to Professor Kaminsky, the German philosopher became “the most empirical of the empiricists,” and his observations can be valuable to us quite independent of our commitment to his metaphysics. Moreover, as Professor Kaminsky shows, Hegel’s metaphysical framework does give him an advantage not available under the rigorous skepticism of today’s positivist or symbolist: he can recognize that art mirrors the world of action, and so can provide it with objective validity. As the author concludes in Hegel’s defense: “It may well be that only art can be used to communicate the important episodes that happen to us or others....Without art, we lose one of our great sources of information as to who we are and what we ought to do.” “[Kaminsky] succeeds in the difficult task of summarizing Hegel’s aesthetics in a clear, well-balanced text which follows the historical lines set down by the philosopher. His work is the most extensive study of the subject available in English.”—Library Journal

Hegel's Theory of Aesthetic Judgment

Hegel's Theory of Aesthetic Judgment
Author: Robert Wicks
Publisher: Peter Lang Incorporated, International Academic Publishers
Total Pages: 198
Release: 1994
Genre: Art
ISBN:
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Wide-ranging in its philosophical scope, Hegel's Theory of Aesthetic Judgment, critically examines the historical and logical foundations of judgments of beauty in G.W.F. Hegel's philosophy of art. Focusing on the traditional belief that beautiful things display ultimate truth, this study begins with an illustration of how Kantian and Post-Kantian theories of beauty gradually recognized the revelatory function of art. Upon this background, the author shows how Hegel's visionary understanding of beauty assumes that beauty is the experience of rational perfection. Bringing Hegel's theory up-to-date, the work concludes by applying the Hegelian style of artistic evaluation within the postmodern cultural environment.

Hegel on the Modern Arts

Hegel on the Modern Arts
Author: Benjamin Rutter
Publisher: Cambridge University Press
Total Pages:
Release: 2010-07-29
Genre: Philosophy
ISBN: 113948978X
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Debates over the 'end of art' have tended to obscure Hegel's work on the arts themselves. Benjamin Rutter opens this study with a defence of art's indispensability to Hegel's conception of modernity; he then seeks to reorient discussion toward the distinctive values of painting, poetry, and the novel. Working carefully through Hegel's four lecture series on aesthetics, he identifies the expressive possibilities particular to each medium. Thus, Dutch genre scenes animate the everyday with an appearance of vitality; metaphor frees language from prose; and Goethe's lyrics revive the banal routines of love with imagination and wit. Rutter's important study reconstructs Hegel's view not only of modern art but of modern life and will appeal to philosophers, literary theorists, and art historians alike.

Art, Myth and Society in Hegel's Aesthetics

Art, Myth and Society in Hegel's Aesthetics
Author: David James
Publisher: A&C Black
Total Pages: 160
Release: 2011-11-03
Genre: Philosophy
ISBN: 1441164715
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Art, Myth and Society in Hegel's Aesthetics returns to the student transcripts of Hegel's lectures on aesthetics, which have yet to be translated into English and in some cases remain unpublished. David James develops the idea that these transcripts show that Hegel was primarily interested in understanding art as an historical phenomenon and, more specifically, in terms of its role in the ethical life of various peoples. This involves relating Hegel's aesthetics to his philosophies of right and history, rather than to his logic or metaphysics. The book thus offers a thorough re-evaluation of Hegel's aesthetics and its relation to his theory of objective spirit, exposing the ways in which Hegel's views on this subject are anchored in his reflections on history and on different forms of ethical life.