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| Author | : Dmitri Tymoczko |
| Publisher | : OUP USA |
| Total Pages | : 469 |
| Release | : 2011-03-21 |
| Genre | : Mathematics |
| ISBN | : 0195336674 |
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
| Author | : Job IJzerman |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 417 |
| Release | : 2018 |
| Genre | : Music |
| ISBN | : 0190695005 |
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: · the hardcopy text, providing essential stylistic and technical information and repertoire discussion; · an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; · an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
| Author | : Charles Horton |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 786 |
| Release | : 2020-10-15 |
| Genre | : Music |
| ISBN | : 1538121484 |
Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles. This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring: A student workbook with more than 260 assignments for individual work and classroom use Audio links to 315 newly-recorded live performances of model compositions and fully realized settings An instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email [email protected] for more information.
| Author | : Walter Piston |
| Publisher | : W W Norton & Company Incorporated |
| Total Pages | : 235 |
| Release | : 1947 |
| Genre | : Music |
| ISBN | : 9780393097283 |
Explores the contrapuntal element in significant works from the eighteenth and nineteenth centuries for the music student who fully understands the composition of harmony
| Author | : Bell Yung |
| Publisher | : Stanford University Press |
| Total Pages | : 338 |
| Release | : 1996 |
| Genre | : Social Science |
| ISBN | : 0804726582 |
This volume of nine essays draws together leading scholars in anthropology, social history, musicology, and ethnomusicology to address the roles and functions of music in the Chinese ritual context. How does music, one of a constellation of essential performative elements in almost all rituals, empower an officiant, legitimate an officeholder, create a heightened state of awareness, convey a message, or produce a magical outcome, a transition, a transformation? After an introduction by the volume editors, Bell Yung proposes a theoretical framework for dealing with Chinese ritual sound. A group of three essays focuses on the music for rituals that create political and social legitimacy followed by a second group of essays considering the music associated with rites of passage. Two essays then deal with the music accompanying rituals of propitiation. In all these cases, music is seen to play a critical role, if not the core of the ritual.
| Author | : Johann Fux |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 164 |
| Release | : 1965 |
| Genre | : Music |
| ISBN | : 9780393002775 |
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
| Author | : Hugh Benham |
| Publisher | : Rhinegold Publishing Ltd |
| Total Pages | : 178 |
| Release | : 2004-07 |
| Genre | : Counterpoint |
| ISBN | : 1904226310 |
| Author | : Benjamin Dale |
| Publisher | : Novello & Co Ltd. |
| Total Pages | : 5 |
| Release | : 2011-01-01 |
| Genre | : Music |
| ISBN | : 1783235101 |
This is the first volume of Harmony, Counterpoint & Improvisation, a textbook which offers each of these three facets as one organic course of study. The harmony section covers the whole technique of common chords and their inversions. Counterpoint is initially discussed as a vocal art and the early exercises explore the art of Palestrina and the English Tudor composers. In the improvisation section many keyboard techniques are introduced, such as transposition, chord progression and simple harmonisation.
| Author | : Felix Salzer |
| Publisher | : Columbia University Press |
| Total Pages | : 504 |
| Release | : 1989 |
| Genre | : Composition (Music) |
| ISBN | : 023107039X |
-- Stanley Persky, City University of New York
| Author | : Ernst Toch |
| Publisher | : Courier Corporation |
| Total Pages | : 291 |
| Release | : 1977-01-01 |
| Genre | : Music |
| ISBN | : 0486233464 |
A masterful and original classical composer as well as a renowned composer of film scores, Ernst Toch (1887 1964) made a permanent contribution to music in this important and widely praised book. Based on a series of lectures given at Harvard in 1944 and first published in 1948, this book is a brilliant examination of the materials and concepts that are the basic building blocks of music harmony, melody, counterpoint, and form. An admirable reconciliation of traditional and modern (mainly 12-tone) trends in composition, this book shows all types of writing must respond to psychological wants of the listener and how similar goals may be achieved in seemingly opposed styles. Illustrating his discussion with 390 musical examples, Toch not only introduces new ideas and approaches, but examines many age-old problems with clarity and precision consonance and dissonance, form versus number, and more. His analysis of the expanding harmonic universe, the wave line of melody, and the formative influence of movement are particularly penetrating. New to this edition are a biological introduction by Toch's grandson, Lawrence Weschler; a previously unpublished letter from Thomas Mann to Toch about this book (in English translation); and a complete checklist of Toch's compositions. Intended for all those who have a minimum understanding of musical notation and theory, this book will appeal to music lovers, practical musicians and amateurs, and incipient composers."
