Harlow, Frederick Pease Chanteying Aboard American Ships
Author | : |
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Total Pages | : 250 |
Release | : 1962 |
Genre | : |
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Author | : |
Publisher | : |
Total Pages | : 250 |
Release | : 1962 |
Genre | : |
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Author | : Frederick Pease Harlow |
Publisher | : Barre, Mass., Barre Gazette |
Total Pages | : 272 |
Release | : 1962 |
Genre | : Folk songs |
ISBN | : |
Author | : Frederick Pease Harlow |
Publisher | : |
Total Pages | : 266 |
Release | : 2012-06-01 |
Genre | : |
ISBN | : 9781258397616 |
Author | : Paul A. Gilje |
Publisher | : University of Pennsylvania Press |
Total Pages | : 359 |
Release | : 2012-04-17 |
Genre | : History |
ISBN | : 0812202023 |
Through careful research and colorful accounts, historian Paul A. Gilje discovers what liberty meant to an important group of common men in American society, those who lived and worked on the waterfront and aboard ships. In the process he reveals that the idealized vision of liberty associated with the Founding Fathers had a much more immediate and complex meaning than previously thought. In Liberty on the Waterfront: American Maritime Culture in the Age of Revolution, life aboard warships, merchantmen, and whalers, as well as the interactions of mariners and others on shore, is recreated in absorbing detail. Describing the important contributions of sailors to the resistance movement against Great Britain and their experiences during the Revolutionary War, Gilje demonstrates that, while sailors recognized the ideals of the Revolution, their idea of liberty was far more individual in nature—often expressed through hard drinking and womanizing or joining a ship of their choice. Gilje continues the story into the post-Revolutionary world highlighted by the Quasi War with France, the confrontation with the Barbary Pirates, and the War of 1812.
Author | : Harlow family |
Publisher | : |
Total Pages | : |
Release | : 1829 |
Genre | : Autobiography |
ISBN | : |
Literary manuscripts, journals, logs, scrapbooks, clippings, photographs (photocopies), correspondence and other ephemeral and miscellaneous materials related to the Harlow family, primarily Frederick Pease Harlow, author of "The Making of a Sailor," and "Chanteying Aboard American Ships". In addition to the typescripts for F.P. Harlow's published works, there are typescripts and manuscript copies of an unpublished memoir and a short maritime novel. Other family members represented include, Frederick Pease, William T. Harlow Sr., Frances Ann (Winsor) Harlow, Julius Harlow, William T. Harlow Jr., and Gertrude Gilliland Harlow.
Author | : Evan Lampe |
Publisher | : Lexington Books |
Total Pages | : 222 |
Release | : 2013-12-12 |
Genre | : History |
ISBN | : 0739182420 |
This book traces the history of working people who helped established the foundation of the American empire in the Pacific from its origins after the American Revolution to its coming of age in the 1840s and 1850s. Beginning with the expeditions of the Columbia and the Lady Washington, Lampe argues that the early American Pacific can best be considered through the interaction of four major locations, connected through the networks of trade: the merchant ship, the Northwest Coast, Honolulu, and Canton (Guangzhou). In each of these locations, the labors of a diverse population of working people was harnessed in the critical labors of empire building, including the transportation of goods. The central question that the consideration of working people in the Pacific economy during this period is, Lampe argues, the role of power applied on these laborers by an international capitalist class, emerging alongside the Pacific commercial empires. Lampe also finds that this power was not uncontested and emerged in response to the activities of labor. Working people, on the ship and in the port cities, found ways to secure their piece of the profitable trade, often through illicit means.
Author | : Simon J. Bronner |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 382 |
Release | : 2019-08-01 |
Genre | : Social Science |
ISBN | : 1496822668 |
Despite predictions that commercial mass culture would displace customs of the past, traditions firmly abound, often characterized as folklore. In The Practice of Folklore: Essays toward a Theory of Tradition, author Simon J. Bronner works with theories of cultural practice to explain the social and psychological need for tradition in everyday life. Bronner proposes a distinctive “praxic” perspective that will answer the pressing philosophical as well as psychological question of why people enjoy repeating themselves. The significance of the keyword practice, he asserts, is the embodiment of a tension between repetition and variation in human behavior. Thinking with practice, particularly in a digital world, forces redefinitions of folklore and a reorientation toward interpreting everyday life. More than performance or enactment in social theory, practice connects localized culture with the vernacular idea that “this is the way we do things around here.” Practice refers to the way those things are analyzed as part of, rather than apart from, theory, thus inviting the study of studying. “The way we do things” invokes the social basis of “doing” in practice as cultural and instrumental. Building on previous studies of tradition in relation to creativity, Bronner presents an overview of practice theory and the ways it might be used in folklore and folklife studies. Demonstrating the application of this theory in folkloristic studies, Bronner offers four provocative case studies of psychocultural meanings that arise from traditional frames of action and address issues of our times: referring to the boogieman; connecting “wild child” beliefs to school shootings; deciphering the offensive chants of sports fans; and explicating male bravado in bawdy singing. Turning his analysis to the analysts of tradition, Bronner uses practice theory to evaluate the agenda of folklorists in shaping perceptions of tradition-centered “folk societies” such as the Amish. He further unpacks the culturally based rationale of public folklore programming. He interprets the evolving idea of folk museums in a digital world and assesses how the folklorists' terms and actions affect how people think about tradition.
Author | : Paul A. Gilje |
Publisher | : Cambridge University Press |
Total Pages | : 409 |
Release | : 2016-02-15 |
Genre | : History |
ISBN | : 131648310X |
Anyone could swear like a sailor! Within the larger culture, sailors had pride of place in swearing. But how they swore and the reasons for their bad language were not strictly wedded to maritime things. Instead, sailor swearing, indeed all swearing in this period, was connected to larger developments. This book traces the interaction between the maritime and mainstream world in the United States while examining cursing, language, logbooks, storytelling, sailor songs, reading, images, and material goods. To Swear Like a Sailor offers insight into the character of Jack Tar - the common seaman - and into the early republic. It illuminates the cultural connections between Great Britain and the United States and the appearance of a distinct American national identity. The book explores the emergence of sentimental notions about the common man - through the guise of the sailor - appearing on stage, in song, in literature, and in images.
Author | : Scott B. Spencer |
Publisher | : Scarecrow Press |
Total Pages | : 247 |
Release | : 2012 |
Genre | : Antiques & Collectibles |
ISBN | : 0810881551 |
Much has been written about the songs gathered in North America in the first half of the 20th century. However, there is scant information on those individuals responsible for gathering these songs. The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity fills this gap, documenting the efforts of those who transcribed and recorded North American folk songs. Both biographical and topical, this book chronicles not only the most influential of these "song catchers" but also examines the main schools of thought on the collection process, the leading proponents of those schools, and the projects that they shaped. Contributors also consider the role of technology--especially the phonograph--in the collection efforts. Chapters organized by region cover such areas as Appalachia, the West, and Canada, while others devoted to specialized topics from the cowboy tune and occupational song to the commercialization of folk music through song collections and anthologies. Ballad Collectors investigates the larger role of the ballad in the development of American identity, from the national appreciation of cowboy songs in popular culture to the use of Appalachian song forms in radio broadcasts to the role of dustbowl ballads in the urban folk revival of the 1950s and 1960s. Finally, this collection assesses the changing role of songs and song texts in the academic fields of folklore, anthropology, musicology, and ethnomusicology. Scholars and students of American cultural and social history, as well as fans of North American folk and popular music, will find The Ballad Collectors of North America a fascinating story of how the American folk tradition gained greater visibility, fueling the revolutions that would follow in the writing and performance of American music.
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Total Pages | : 2 |
Release | : 1968 |
Genre | : Government publications |
ISBN | : |