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Harlem Stride Piano Solos

Harlem Stride Piano Solos
Author: Riccardo Scivales
Publisher:
Total Pages: 177
Release: 2020-08-06
Genre:
ISBN:

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23 solos by the greatest Stride Piano masters, transcribed note-for-note by Riccardo Scivales, with historical and performance notes. Includes famous masterpieces by masters such as James P. Johnson, Fats Waller, Wilie "The Lion" Smith, Donald Lambert, Cliff Jackson, Dick Wellstood, ecc. Among these pieces, "Carolina Shout", "The Mule Walk", "Smashing Thirds", "Squeeze Me", "As Time Goes By", "Royal Garden Blues", etc.


Harlem stride piano solos

Harlem stride piano solos
Author:
Publisher: Warner Bros Publications
Total Pages: 173
Release: 1990
Genre: Music
ISBN: 9780943748436

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Twenty-six classic solos by the greatest jazz pianists of the swing era. Songs include: As Time Goes By * Backwater Blues * Blueberry Rhyme * Carolina Shout * Crazy Rhythm * Dream Rag * The Dream * Happy Birthday to Pat * How Long Blues * Jingle Bells * Jungle Drums * Late Evening Blues Lonesome Reverie * Martinique * The Mule Walk * Numb Fumblin' * Outer Space * Relaxin' * Royal Garden Blues * Smashing Thirds * Snowy Morning Blues * Solitude * Squeeze Me (The Boy in the Boat) * St. Louis Blues * Tea for Two * Willow Weep for Me.


Stride Piano

Stride Piano
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
Total Pages: 201
Release: 2015-05-01
Genre: Music
ISBN: 1495028518

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(Piano Solo Songbook). The stride piano style is in the spotlight with this collection of 19 selections in arrangements including chord names. Songs: Ain't Misbehavin' * Carolina Shout * Fingerbuster (Fingerbreaker) * Honeysuckle Rose * Lulu's Back in Town * Makin' Whoopee! * Smashing Thirds * Tea for Two * Viper's Drag * Willow Weep for Me * and more.


Stride: The Music of Fats Waller

Stride: The Music of Fats Waller
Author: Paul S Machlin
Publisher: Springer
Total Pages: 184
Release: 1985-10-28
Genre: Music
ISBN: 1349085677

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Already known as a Wagner scholar for his work on the sketches of the Flying Dutchman, Paul Machlin has for many years taken a scholarly interest in the school of Harlem 'stride' jazz pianists. Stride: The Music of Fats Waller is a full analysis of the piano music of Waller as composer, soloist and recording artist. 38 music examples illustrate Waller's complex keyboard style and improvisatory techniques. The discussion of Waller's piano music is set in the context of a biographical study, and a discography listing all known recordings by the pianist.


Selected Piano Solos, 1928-1941

Selected Piano Solos, 1928-1941
Author: Earl Hines
Publisher: A-R Editions, Inc.
Total Pages: 192
Release: 2006-01-01
Genre: Music
ISBN: 0895795809

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l + 133 pp.


Early Jazz

Early Jazz
Author: Gunther Schuller
Publisher: History of Jazz
Total Pages: 422
Release: 1986
Genre: History
ISBN: 9780195040432

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The first of three volumes on the history and musical contribution of jazz.


Jazz piano, the left hand

Jazz piano, the left hand
Author: Riccardo Scivales
Publisher: Ekay Music
Total Pages: 0
Release: 2005-08
Genre: Jazz
ISBN: 9781929009657

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Covering a span of time and styles ranging from jazz beginnings to some of the most recent developments, this book collects and analyzes many of the most frequently used jazz, blues, and Latin jazz left-hand piano techniques. Generally, each proposed technique is first introduced by a "model" figure derived from original sources, followed by an explanation of its pattern, and finally by some sample applications using well-known songs, harmonic progressions, or original pieces. For the sake of completeness, most of these left-hand applications are integrated with sample right-hand parts that validate the efficacy and concrete application of the left hand figures. Numerous styles of jazz piano are taught, including: stride piano, Latin stylings, blues, boogie, swing, walking bass, jazz waltz, rootless voicings and many other concepts. Characteristics of jazz legends including Erroll Garner, Jelly Roll Morton, Earl Hines, George Gershwin, Fats Waller, Eubie Blake and many others are explored. As with all books in this series, it includes a unique lay-flat binding to help keep the music open on the music stand.


James P. Johnson

James P. Johnson
Author: Frank H. Trolle
Publisher:
Total Pages: 56
Release: 1981
Genre: Jazz
ISBN:

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The Soul of Blues, Stride & Swing Piano

The Soul of Blues, Stride & Swing Piano
Author:
Publisher: Warner Bros. Publications
Total Pages: 0
Release: 2001-05
Genre:
ISBN: 9780757980503

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This book contains 23 note-for-note piano transcriptions of recorded solos by James P. Johnson, Bud Powell, Teddy Wilson, Willie "The Lion" Smith, Thomas "Fats" Waller, Art Hodes, Herman Chittison, George Gershwin, Art Tatum, Nat "King" Cole, Johnny Guarnieri, Dick Wellstood, and Claude Hopkins. It includes a terrific essay on the history of early jazz piano styles from 1893 to 1945 with fascinating insights about the music and the artists.


Duke Ellington as Pianist

Duke Ellington as Pianist
Author: Matthew J. Cooper
Publisher:
Total Pages: 0
Release: 2013
Genre: Jazz
ISBN: 9781881913610

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This volume represents the first book-length study devoted exclusively to Duke Ellington as pianist. As such, it should be regarded as a substantial contribution to the Ellington scholarship for the very reason that the piano was central to the Duke’s achievements as a musician. He composed at the keyboard; he improvised at the keyboard; he led his musicians from the keyboard; and he—as the leading member of the rhythm section—delivered the fundamental energy of his creations on the keyboard. In his consideration of both representative and landmark recorded performances, Professor Cooper reports the views of a host of authorities and provides original commentary. He identifies three practices in Ellington’s piano work: an early foundational stride style, a style typical of his swing maturity, and an atypical, post-bop / modern style. What might be understood as rather fascinating is that Dr. Cooper argues that all three “existed side by side from the 1940s (or perhaps earlier) until the end of his career.” The author’s conclusions are supported by copious transcriptions.