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Argillite, Art of the Haida

Argillite, Art of the Haida
Author: Leslie Drew
Publisher: North Vancouver, B.C. : Hancock House
Total Pages: 322
Release: 1980
Genre: Art
ISBN:

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Outlines the history of the Haida Indians in relation to argillite carving.


Haida Carvers in Argillite

Haida Carvers in Argillite
Author: Marius Barbeau
Publisher:
Total Pages: 238
Release: 1957
Genre: Anthropology
ISBN:

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Breathing Stone

Breathing Stone
Author: Carol Sheehan
Publisher: Frontenac House
Total Pages: 191
Release: 2008
Genre: Argillite
ISBN: 9781897181225

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The Magic Leaves

The Magic Leaves
Author: Peter L. Macnair
Publisher: University of British Columbia Press
Total Pages: 228
Release: 1984
Genre: Art
ISBN:

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Learning to Carve Argillite

Learning to Carve Argillite
Author: Sara Florence Davidson
Publisher: Portage & Main Press
Total Pages: 32
Release: 2021-11-15
Genre: Juvenile Fiction
ISBN: 1553799852

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Based on Haida artist Robert Davidson's own childhood experiences, this beautiful story highlights learning through observation, as well as the role of Elders in sharing knowledge and mentorship. Learning to carve is a lifelong journey. With the help of his father and grandfather, a boy on Haida Gwaii practises to become a skillful carver. As he carefully works on a new piece, he remembers a trip to Slatechuck Mountain to gather the argillite, as well as his father’s words about the importance of looking back to help us find our way. Written by the creators of Potlatch as Pedagogy, this book brings the Sk'ad'a Principles to life through the art of Janine Gibbons.


Raven Travelling

Raven Travelling
Author: Daina Augaitis
Publisher: University of Washington Press
Total Pages: 214
Release: 2008
Genre: Art
ISBN: 9780295988184

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This publication coincided with an exhibition of the same name celebrating the Vancouver Art Gallery's 75th anniversary.


Haida Monumental Art

Haida Monumental Art
Author: George F. MacDonald
Publisher: UBC Press
Total Pages: 242
Release: 2011-11-01
Genre: Art
ISBN: 0774845066

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The Haida of the Queen Charlotte Islands in British Columbia constructed some of the most magnificent houses and erected some of the most beautifully carved totem poles on the Northwest Coast. During the last quarter of the nineteenth-century, images of the Haida's immense cedar houses and soaring totem poles were captured, first on glass plates and later on film, by photographers who travelled to then-remote villages such as Masset and Skidegate to marvel at, and record, what they saw there. Haida Monumental Art, initially published as a limited edition hardcover and finally available in paperback, includes a large number of these remarkable photographs, selected from a collection of over 10,000 original prints and photographic plates. They depict the Haida villages at the height of their glory and record their tragic deterioration only a few decades later. As well, this edition contains the complete text from the first edition, including site plans and detailed descriptions of fifteen major villages and several smaller sites, which are catalogued by house and pole. By combining archeology and ethnohistory, George MacDonald presents an integrated framework for understanding the physical structure of a Haida village. He explains how the houses and poles are part of a fascinating web of myth, family history and Haida cosmology, which provides a unique insight into Haida culture.


Iljuwas Bill Reid

Iljuwas Bill Reid
Author: Gerald McMaster
Publisher: Canadian Art Library
Total Pages: 128
Release: 2022-03-21
Genre:
ISBN: 9781487102654

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Few twentieth-century artists were catalysts for the reclamation of a culture, but Iljuwas Bill Reid (1920-1998) was among them. The first book on the artist by an Indigenous scholar details Reid's incredible journey to becoming one of the most significant Northwest Coast artists of our time. Born in British Columbia and denied his mother's Haida heritage in his youth, Iljuwas Bill Reid lived the reality of colonialism yet tenaciously forged a creative practice that celebrated Haida ways of seeing and making. Over his fifty-year career, he created nearly a thousand original works and dozens of texts, and he is remembered as a passionate artist, community activist, mentor, and writer. Reid was often said to embody the Raven, a trickster who transforms the world. He followed in the footsteps of his great-great-uncle, master Haida artist Daxhiigang (Charles Edenshaw), engaging with a culture whose practices were once banned by the Indian Act and producing symbols for a nation. His iconic large-scale works now occupy sites such as the Canadian Embassy in Washington, D.C., and the Museum of Anthropology at the University of British Columbia in Vancouver. Reid's legacy is a complex story of power, resilience, and strength. In Iljuwas Bill Reid: Life & Work, acclaimed scholar Gerald McMaster examines how the artist made a critical inquiry into his craft throughout his life, gaining a sense of identity, purpose, and impact.