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| Author | : Ken Dark |
| Publisher | : Oxbow Books Limited |
| Total Pages | : 0 |
| Release | : 2023-05-15 |
| Genre | : |
| ISBN | : 9781789259872 |
An archaeological re-examination of the cathedral of Byzantine Constantinople, with fresh evidence about the appearance and function of the complex enabling us to reconsider what Hagia Sophia can tell us about the wider Byzantine world.
| Author | : Ken R. Dark |
| Publisher | : Oxbow Books Limited |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Architecture |
| ISBN | : 9781789250305 |
An archaeological re-examination of the cathedral of Byzantine Constantinople, with fresh evidence about the appearance and function of the complex enabling us to reconsider what Hagia Sophia can tell us about the wider Byzantine world.
| Author | : Antony Eastmond |
| Publisher | : Routledge |
| Total Pages | : 246 |
| Release | : 2017-03-02 |
| Genre | : History |
| ISBN | : 1351957228 |
The church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (1238-63) in the aftermath of the fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine imperial monument of its period. Art and Identity in Thirteenth-Century Byzantium is the first investigation of the church in more than thirty years, and is extensively illustrated in colour and black-and-white, with many images that have never previously been published. Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last twenty years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and raises questions of cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia. This study uses the church and its decoration to examine questions of Byzantine identity and imperial ideology in the thirteenth century. This is central to any understanding of the period, as the fall of Constantinople in 1204 divided the Byzantine empire and forced the successor states in Nicaea, Epiros and Trebizond to redefine their concepts of empire in exile. Art is here exploited as significant historical evidence for the nature of imperial power in a contested empire. It is suggested that imperial identity was determined as much by craftsmen and expectations of imperial power as by the emperor's decree; and that this was a credible alternative Byzantine identity to that developed in the empire of Nicaea.
| Author | : Robert S. Nelson |
| Publisher | : University of Chicago Press |
| Total Pages | : 316 |
| Release | : 2004-07-14 |
| Genre | : Architecture |
| ISBN | : 9780226571713 |
Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today. While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.
| Author | : Brian Croke |
| Publisher | : Routledge |
| Total Pages | : 126 |
| Release | : 2021-12-30 |
| Genre | : History |
| ISBN | : 100052275X |
Istanbul’s Hagia Sophia (‘Holy Wisdom’), or Ayasofya, is one of the world’s most visited buildings. Yet, few visitors have any idea of its long and complex story, or why it has always been a place where history, religion and politics collide. In July 2020, Turkish President Erdoğan set off an explosive controversy by announcing that Hagia Sophia would now be modified into a mosque. This decision provoked fierce criticism from UNESCO because Hagia Sophia was enjoying World Heritage Site benefits. The United States, the European Union, Russia and Greece all chimed in. However, Erdoğan’s action was wildly popular in Turkey, with its 99% Muslim population. Why is Hagia Sophia so important to modern Turkey? Why this provocative decision, and why now? How could all the international critics be ignored? Why does the world care so much about this old building? Why should it continue to care? This book explains President Erdoğan’s controversial decision in terms of Turkey’s national, independent and Islamic politics, and as a response to the mosque massacre in Christchurch in March 2019 when his life was threatened by the gunman. Any consideration of Hagia Sophia’s present and future also requires appreciation of the almost 1,500-year old story of this architectural marvel, from its inception as a church in 537 to its configuration as a mosque in 2020 and beyond. Because all world heritage sites depend on national management, Hagia Sophia will remain Turkey’s responsibility, but the international community is watching to ensure Turkey honours Hagia Sophia’s entire heritage, from the 6th century to the 21st century.
| Author | : Bissera V. Pentcheva |
| Publisher | : Penn State University Press |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Byzantine chants |
| ISBN | : 9780271077260 |
Examines the aesthetic principles and spiritual operations at work in Hagia Sophia. Drawing on art and architectural history, liturgy, musicology, and acoustics, explores the Byzantine paradigm of animation.
| Author | : Roland Betancourt |
| Publisher | : Cambridge University Press |
| Total Pages | : 356 |
| Release | : 2021-05-13 |
| Genre | : History |
| ISBN | : 1108870872 |
Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.
| Author | : Robert Mark |
| Publisher | : Cambridge University Press |
| Total Pages | : 285 |
| Release | : 1992-09-25 |
| Genre | : Architecture |
| ISBN | : 9780521416771 |
With its vast scale, immense cost, extraordinary speed of erection, and stunning interior space, the creation of the Hagia Sophia in Istanbul between 532-537 is unparalleled in premodern, Western architecture. As such, the achievement begs answers to three important questions: the nature of the theoretical and material resources available to the early designers to achieve this great building; the behaviour over the centuries of its much modified structure under the action of environmental loadings; the ability of the present-day structure to withstand a major earthquake. In this volume, scholars and professionals from different disciplines exchange ideas and new information pertaining to the historical background, physical environment, design, and the state of the Hagia Sophia building structure over time.
| Author | : Walter D. Ray |
| Publisher | : Wm. B. Eerdmans Publishing |
| Total Pages | : 171 |
| Release | : 2012-09-20 |
| Genre | : History |
| ISBN | : 0802866638 |
The Church at Worship is a new series of documentary case studies of specific worshiping communities from around the world and throughout Christian history. In this second volume, Tasting Heaven on Earth, Walter Ray provides vivid descriptions of Constantinople, its history, its people, and its worship practices, which set the stage for a rich selection of primary documents that present readers with a vibrant snapshot of Byzantine Christianity in the sixth century. Some of the primary materials included here: Photos of mosaics, liturgical vessels, icons, and manuscripts Drawings, diagrams, descriptions, and photographs of Hagia Sophia Firsthand accounts of worship by Maximus the Confessor, Eutychius, and Procopius Liturgical prayers and a reconstruction of the Divine Liturgy of St. Basil
| Author | : Liz James |
| Publisher | : Cambridge University Press |
| Total Pages | : 1748 |
| Release | : 2017-10-05 |
| Genre | : Art |
| ISBN | : 1108508596 |
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
