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| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : |
| Total Pages | : 52 |
| Release | : 1894 |
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| Author | : New York. Metropolitan museum of art |
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| Total Pages | : 48 |
| Release | : 1898 |
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| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : |
| Total Pages | : 52 |
| Release | : 1894 |
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| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : |
| Total Pages | : 52 |
| Release | : 1894 |
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| Author | : |
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| Total Pages | : 52 |
| Release | : 1894 |
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| Total Pages | : 81 |
| Release | : 1904 |
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| Author | : Andrea Bayer |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 291 |
| Release | : 2020-03-23 |
| Genre | : Art |
| ISBN | : 1588397092 |
Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 472 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : 0870997106 |
Updated to include new acquisitions, attributions, and reevaluations. Copyright © Libri GmbH. All rights reserved.
| Author | : Wolfram Koeppe |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 315 |
| Release | : 2019-11-25 |
| Genre | : Art |
| ISBN | : 1588396770 |
Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.
| Author | : E.L. Konigsburg |
| Publisher | : Simon and Schuster |
| Total Pages | : 176 |
| Release | : 2010-12-21 |
| Genre | : Juvenile Fiction |
| ISBN | : 1442431261 |
Now available in a deluxe keepsake edition! A Time Best YA Book of All Time (2021) Run away to the Metropolitan Museum of Art with E. L. Konigsburg’s beloved classic and Newbery Medal–winning novel From the Mixed-Up Files of Mrs. Basil E. Frankweiler. When Claudia decided to run away, she planned very carefully. She would be gone just long enough to teach her parents a lesson in Claudia appreciation. And she would go in comfort-she would live at the Metropolitan Museum of Art. She saved her money, and she invited her brother Jamie to go, mostly because be was a miser and would have money. Claudia was a good organizer and Jamie bad some ideas, too; so the two took up residence at the museum right on schedule. But once the fun of settling in was over, Claudia had two unexpected problems: She felt just the same, and she wanted to feel different; and she found a statue at the Museum so beautiful she could not go home until she bad discovered its maker, a question that baffled the experts, too. The former owner of the statue was Mrs. Basil E. Frankweiler. Without her—well, without her, Claudia might never have found a way to go home.
