Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Guide To Documentary Sources For Andean Studies 1530 1900 PDF full book. Access full book title Guide To Documentary Sources For Andean Studies 1530 1900.
| Author | : Joanne Pillsbury |
| Publisher | : |
| Total Pages | : 402 |
| Release | : 2008 |
| Genre | : History |
| ISBN | : |
A definitive resource for early works on indigenous Andean cultures
| Author | : Joanne Pillsbury |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Andes Region |
| ISBN | : |
| Author | : Joanne Pillsbury |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Andes Region |
| ISBN | : |
| Author | : Joanne Pillsbury |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Andes Region |
| ISBN | : |
| Author | : Joanne Pillsbury |
| Publisher | : |
| Total Pages | : 458 |
| Release | : 2008 |
| Genre | : History |
| ISBN | : |
A definitive resource for early works on indigenous Andean cultures
| Author | : Sonia Alconini |
| Publisher | : Oxford University Press |
| Total Pages | : 881 |
| Release | : 2018-04-02 |
| Genre | : Social Science |
| ISBN | : 019021936X |
When Spaniards invaded their realm in 1532, the Incas ruled the largest empire of the pre-Columbian Americas. Just over a century earlier, military campaigns began to extend power across a broad swath of the Andean region, bringing local societies into new relationships with colonists and officials who represented the Inca state. With Cuzco as its capital, the Inca empire encompassed a multitude of peoples of diverse geographic origins and cultural traditions dwelling in the outlying provinces and frontier regions. Bringing together an international group of well-established scholars and emerging researchers, this handbook is dedicated to revealing the origins of this empire, as well as its evolution and aftermath. Chapters break new ground using innovative multidisciplinary research from the areas of archaeology, ethnohistory and art history. The scope of this handbook is comprehensive. It places the century of Inca imperial expansion within a broader historical and archaeological context, and then turns from Inca origins to the imperial political economy and institutions that facilitated expansion. Provincial and frontier case studies explore the negotiation and implementation of state policies and institutions, and their effects on the communities and individuals that made up the bulk of the population. Several chapters describe religious power in the Andes, as well as the special statuses that staffed the state religion, maintained records, served royal households, and produced fine craft goods to support state activities. The Incas did not disappear in 1532, and the volume continues into the Colonial and later periods, exploring not only the effects of the Spanish conquest on the lives of the indigenous populations, but also the cultural continuities and discontinuities. Moving into the present, the volume ends will an overview of the ways in which the image of the Inca and the pre-Columbian past is memorialized and reinterpreted by contemporary Andeans.
| Author | : Gary Urton |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 335 |
| Release | : 2015-06-04 |
| Genre | : History |
| ISBN | : 0759123632 |
The Inca Empire existed for fewer than 100 years, yet ruled more subjects than either the Aztecs or the Maya and occupied a territory stretching nearly 3000 miles. The Incas left no system of writing; what we know of them has been gleaned from the archaeological record and accounts written following the Spanish invasion. In this A-to-Z encyclopedia, Gary Urton and Adriana von Hagen, together with over thirty contributors, provide a broad introduction to the fascinating civilization of the Incas, including their settlements, culture, society, celebrations, and achievements. Following a broad introduction, 128 individual entries explore wide-ranging themes (religion, architecture, farming) and specific topics (ceremonial drinking cup, astronomy), interweaving ethnohistoric and archaeological research with nuanced interpretation. Each entry provides suggestions for further reading. Sidebars profiling chroniclers and researchers of Inca life—ranging from José de Acosta and Cristóbal de Albornoz to Maria Rostworowski and R. Tom Zuidema—add depth and context for the cultural entries. Cross-references, alphabetical and topical lists of entries, and a thorough index help readers navigate the volume. A chronology, selected bibliography, regional map, and almost ninety illustrations round out the volume. In sum, the Encyclopedia of the Incas provides a unique, comprehensive resource for scholars, as well as the general public, to explore the civilization of the Incas—the largest empire of the pre-Columbian New World.
| Author | : Andrew Finegold |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 666 |
| Release | : 2017-01-26 |
| Genre | : History |
| ISBN | : 0806158204 |
In the past fifty years, the study of indigenous and pre-Columbian art has evolved from a groundbreaking area of inquiry in the mid-1960s to an established field of research. This period also spans the career of art historian Esther Pasztory. Few scholars have made such a broad and lasting impact as Pasztory, both in terms of our understanding of specific facets of ancient American art as well as in our appreciation of the evolving analytical tendencies related to the broader field of study as it developed and matured. The essays collected in this volume reflect scholarly rigor and new perspectives on ancient American art and are contributed by many of Pasztory’s former students and colleagues. A testament to the sheer breadth of Pasztory's accomplishments, Visual Culture of the Ancient Americas covers a wide range of topics, from Aztec picture-writing to nineteenth-century European scientific illustration of Andean sites in Peru. The essays, written by both established and rising scholars from across the field, focus on three areas: the ancient Andes, including its representation by European explorers and scholars of the nineteenth century; Classic period Mesoamerica and its uses within the cultural heritage debate of the twentieth and twenty-first centuries; and Postclassic Mesoamerica, particularly the deeper and heretofore often hidden meanings of its cultural production. Figures, maps, and color plates demonstrate the vibrancy and continued allure of indigenous artworks from the ancient Americas. “Pre-Columbian art can give more,” Pasztory declares, and the scholars featured here make a compelling case for its incorporation into art theory as a whole. The result is a collection of essays that celebrates Pasztory’s central role in the development of the field of Ancient American visual studies, even as it looks toward the future of the discipline.
| Author | : Ananda Cohen Suarez |
| Publisher | : University of Texas Press |
| Total Pages | : 305 |
| Release | : 2016-05-24 |
| Genre | : Art |
| ISBN | : 1477300457 |
Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen-Aponte also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness. This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas’ preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals.
| Author | : Jerry D. Moore |
| Publisher | : University Press of Colorado |
| Total Pages | : 553 |
| Release | : 2014-07-15 |
| Genre | : Social Science |
| ISBN | : 1607323338 |
A Prehistory of South America is an overview of the ancient and historic native cultures of the entire continent of South America based on the most recent archaeological investigations. This accessible, clearly written text is designed to engage undergraduate and beginning graduate students in anthropology. For more than 12,000 years, South American cultures ranged from mobile hunters and gatherers to rulers and residents of colossal cities. In the process, native South American societies made advancements in agriculture and economic systems and created great works of art—in pottery, textiles, precious metals, and stone—that still awe the modern eye. Organized in broad chronological periods, A Prehistory of South America explores these diverse human achievements, emphasizing the many adaptations of peoples from a continent-wide perspective. Moore examines the archaeologies of societies across South America, from the arid deserts of the Pacific coast and the frigid Andean highlands to the humid lowlands of the Amazon Basin and the fjords of Patagonia and beyond. Illustrated in full color and suitable for an educated general reader interested in the Precolumbian peoples of South America, A Prehistory of South America is a long overdue addition to the literature on South American archaeology.
