Gritos y susurros
Author | : Juan Antonio Pozo Martínez |
Publisher | : |
Total Pages | : 109 |
Release | : 2019 |
Genre | : |
ISBN | : |
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Author | : Juan Antonio Pozo Martínez |
Publisher | : |
Total Pages | : 109 |
Release | : 2019 |
Genre | : |
ISBN | : |
Author | : Abraham Rublúo Islas |
Publisher | : |
Total Pages | : 63 |
Release | : 2003 |
Genre | : |
ISBN | : |
Author | : Adriana Carrillo Moreno |
Publisher | : |
Total Pages | : |
Release | : 2016 |
Genre | : |
ISBN | : 9789584803030 |
Author | : Robert Kirkman |
Publisher | : |
Total Pages | : |
Release | : 2018 |
Genre | : |
ISBN | : 9789563555721 |
Author | : Robert Kirkman |
Publisher | : |
Total Pages | : |
Release | : 2016 |
Genre | : Dystopias |
ISBN | : 9789877242195 |
Author | : |
Publisher | : Augsburg Fortress Publishers |
Total Pages | : 3265 |
Release | : |
Genre | : |
ISBN | : |
Author | : Patricia Caicedo |
Publisher | : Rowman & Littlefield |
Total Pages | : 188 |
Release | : 2018-12-17 |
Genre | : Music |
ISBN | : 1498581633 |
This study of the Latin American art song and its development in the context of musical nationalism shows how the song is a mirror in which the processes of conformation to Latin American national identity are reflected.
Author | : Patricia Nisbet Klingenberg |
Publisher | : Bucknell University Press |
Total Pages | : 296 |
Release | : 1999 |
Genre | : Fiction |
ISBN | : 9780838753897 |
"In order to address these questions and to better understand Ocampo's work, the analysis sustains an extended dialogue between her short fiction and current Euro-American feminist theory. While the analysis is intended primarily for scholars interested in Latin American authors, every effort has been made to facilitate a reading by the non-specialist."--BOOK JACKET.
Author | : Sonia E. Alvarez |
Publisher | : Duke University Press |
Total Pages | : 513 |
Release | : 2014-03-05 |
Genre | : Social Science |
ISBN | : 0822376822 |
Translocalities/Translocalidades is a path-breaking collection of essays on Latin American, Caribbean, and United States–based Latina feminisms and their multiple translations and cross-pollinations. The contributors come from countries throughout the Américas and are based in diverse disciplines, including media studies, literature, Chicana/o studies, and political science. Together, they advocate a hemispheric politics based on the knowledge that today, many sorts of Latin/o-americanidades—Afro, queer, indigenous, feminist, and so on—are constructed through processes of translocation. Latinidad in the South, North and Caribbean "middle" of the Américas, is constituted out of the intersections of the intensified cross-border, transcultural, and translocal flows that characterize contemporary transmigration throughout the hemisphere, from La Paz to Buenos Aires to Chicago and back again. Rather than immigrating and assimilating, many people in the Latin/a Américas increasingly move back and forth between localities, between historically situated and culturally specific, though increasingly porous, places, across multiple borders, and not just between nations. The contributors deem these multidirectional crossings and movements, and the positionalities engendered, translocalities/translocalidades. Contributors. Sonia E. Alvarez, Kiran Asher, Victoria (Vicky) M. Bañales, Marisa Belausteguigoitia Rius, Maylei Blackwell, Cruz C. Bueno, Pascha Bueno-Hansen, Mirangela Buggs, Teresa Carrillo, Claudia de Lima Costa, Isabel Espinal, Verónica Feliu, Macarena Gómez-Barris, Rebecca J. Hester, Norma Klahn, Agustín Lao-Montes, Suzana Maia, Márgara Millán, Adriana Piscitelli, Ana Rebeca Prada, Ester R. Shapiro, Simone Pereira Schmidt, Millie Thayer
Author | : Ilana Dann Luna |
Publisher | : State University of New York Press |
Total Pages | : 314 |
Release | : 2018-01-22 |
Genre | : Performing Arts |
ISBN | : 1438468288 |
Adapting Gender offers a cogent introduction to Mexico's film industry, the history of women's filmmaking in Mexico, a new approach to adaptation as a potential feminist strategy, and a cultural history of generational changes in Mexico. Ilana Dann Luna examines how adapted films have the potential to subvert not only the intentions of the source text, but how they can also interrupt the hegemony of gender stereotypes in a broader socio-political context. Luna follows the industrial shifts that began with Salinas de Gortari's presidency, which made the long 1990s the precise moment in which subversive filmmakers, particularly women, were able to participate more fully in the industry and portrayed the lived experiences of women and non-gender-conforming men. The analysis focuses on Busi Cortés's El secreto de Romelia (1988), an adaptation of Rosario Castellanos's short novel El viudo Román (1964); Sabina Berman and Isabelle Tardán's Entre Pancho Villa y una mujer desnuda (1996), an adaptation of Berman's own play, Entre Villa y una mujer desnuda (1992); Guita Schyfter's Novia que te vea (1993), an adaptation of Rosa Nissán's eponymous novel (1992); and Jaime Humberto Hermosillo's De noche vienes, Esmeralda (1997), an adaptation of Elena Poniatowska's short story "De noche vienes" (1979). These adapted texts established a significant alternative to monolithic notions of national (gendered) identity, while critiquing, updating, and even queering, notions of feminism in the Mexican context.