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| Author | : David Charlton |
| Publisher | : Cambridge University Press |
| Total Pages | : 386 |
| Release | : 1986-03-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 052125129X |
First published in 1986, this major study in English explores Grétry and opéra-comique between 1768 and 1791.
| Author | : Joseph Goddard |
| Publisher | : |
| Total Pages | : 254 |
| Release | : 1912 |
| Genre | : Opera |
| ISBN | : |
| Author | : R.J. Arnold |
| Publisher | : Taylor & Francis |
| Total Pages | : 244 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1134803699 |
Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Grétry’s earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.
| Author | : Robert Challoner |
| Publisher | : |
| Total Pages | : 320 |
| Release | : 1880 |
| Genre | : Music |
| ISBN | : |
| Author | : DowningA. Thomas |
| Publisher | : Routledge |
| Total Pages | : 296 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351555707 |
This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of 'opera' in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways, particularly with the rebuttal of the notion of the singular nature of the operatic work. The volume strongly asserts that works are meaningfully transformed by the manifold circumstances of their creation and reception, and that these circumstances have an impact on the life of those works in their many transformations and on a given audience's experience of them. Topics covered include transformations of literary sources and their migration into the operatic genre; works that move across geographical and social boundaries into different cultural contexts; movements between media and/or genre as well as alterations through interpretation and performance of the composer's creation; the translation of spoken theatre to lyric theatre; the theoretical issues contingent on the rendering of 'speech' into 'song'; and the transforming effects of aesthetic considerations as they bear on opera. Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the operatic experience and the works. The book will therefore appeal to those working in the field of music, literary and cultural studies, and to those with a particular interest in opera and musical theatre.
| Author | : Guy A. Marco |
| Publisher | : Routledge |
| Total Pages | : 1037 |
| Release | : 2002-05-03 |
| Genre | : Music |
| ISBN | : 1135578001 |
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
| Author | : David Charlton |
| Publisher | : Taylor & Francis |
| Total Pages | : 322 |
| Release | : 2019-01-15 |
| Genre | : Drama |
| ISBN | : 0429640250 |
Originally published in 2000, this book highlights the interst Sedaine's life and work is now, belatedly, provoking in many scholarly disciplines. If Sedaine speaks today to literary history, theatre history and opera studies, it is because he possessed a multivalent vision, one which accounts for both his past neglect and is present rediscovery. Like many others, he believed that the established, 'official' genres needed to be reformed; unlike many, he made it his business to transform the actual language and operation of the theatre arts he practised. Until late eighteenth-century opera and drama in France become better understood, Sedaine's immense importance for the development of Romantic opera and theatre risks remaining generally concealed; to reveal something of this importance is one main reason for publishing the present volume. This book includes chapters on Sedaine and the question of genre, the representation of the female in the dramas of Sedaine, and the words, gestures and other signs in the era of Sedaine.
| Author | : Marian Smith |
| Publisher | : Princeton University Press |
| Total Pages | : 330 |
| Release | : 2010-08-09 |
| Genre | : Music |
| ISBN | : 1400832470 |
Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle. ?
| Author | : Greg Gatenby |
| Publisher | : Knopf Canada |
| Total Pages | : 520 |
| Release | : 1995 |
| Genre | : History |
| ISBN | : |
This delightful companion volume to The Wild is Always There was received with great pleasure across the country. It is a treasure trove of new material, selections chosen for their insight about this country and its inhabitants. Over thirty foreign writers are represented, among them, Raymond Chandler, Theodore Dreiser, Zane Grey, Nathaniel Hawthorne, Rudyard Kipling, Joyce Carol Oates and Wallace Stegner. The Very Richness of That Past is a joy for both literary and nationalistic reasons, and the perfect gift this Christmas.
| Author | : David Charlton |
| Publisher | : Cambridge University Press |
| Total Pages | : 437 |
| Release | : 2012-10-25 |
| Genre | : Music |
| ISBN | : 1139789066 |
Historians of French politics, art, philosophy and literature have long known the tensions and fascinations of Louis XV's reign, the 1750s in particular. David Charlton's study comprehensively re-examines this period, from Rameau to Gluck and elucidates the long-term issues surrounding opera. Taking Rousseau's Le Devin du Village as one narrative centrepiece, Charlton investigates this opera's origins and influences in the 1740s and goes on to use past and present research to create a new structural model that explains the elements of reform in Gluck's tragédies for Paris. Charlton's book opens many new perspectives on the musical practices and politics of the period, including the Querelle des Bouffons. It gives the first detailed account of intermezzi and opere buffe performed by Eustachio Bambini's troupe at the Paris Opéra from August 1752 to February 1754 and discusses Rameau's comedies Platée and Les Paladins and their origins.
