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Greenwich Village - The Happy Folk Singing Days 1950s and 1960s

Greenwich Village - The Happy Folk Singing Days 1950s and 1960s
Author: Ralph Lee Smith
Publisher: Mel Bay Publications
Total Pages: 97
Release: 2010-10-07
Genre: Music
ISBN: 160974554X

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Visit the Greenwich Village folk music scene of the 1960s – and bring your dulcimer! Ralph Lee Smith was there and saw it all. He was the only dulcimer player in the Village's old-timey string bands during the Folk Revival's glory days. A fascinating text and rare photographs bring you to Washington Square, the coffeehouses and the music gatherings at the Folklore Center and in Allan Block's Sandal Shop, where young enthusiasts created a musical revolution. the book contains a selection of the songs and tunes that they played and swapped as they reclaimed a lost American heritage. If you can't play old tunes such as "Finger Ring", "Dance All Night with a Bottle in Your Hand", and "Chickens are a-Crowin'", get this book, light a candle and bring the Greenwich Village folk scene to your home or coffeehouse! Includes dulcimer tab in DAA and DAD, musical notation and guitar chords.


When Music Mattered

When Music Mattered
Author: James Wierzbicki
Publisher: Springer Nature
Total Pages: 300
Release: 2022-04-27
Genre: History
ISBN: 3030966941

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This book examines the American Sixties, and how that period’s socio-political essence was reflected and refracted in certain forms of the period’s music. Its five main chapters bear the names of familiar musical categories: ’Folk,’ ‘Rock,’ ‘Jazz,’ ‘Avant-Garde,’ ‘Classical.’ But the book’s real subject matter—treated at length in the Prologue and the Epilogue but spread throughout all that comes between—is the Sixties’ tangled mess of hopes and frustrations, of hungers as much for self-identity as for self-indulgence, of crises of conscience that bothered Americans of almost all ages and regardless of political persuasion.


Appalachian Dulcimer Traditions

Appalachian Dulcimer Traditions
Author: Ralph Lee Smith
Publisher: Scarecrow Press
Total Pages: 204
Release: 2010-03-19
Genre: Music
ISBN: 0810874121

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The Appalachian dulcimer is one of America's major contributions to world music and folk art. Homemade and handmade, played by people with no formal knowledge of music, this beautiful instrument entered the post-World-War-II Folk Revival with virtually no written record. Appalachian Dulcimer Traditions tells the fascinating story of the effort to recover the instrument's lost history through fieldwork in the Southern mountains, finding of old instruments, and listening to the tales of old folks. After reviewing the instrument's distinctive musical features, Ralph Lee Smith presents the dulcimer's story chronologically, tracing its roots in a Renaissance German instrument, the scheitholt; describing the early history of the scheitholt and the dulcimer in America; and outlining the development of distinctive dulcimer styles in Virginia, West Virginia, North Carolina, and Kentucky. The story continues into the 20th Century, through the final group of tradition-based Appalachian makers whose work flowed into the national scene of the Folk Revival. This fully revised edition provides expanded information about the history of the scheitholt and the dulcimer before the Civil War and discusses traditions and types that are still being discovered and documented. Smith also adds his personal adventures in searching for the dulcimer's history. A new final chapter describes types and styles that do not fit conveniently into the mainstream development of the instrument. The book concludes with several appendixes, including measurements of representative dulcimers and listings of dulcimer recordings in the Archive of Folk Culture of the Library of Congress.


Discovering Folk Music

Discovering Folk Music
Author: Stephanie P. Ledgin
Publisher: Bloomsbury Publishing USA
Total Pages: 332
Release: 2010-02-09
Genre: Music
ISBN:

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From Ani DiFranco to Bob Dylan to Woodie Guthrie, American folk music comprises a truly diverse and rich tradition—one that's almost impossible to define in broad terms. This book explains why folk music is still highly relevant in the digital age. From indigenous music to Pete Seeger and Bruce Springsteen singing "This Land Is Your Land" side-by-side at the pre-inaugural concert for our first African American president, folk music has been at the center of America's history. Thomas Jefferson wooed his bride-to-be with fiddle playing. Stephen Foster captured the mood of our country in transition. The Carter Family adapted music from across the pond to Appalachia. Paul Robeson carried folk music of many lands to the world stage. Woody Guthrie's dust bowl ballads spoke to the common man, while Sixties protest music put folk on the map, following the Kingston Trio's hit, "Tom Dooley." Folk music has evolved with America's changing landscape, celebrating its multi-cultural traditions. From Irish step dancers to rap, parlor songs to Dixieland, blues to classical, Discovering Folk Music presents the genre as surprisingly diverse, every bit the product of our national melting pot. Demonstrating continuing relevance of folk music in our everyday lives, the book spotlights an amazing array of personalities, with special emphasis on the folk revival era when Dylan, Baez, Odetta, and Peter, Paul and Mary sang out. These and others influenced such contemporary performers as Shawn Colvin and Ani DiFranco. Those on today's "fringes of folk" scene continue to look to these deep roots while embracing alternative sounds. Included are interviews with such legendary artists as Janis Ian, Tom Paxton, and Jean Ritchie. Nora Guthrie, Woody's daughter, also weighs in. Discovering Folk Music is a ground-breaking look at 21st-century folk music in our rapidly changing digital world, family friendly while ripe for rediscovery by the Woodstock generation.


This Must Be the Place

This Must Be the Place
Author: Jesse Rifkin
Publisher: Harlequin
Total Pages: 420
Release: 2023-07-11
Genre: Music
ISBN: 0369732995

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*A Kirkus Best Book of July* *An InsideHook Book You Should Be Reading This July* A fascinating history that examines how real estate, gentrification, community and the highs and lows of New York City itself shaped the city’s music scenes from folk to house music. Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant clubs in American music history. But you won’t know it—almost all of these venues have been demolished or repurposed, leaving no record of what they were, how they shaped music scenes or their impact on the neighborhoods around them. Traditional music history tells us that famous scenes are created by brilliant, singular artists. But dig deeper and you’ll find that they’re actually created by cheap rent, empty space and other unglamorous factors that allow artistic communities to flourish. The 1960s folk scene would have never existed without access to Greenwich Village’s Washington Square Park. If the city hadn’t gone bankrupt in 1975, there would have been no punk rock. Brooklyn indie rock of the 2000s was only able to come together because of the borough’s many empty warehouse spaces. But these scenes are more than just moments of artistic genius—they’re also part of the urban gentrification cycle, one that often displaces other communities and, eventually, the musicians themselves. Drawing from over a hundred exclusive interviews with a wide range of musicians, deejays and scenesters (including members of Peter, Paul and Mary; White Zombie; Moldy Peaches; Sonic Youth; Treacherous Three; Cro-Mags; Sun Ra Arkestra; and Suicide), writer, historian and tour guide Jesse Rifkin painstakingly reconstructs the physical history of numerous classic New York music scenes. This Must Be the Place examines how these scenes came together and fell apart—and shows how these communal artistic experiences are not just for rarefied geniuses but available to us all.


Folk Songs of Greenwich Village in the 1950's And 1960's

Folk Songs of Greenwich Village in the 1950's And 1960's
Author: Ralph Lee Smith
Publisher: Mel Bay Publications
Total Pages: 95
Release: 2008-02
Genre: Music
ISBN: 9780786671762

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Visit the Greenwich Village folk music scene of the 1960s - and bring your dulcimer! Ralph Lee Smith was there and saw it all. He was the only dulcimer player in the Village's old-timey string bands during the Folk Revival's glory days. A fascinating text and rare photographs bring you to Washington Square, the coffeehouses and the music gatherings at the Folklore Center and in Allan Block's Sandal Shop, where young enthusiasts created a musical revolution. The bookcontains a selection of the songs and tunes that they played and swapped asthey reclaimed a lost American heritage. If you can't play old tunes such as Finger Ring, Dance All Night with a Bottle in Your Hand, and Chickens are a-Crowin', get this book, light a candle and bring the Greenwich Village folk scene to your home or coffeehouse! Includes dulcimer tab in DAA and DAD, musical notation and guitar chords


Folk City

Folk City
Author: Stephen Petrus
Publisher: Oxford University Press
Total Pages: 304
Release: 2015-06-08
Genre: Music
ISBN: 0190231041

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From Washington Square Park and the Gaslight Café to WNYC Radio and Folkways Records, New York City's cultural, artistic, and commercial assets helped to shape a distinctively urban breeding ground for the folk music revival of the 1950s and 60s. Folk City explores New York's central role in fueling the nationwide craze for folk music in postwar America. It involves the efforts of record company producers and executives, club owners, concert promoters, festival organizers, musicologists, agents and managers, editors and writers - and, of course, musicians and audiences. In Folk City, authors Stephen Petrus and Ron Cohen capture the exuberance of the times and introduce readers to a host of characters who brought a new style to the biggest audience in the history of popular music. Among the savvy New York entrepreneurs committed to promoting folk music were Izzy Young of the Folklore Center, Mike Porco of Gerde's Folk City, and John Hammond of Columbia Records. While these and other businessmen developed commercial networks for musicians, the performance venues provided the artists space to test their mettle. The authors portray Village coffee houses not simply as lively venues but as incubators of a burgeoning counterculture, where artists from diverse backgrounds honed their performance techniques and challenged social conventions. Accessible and engaging, fresh and provocative, rich in anecdotes and primary sources, Folk City is lavishly illustrated with images collected for the accompanying major exhibition at the Museum of the City of New York in 2015.


Folk City

Folk City
Author: Stephen Petrus
Publisher: Oxford University Press, USA
Total Pages: 321
Release: 2015
Genre: Music
ISBN: 0190231025

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From Washington Square Park and Café Society to WNYC Radio and Folkways Records, New York City's cultural, artistic, and commercial assets helped to shape a distinctively urban breeding ground for the famous folk music revival of the 1950s and '60s. Folk City, by Stephen Petrus and Ronald Cohen, explores New York's central role in fueling the nationwide craze for folk music in postwar America.


Folklife Center News

Folklife Center News
Author:
Publisher:
Total Pages: 26
Release: 1978
Genre: Folklore
ISBN:

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Bad Music

Bad Music
Author: Christopher J. Washburne
Publisher: Routledge
Total Pages: 392
Release: 2013-01-11
Genre: Music
ISBN: 1135385475

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Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes "good" or "bad" music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical "canon" were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as "bad" by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music "popular" even if it is judged to be "bad." For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure!