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Greek Sculpture with Story & Song

Greek Sculpture with Story & Song
Author: Albinia Lucy Cust Wherry
Publisher:
Total Pages: 322
Release: 1893
Genre: Sculpture
ISBN:

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Greek Sculpture with Story and Song (Classic Reprint)

Greek Sculpture with Story and Song (Classic Reprint)
Author: Albinia Wherry
Publisher: Forgotten Books
Total Pages: 340
Release: 2017-07-16
Genre: Art
ISBN: 9780282287306

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Excerpt from Greek Sculpture With Story and Song The object of my book is twofold; to awaken in boys and girls an interest in Greek Sculpture, and to provide for older people possessing some superficial knowledge, and desiring to widen it, a convenient companion when examining Galleries of Casts. For the most part, therefore, only such sculptures are included in the work as are found in collections of this kind, or in the British Museum. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Greek Sculpture with Story and Song

Greek Sculpture with Story and Song
Author: Albinia Lucy Cust Wherry
Publisher: Palala Press
Total Pages:
Release: 2016-05-20
Genre:
ISBN: 9781358037917

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Images in Mind

Images in Mind
Author: Deborah Tarn Steiner
Publisher: Princeton University Press
Total Pages: 382
Release: 2020-09-01
Genre: History
ISBN: 069121848X

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In archaic and classical Greece, statues played a constant role in people's religious, political, economic, aesthetic, and mental lives. Evidence of many kinds demonstrates that ancient Greeks thought about--and interacted with--statues in ways very different from our own. This book recovers ancient thinking about statues by approaching them through contemporary literary sources. It not only shows that ancient viewers conceived of images as more operative than aesthetic, but additionally reveals how poets and philosophers found in sculpture a practice ''good to think with.'' Deborah Tarn Steiner considers how Greek authors used images to ponder the relation of a copy to an original and of external appearance to inner reality. For these writers, a sculpture could straddle life and death, encode desire, or occasion reflection on their own act of producing a text. Many of the same sources also reveal how thinking about statues was reflected in the objects' everyday treatment. Viewing representations of gods and heroes as vessels hosting a living force, worshippers ritually washed, clothed, and fed them in order to elicit the numinous presence within. By reading the plastic and verbal sources together, this book offers new insights into classical texts while illuminating the practices surrounding the design, manufacture, and deployment of ancient images. Its argument that images are properly objects of cultural and social--rather than purely aesthetic--study will attract art historians, cultural historians, and anthropologists, as well as classicists.


Music, Language and Identity in Greece

Music, Language and Identity in Greece
Author: Polina Tambakaki
Publisher: Routledge
Total Pages: 318
Release: 2019-09-23
Genre: History
ISBN: 1351995502

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The national element in music has been the subject of important studies, yet the scholarly framework has remained restricted almost exclusively to the field of music studies. This volume brings together experts from different fields (musicology, literary theory and modern Greek studies), who investi- gate the links that connect music, language and national identity, focusing on the Greek paradigm. Through the study of the Greek case, the book paves the way for innovative interdisciplinary approaches to the formation of the ‘national’ in different cultures, shedding new light on ideologies and mechanisms of cultural policies.


Divine Music in Archaic and Classical Greek Art

Divine Music in Archaic and Classical Greek Art
Author: Carolyn Laferrière
Publisher: Cambridge University Press
Total Pages: 303
Release: 2024-01-31
Genre: Art
ISBN: 1009315935

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In this volume, Carolyn M. Laferrière examines Athenian vase-paintings and reliefs depicting the gods most frequently shown as musicians to reconstruct how images suggest the sounds of the music the gods made. Incorporating insights from recent work in sensory studies, she applies formal analysis together with literary and archaeological evidence to reconstruct the musical culture of Athens. Laferrière shows how images suggest the sounds of the gods' music. This representational strategy, whereby sight and sound are blurred, conveys the 'unhearable' nature of their music: Because it cannot be physically heard, it falls to human imagination to provide its sounds and awaken viewers' multisensory engagement. Moreover, when situated within their likely original contexts, the objects establish a network of interaction between the viewer, the visualized music, and the landscape, all of which determined how divine music was depicted, perceived, and reciprocated. Laferrière demonstrates that participation in the gods' musical performances offered worshippers an multisensory experience of divine presence.