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Greek and Latin Inscriptions in the USA

Greek and Latin Inscriptions in the USA
Author: John P. Bodel
Publisher:
Total Pages: 290
Release: 1997
Genre: Inscriptions, Greek
ISBN:

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"One of nine volumes published ... to celebrate the Eleventh International Congress of Greek and Latin Epigraphy at Rome in 1997, [it] ... attempts to register all ancient Greek and Latin inscriptions in museum, university, and private collections in the United States. " -- Back cover.


Hellenic Religion and Christianization

Hellenic Religion and Christianization
Author: Frank R. Trombley
Publisher: BRILL
Total Pages: 450
Release: 2001
Genre: Religion
ISBN: 9780391041219

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This work traces the decline of Greek religion and christianization of the Eastern Roman Empire between the death of Julian the Apostate and the legislation of Justinian the Great against paganism. It treats both urban and rural affairs, with particular emphasis on interpreting the epigraphy. This publication has also been published in hardback, please click here for details.


Ostraka in the Collection of New York University

Ostraka in the Collection of New York University
Author: Élodie Mazy
Publisher: NYU Press
Total Pages: 164
Release: 2022-01-04
Genre: Social Science
ISBN: 1479813796

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A comprehensive edition and commentary of 77 ostraka Ostraka in the Collection of New York University is a comprehensive edition and commentary of 77 ostraka, or potsherds with ancient texts written on them, from Greco-Roman and late antique Egypt. Seventy-two of these ostraca are housed in NYU Special Collections, originally purchased by Caspar Kraemer in 1932, then the chair of the NYU Classics Department. Although Kraemer advertised the imminent publication of the texts in 1934 and later collaborated with the famed papyrologist Herbert Youtie, neither completed the project. The ostraka in this small collection span the 2nd century BCE to the 8th century CE and include both Greek and Coptic texts. The majority, however, form a coherent dossier of tax receipts related to mortuary activities in Upper Egypt during the reign of Augustus (texts 7-70, dated from roughly the last quarter of the 1st century BCE to 12 CE). The five ostraka published in this volume not held by NYU include one that had been part of Kraemer’s original purchase but was subsequently lost (thankfully preserved in a photograph in Youtie’s archive at the University of Michigan), and four ostraka now held by the Los Angeles County Museum of Art. The latter four texts were purchased separately and published previously, but clearly belong to the same group of texts. They are included in this volume both for the sake of completeness and because the present authors were able to improve the readings in light of the context provided by the dossier as a whole. In addition to the scholarly edition of these texts, the volume contains a full discussion of their provenance, the taxes involved, the taxpayers and tax-collectors, and a ceramological analysis of the sherds as media for these texts. The book will be of interest primarily to specialists in papyrology and scholars who study the economic history of the ancient Mediterranean, Hellenistic Egypt, the Roman empire, and papyrology.


Classical New York

Classical New York
Author: Elizabeth Macaulay-Lewis
Publisher: Fordham Univ Press
Total Pages: 320
Release: 2018-09-04
Genre: History
ISBN: 0823281043

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During the rise of New York from the capital of an upstart nation to a global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of the city’s art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of New York’s most iconic buildings, public monuments, and civic spaces. Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity, to design their buildings and monuments, and to structure their public and private spaces. Specialists from a range of disciplines—archaeology, architectural history, art history, classics, and history— focus on how classical art and architecture are repurposed to help shape many of New York City’s most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of Libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression. Designed to add breadth and depth to the exchange of ideas about the place and meaning of ancient Greece and Rome in our experience of New York City today, this examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space—be it civic, religious, academic, theatrical, or domestic—and how we make use of that space and the objects in it.


The Language of Ruins

The Language of Ruins
Author: Patricia A. Rosenmeyer
Publisher: Oxford University Press
Total Pages: 297
Release: 2018-04-03
Genre: History
ISBN: 0190626321

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A colossal statue, originally built to honor an ancient pharaoh, still stands today in Egyptian Thebes, with more than a hundred Greek and Latin inscriptions covering its lower surfaces. Partially damaged by an earthquake, and later re-identified as the Homeric hero Memnon, it was believed to "speak" regularly at daybreak. By the middle of the first century CE, tourists flocked to the colossus of Memnon to hear the miraculous sound, and left behind their marks of devotion (proskynemata): brief acknowledgments of having heard Memnon's cry; longer lists by Roman administrators; and more elaborate elegiac verses by both amateur and professional poets. The inscribed names left behind reveal the presence of emperors and soldiers, provincial governors and businessmen, elite women and military wives, and families with children. While recent studies of imperial literature acknowledge the colossus, few address the inscriptions themselves. This book is the first critical assessment of all the inscriptions considered in their social, cultural, and historical context. The Memnon colossus functioned as a powerful site of engagement with the Greek past, and appealed to a broad segment of society. The inscriptions shed light on contemporary attitudes toward sacred tourism, the role of Egypt in the Greco-Roman imagination, and the cultural legacy of Homeric epic. Memnon is a ghost from the Homeric past anchored in the Egyptian present, and visitors yearned for a "close encounter" that would connect them with that distant past. The inscriptions thus idealize Greece by echoing archaic literature in their verses at the same time as they reflect their own historical horizon. These and other subjects are expertly explored in the book, including a fascinating chapter on the colossus's post-classical life when the statue finds new worshippers among Romantic artists and poets in nineteenth-century Europe.


Dynamic Epigraphy

Dynamic Epigraphy
Author: Eleri H. Cousins
Publisher: Oxbow Books
Total Pages: 233
Release: 2022-03-24
Genre: Social Science
ISBN: 1789259134

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This volume, with origins in a panel at the 2018 Celtic Conference in Classics, presents creative new approaches to epigraphic material, in an attempt to 'shake up' how we deal with inscriptions. Broad themes include the embodied experience of epigraphy, the unique capacities of epigraphic language as a genre, the visuality of inscriptions and the interplay of inscriptions with literary texts. Although each chapter focuses on specific objects and epigraphic landscapes, ranging from Republican Rome to early modern Scotland, the emphasis here is on using these case studies not as an end in themselves, but as a means of exploring broader methodological and theoretical issues to do with how we use inscriptions as evidence, both for the Greco-Roman world and for other time periods. Drawing on conversations from fields such as archaeology and anthropology, philology, art history, linguistics and history, contributors also seek to push the boundaries of epigraphy as a discipline and to demonstrate the analytical fruits of interdisciplinary approaches to inscribed material. Methodologies such as phenomenology, translingualism, intertextuality and critical fabulation are deployed to offer new perspectives on the social functions of inscriptions as texts and objects and to open up new horizons for the use of inscriptions as evidence for past societies.