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| Author | : Vincent Schilling |
| Publisher | : |
| Total Pages | : 128 |
| Release | : 2010-03-01 |
| Genre | : Indian musicians |
| ISBN | : 9781897187760 |
Follow the journeys of ten talented musicians from the Native community as they make their way to the top. All of them bring their own cultural traditions to their music.
| Author | : Jeff Berglund |
| Publisher | : University of Arizona Press |
| Total Pages | : 261 |
| Release | : 2016-03-10 |
| Genre | : Music |
| ISBN | : 0816509441 |
"This book is an interdisciplinary discussion of popular music performed and created by American Indian musicians, providing an important window into history, politics, and tribal communities as it simultaneously complements literary, historiographic, anthropological, and sociological discussions of Native culture"--Provided by publisher.
| Author | : Vincent Schilling |
| Publisher | : |
| Total Pages | : 128 |
| Release | : 2011-09-01 |
| Genre | : Environmentalists |
| ISBN | : 9781897187982 |
Like the other books in the First Nations Series for Young Readers, this books offers ten short and engaging biographies of First Nations/Native activists who advocate not only for the environment but for Native rights. Their stories are full of highs and lows, triumphs and setbacks. Environmental trailblazers, these men and women are role models for children everywhere.
| Author | : Vincent Schilling |
| Publisher | : 7th Generation |
| Total Pages | : 141 |
| Release | : 2022-01-08 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1939053854 |
The revised edition adds two new and exciting young basketball players to the roster of outstanding Native athletes already included in the book. Shoni Schimmel, a tribal member of the Confederated Tribes of the Umatilla Indian Reservation in eastern Oregon, has earned the nicknames “The Umatilla Thrilla” and “Showtime” in the world of women's basketball. To people in Indian Country, Shoni is an absolute hero. Kenny Dobbs, aka “The Dunk Inventor,” is a member of the Choctaw Nation of Oklahoma and has toured the globe with the National Basketball Association as a celebrity dunker for sold-out shows. The biographies of all thirteen athletes describe the hard work, determination and education it took to accomplish their dreams and become the champions they are.
| Author | : Philip J. Deloria |
| Publisher | : University of Washington Press |
| Total Pages | : 338 |
| Release | : 2019-04-24 |
| Genre | : Art |
| ISBN | : 029574524X |
Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America’s first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs, a series of “personality prints” of American public figures like Amelia Earhart, Babe Ruth, and Gertrude Stein. Sully’s position on the margins of the art world meant that her work was exhibited only a handful of times during her life. In Becoming Mary Sully, Philip J. Deloria reclaims that work from obscurity, exploring her stunning portfolio through the lenses of modernism, industrial design, Dakota women’s aesthetics, mental health, ethnography and anthropology, primitivism, and the American Indian politics of the 1930s. Working in a complex territory oscillating between representation, symbolism, and abstraction, Sully evoked multiple and simultaneous perspectives of time and space. With an intimate yet sweeping style, Deloria recovers in Sully’s work a move toward an anti-colonial aesthetic that claimed a critical role for Indigenous women in American Indian futures—within and distinct from American modernity and modernism.
| Author | : Joshua Tucker |
| Publisher | : University of Chicago Press |
| Total Pages | : 291 |
| Release | : 2019-02-22 |
| Genre | : Music |
| ISBN | : 022660733X |
When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music.
| Author | : Tara Browner |
| Publisher | : University of Illinois Press |
| Total Pages | : 186 |
| Release | : 2010-10-01 |
| Genre | : Music |
| ISBN | : 0252090659 |
This unique anthology presents a wide variety of approaches to an ethnomusicology of Inuit and Native North American musical expression. Contributors include Native and non-Native scholars who provide erudite and illuminating perspectives on aboriginal culture, incorporating both traditional practices and contemporary musical influences. Gathering scholarship on a realm of intense interest but little previous publication, this collection promises to revitalize the study of Native music in North America, an area of ethnomusicology that stands to benefit greatly from these scholars' cooperative, community-oriented methods. Contributors are T. Christopher Aplin, Tara Browner, Paula Conlon, David E. Draper, Elaine Keillor, Lucy Lafferty, Franziska von Rosen, David Samuels, Laurel Sercombe, and Judith Vander.
| Author | : Matt Garrick |
| Publisher | : HarperCollins Australia |
| Total Pages | : 267 |
| Release | : 2021-11-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1460713788 |
The epic story of legendary band Yothu Yindi and 'Treaty', the song that gave voice to a movement WITH INTRODUCTIONS BY YALMAY YUNUPINGU & WITIYANA MARIKA Sometimes a musical revolution can erupt from the most unlikely of places. Long before they were ARIA Hall of Fame inductees, Yothu Yindi were a bunch of Yolngu (Aboriginal people of East Arnhem Land) and balanda (non-Indigenous) mates rocking out in the remote Top End. Soon they were creating some of the coolest new music in the country, splicing traditional sounds with electric, and spreading a message of unity. Then, after singer Mandawuy Yunupiu penned the hit song 'Treaty' with Paul Kelly and Peter Garrett, and a remix dropped in 1991, Yothu Yindi shot out of Arnhem Land and into the hearts of music lovers across Australia and the world. Writing in the Sand, by Yothu Yindi's authorised biographer, Matt Garrick, is the epic story of one of Australia's most original bands and how 'Treaty' gave voice to Indigenous Australia's hard-fought struggle for recognition. Featuring photos from the band's archives never previously published, the book is based on extensive interviews with current and former band members, including mainstays Witiyana Marika, Stu Kellaway and Jodie Cockatoo, as well as family members such as Yalmay Yunupiu, Mandawuy's widow, and collaborators and fellow artists like Garrett, Kelly, Neil Finn, Joy McKean, Bart Willoughby and Andrew Farriss. Funny, poetic, heartfelt and steeped in the sights, smells and unique rhythms of East Arnhem Land, Writing in the Sand is a must-read for anyone who cares about Australian music, and Aboriginal culture and recognition, all of which were brilliantly woven together by one of the most exciting bands of our time.
| Author | : Craig Harris |
| Publisher | : U of Nebraska Press |
| Total Pages | : 345 |
| Release | : 2023-11 |
| Genre | : Music |
| ISBN | : 1496237935 |
Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music. Among a host of North America’s most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa “Bear” Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.
| Author | : Katelyn Barney |
| Publisher | : Taylor & Francis |
| Total Pages | : 163 |
| Release | : 2022-12-22 |
| Genre | : Music |
| ISBN | : 1000813401 |
This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the “third space” of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.
