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Making a Great Exhibition

Making a Great Exhibition
Author: Doro Globus
Publisher: Simon and Schuster
Total Pages: 44
Release: 2021-12-21
Genre: Juvenile Nonfiction
ISBN: 1644230739

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“It never occurred to me while growing up that art is an industry involving countless jobs, so if this book helps shed light to just one kid that it is a viable career option, then it has done its job, as art is indescribably important!” —Oliver Jeffers, Artist and Illustrator “This book so beautifully explains to kids what goes into making an art exhibition. It’s not just about an artist hanging something on a wall for people to see: it’s so much more lively, layered, and community-driven. Even I learned a ton about what truly goes into a fantastic art show!” —Joy Cho, Author and Founder of Oh Joy! “I wish I’d had this book when I was a kid! I always wanted my art to be in a big museum one day but, growing up in a small town, that just seemed impossible. Making a Great Exhibition is a beautifully illustrated behind-the-scenes peek at exactly how art makes its way from an artist’s mind to the big white walls of a fancy gallery. Turns out, there are a lot of people, with some very cool jobs, who make the magic happen—and any book that shows kids (and parents!) they can grow up to have a career in the arts is okay by me!” —Danielle Krysa, The Jealous Curator An exciting insight into the workings of artists and museums, Making a Great Exhibition is a colorful and playful introduction geared to children ages 3-7 How does an artist make a sculpture or a painting? What tools do they use? What happens to the artwork next? This fun, inside look at the life of an artwork shows the journey of two artists’ work from studio to exhibition. Stopping along the way we meet colorful characters—curators, photographers, shippers, museum visitors, and more! Both illustrator and author were raised in the art world, spending their time in studios, doing homework in museum offices, and going to special openings. They have teamed up to share their experiences and love for this often mysterious world to a young audience. London-based illustrator Rose Blake is best known for her work in A History of Pictures for Children, by David Hockney and Martin Gayford, which has been a worldwide success. Author Doro Globus brings her love for the arts and kids together with this fun journey.


Great Exhibitions

Great Exhibitions
Author: Jonathan Meyer
Publisher: Antique Collectors Club Dist
Total Pages: 344
Release: 2006
Genre: Art
ISBN:

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The need for peoples to come together to celebrate their industry, demonstrate their skills and to trade the results of this industry has existed sin ce man first organized himself into socially cohes ive units.This eventually found universal expressi ion in the extended series of international exhibi tions which began in London in 1851 and has contin


Cultures of International Exhibitions 1840-1940

Cultures of International Exhibitions 1840-1940
Author: Dr Marta Filipova
Publisher: Ashgate Publishing, Ltd.
Total Pages: 377
Release: 2015-07-28
Genre: Art
ISBN: 1472432819

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Beyond the world fairs in London, Paris or Chicago, numerous smaller, ambitious exhibitions took place in provincial cities and towns worldwide. This volume takes a novel look at the exhibitionary cultures of the period 1840-1940. By examining the motivations, scope, and impact of lesser-known exhibitions in, for example, Australia, Japan, Brazil, as well as a number of European countries, the volume opens up new angles in the way the global phenomenon of a great exhibition can be examined through the prism of the regional.


What Makes a Great Exhibition?

What Makes a Great Exhibition?
Author: Paula Marincola
Publisher: Reaktion Books
Total Pages: 191
Release: 2007-02-16
Genre: Business & Economics
ISBN: 1780234864

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For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle. What Makes a Great Exhibition? investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences the nature of the exhibitions under its roof. The distinguished contributors address diverse topics, including Studio Museum in Harlem director Thelma Golden’s examination of ethnically-focused exhibitions; and Robert Storr, director of the 2007 Venice Biennale and formerly of the Museum of Modern Art, on the meaning of “exhibition and “exhibitionmaker.” A thought-provoking volume on the practice of curatorial work and the mission of modern museums, What Makes A Great Exhibition? will be indispensable reading for all art professionals and scholars working today.


The Great Exhibitions

The Great Exhibitions
Author: John Allwood
Publisher:
Total Pages: 200
Release: 1977
Genre: Business & Economics
ISBN:

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Ephemeral vistas

Ephemeral vistas
Author: Paul Greenhalgh
Publisher: Manchester University Press
Total Pages: 273
Release: 2017-03-01
Genre: History
ISBN: 1526123657

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The international exhibitions held around the world between 1851 and 1939 were spectacular gestures, which briefly held the attention of the world before disappearing into an abrupt oblivion, of the victims of their planned temporality. Known in Britain as Great Exhibitions, in France as Expositions Universelles and in America as World's Fairs, the genre became a self-perpetuating phenomenon, the extraordinary cultural spawn of industry and empire. Thoroughly in the spirit of the first industrial age, the exhibitions illustrated the relation between money and power, and revelled in the belief that the uncontrolled expression of that power was the quintessence of freedom. Philanthropy found its place on exhibition sites functioning as a conscience to the age although even here morality was inextricably linked to economic efficiency and expansion. Imperial achievement was celebrated to the full at international exhibitions. Nevertheless, most World's Fairs maintained an imperial element and out of this blossomed a vibrant racism. Between 1889 and 1914, the exhibitions became a human showcase, when people from all over the world were brought to sites in order to be seen by others for their gratification and education. In essence, the English national profile fabricated in the closing decades of the nineteenth century was derived from the pre-industrial world. The Fine Arts were an important ingredient in any international exhibition of calibre. This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.


An Empire on Display

An Empire on Display
Author: Peter H. Hoffenberg
Publisher: Univ of California Press
Total Pages: 632
Release: 2001
Genre: Business & Economics
ISBN: 9780520922969

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The exhibitions of the Victorian and Edwardian eras are the lens through which this book examines the economic, cultural, and social forces that helped define Britain and the Empire. It focuses on exhibitions in England, Australia, and India from the Great Exhibition to the Festival of Empire.


Great Exhibits!

Great Exhibits!
Author: Beth Hansen
Publisher: Rowman & Littlefield
Total Pages: 180
Release: 2017-05-01
Genre: Business & Economics
ISBN: 1442270772

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Building informative and interesting exhibits is challenging for small museums. Even museums with minimal budgets can produce quality exhibits with guidance from Great Exhibits! An Exhibit Planning and Construction Handbook for Small Museums. Using research from top exhibit professionals and do-it-yourself installation instructions, small museum staff and volunteers will be able to build professional exhibits. Museum professionals have dedicated years of study to the experiences of museum visitors. Great Exhibits! combines the best academic research that will help small museums understand what needs to go into planning an exhibit with step-by-step instructions that outline the process for planning successful exhibits. Digital interactive technology and simple hands-on experiences are included. To keep up with changing technology, the companion website https://bethsagehansen.wordpress.com/ will be updated regularly to provide resources and current digital technology. The best thing about Great Exhibits! is that features more than 100 FULL-COLOR photographs and illustrations to show you how to create exhibit cases, object mounts, and temporary walls. This practical guide is invaluable for any museum without professional fabricators. Based on practical experiences at small museums across the country and featuring more than 100 full-color photographs and illustrations, Great Exhibits! is an invaluable resource for theoretical guidance and practical assistance to anyone who works or volunteers in a small museum as well as a textbook for museum studies programs. To keep up with changing technology, the companion website https://bethsagehansen.wordpress.com/ will be updated regularly to provide resources and current digital technology.


Cultures of International Exhibitions 1840-1940

Cultures of International Exhibitions 1840-1940
Author: Marta Filipová
Publisher: Routledge
Total Pages: 377
Release: 2017-07-05
Genre: Art
ISBN: 135157034X

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Beyond the great exhibitions, expositions universelles and world fairs in London, Paris or Chicago, numerous smaller, yet ambitious exhibitions took place in provincial cities and towns across the world. Focusing on the period between 1840 and 1940, this volume takes a novel look at the exhibitionary cultures of this period and examines the motivations, scope, and impact of lesser-known exhibitions in, for example, Australia, Japan, Brazil, as well as a number of European countries. The individual case studies included explore the role of these exhibitions in the global exhibitionary network and consider their ?marginality? related to their location and omission by academic research so far. The chapters also highlight a number of important issues from regional or national identities, the role of modernisation and tradition, to the relationship between capital cities and provincial towns present in these exhibitions. They also address the key topic of colonial exhibitions as well as the displays of arts and design in the context of the so-called marginal fairs. Cultures of International Exhibitions 1840-1940: Great Exhibitions in the Margins therefore opens up new angles in the way the global phenomenon of a great exhibition can be examined through the prism of the regional, and will make a vital contribution to those interested in exhibition studies and related fields.


Exhibitions, Music and the British Empire

Exhibitions, Music and the British Empire
Author: Sarah Kirby
Publisher: Boydell & Brewer
Total Pages: 264
Release: 2022
Genre: Exhibitions
ISBN: 1783276738

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"International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, trading these through the networks of communication that existed within the British Empire at the time. Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into broader debates about music's role in society"--Page 4 of cover.