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British films of the 1970s

British films of the 1970s
Author: Paul Newland
Publisher: Manchester University Press
Total Pages: 336
Release: 2015-11-01
Genre: Social Science
ISBN: 1526102307

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British films of the 1970s offers highly detailed and insightful critical analysis of a range of individual films of the period. This analysis draws upon an innovative range of critical methodologies which place the film texts within a rich variety of historical contexts. The book sets out to examine British films of the 1970s in order to get a clearer understanding of two things – the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. It argues that there is no singular narrative to be drawn about British filmmaking in the 1970s, other than the fact that these films offer evidence of a Britain (and ideas of Britishness) characterised by vicissitudes. While this was a period of struggle and instability, it was also a period of openings, of experiment, and of new ideas. Newland looks at many films, including Carry On Girls, O Lucky Man!, That'll be the Day, The Shout, and The Long Good Friday.


Great British Films of the 1970s

Great British Films of the 1970s
Author: Scott V. Palmer
Publisher: Cypress Hills Press
Total Pages: 308
Release: 2020-04-20
Genre: Performing Arts
ISBN: 9781645705093

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This reference book includes more than 30 British films made in the 1970s, including complete cast lists, directorial credits, numerous photographs, and story synopses. It is the fifth book in a series of films by decade from the same author.


British Film Culture in the 1970s

British Film Culture in the 1970s
Author: Sue Harper
Publisher: Edinburgh University Press
Total Pages: 337
Release: 2013-01-28
Genre: Performing Arts
ISBN: 0748654283

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This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period.


Seventies British Cinema

Seventies British Cinema
Author: Robert Shail
Publisher: Bloomsbury Publishing
Total Pages: 401
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838718052

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Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off in critical discussions as a 'doldrums' period in British cinema, perhaps because the industry, facing near economic collapse, turned to 'unacceptable' low culture genres such as sexploitation comedies or extreme horror. The contributors to this new collection argue that 1970s cinema is ripe for reappraisal: giving serious critical attention to populist genre films, they also consider the development of a British art cinema in the work of Derek Jarman and Peter Greenaway, and the beginnings of an independent sector fostered by the BFI Production Board and producers like Don Boyd. A host of highly individual directors managed to produce interesting and cinematically innovative work against the odds, from Nicolas Roeg to Ken Russell to Mike Hodges. As well as providing a historical and cinematic context for understanding Seventies cinema, the volume also features chapters addressing Hammer horror, the Carry On films, Bond films of the Roger Moore period, Jubilee and other films that responded to Punk rock; heritage cinema and case studies of key seventies films such as The Wicker Man and Straw Dogs. In all, the book provides the final missing piece in the rediscovery of British cinema's complex and protean history. Contributors: Ruth Barton, James Chapman, Ian Conrich, Wheeler Winston Dixon, Christophe Dupin, Steve Gerrard, Sheldon Hall I. Q. Hunter, James Leggott, Claire Monk, Paul Newland, Dan North, Robert Shail, Justin Smith and Sarah Street.


British Films of the 1970s

British Films of the 1970s
Author: Paul Newland (Lecturer in film studies)
Publisher:
Total Pages: 263
Release: 2013
Genre: Motion picture industry
ISBN: 9781781705049

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This book offers highly detailed and insightful critical analysis of a range of individual films of the period. This analysis draws upon an innovative range of critical methodologies which place the film texts within a rich variety of historical contexts. The book sets out to examine British films of the 1970s in order to get a clearer understanding of two things - the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. It argues that there is no singular narrative to be drawn about British filmmaking in the 1970s, other than the fact that these films offer evidence of a Britain (and ideas of Britishness) characterised by vicissitudes.


The British Film Industry in the 1970s

The British Film Industry in the 1970s
Author: S. Barber
Publisher: Springer
Total Pages: 234
Release: 2013-01-22
Genre: Performing Arts
ISBN: 1137305924

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Is there more to 1970s British cinema than sex, horror and James Bond? This lively account argues that this is definitely the case and explores the cultural landscape of this much maligned decade to uncover hidden gems and to explode many of the well-established myths about 1970s British film and cinema.


A History of 1970s Experimental Film

A History of 1970s Experimental Film
Author: P. Gaal-Holmes
Publisher: Springer
Total Pages: 230
Release: 2015-03-17
Genre: Performing Arts
ISBN: 1137369388

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This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking, acting as a form of reclamation for films and filmmakers marginalized within established histories. An indispensable book for practitioners, historians and critics alike, it provides new interpretations of this rich and diverse history.


Seventies British Cinema

Seventies British Cinema
Author: Robert Shail
Publisher: Bloomsbury Publishing
Total Pages: 208
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838718060

Download Seventies British Cinema Book in PDF, ePub and Kindle

Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off in critical discussions as a 'doldrums' period in British cinema, perhaps because the industry, facing near economic collapse, turned to 'unacceptable' low culture genres such as sexploitation comedies or extreme horror. The contributors to this new collection argue that 1970s cinema is ripe for reappraisal: giving serious critical attention to populist genre films, they also consider the development of a British art cinema in the work of Derek Jarman and Peter Greenaway, and the beginnings of an independent sector fostered by the BFI Production Board and producers like Don Boyd. A host of highly individual directors managed to produce interesting and cinematically innovative work against the odds, from Nicolas Roeg to Ken Russell to Mike Hodges. As well as providing a historical and cinematic context for understanding Seventies cinema, the volume also features chapters addressing Hammer horror, the Carry On films, Bond films of the Roger Moore period, Jubilee and other films that responded to Punk rock; heritage cinema and case studies of key seventies films such as The Wicker Man and Straw Dogs. In all, the book provides the final missing piece in the rediscovery of British cinema's complex and protean history. Contributors: Ruth Barton, James Chapman, Ian Conrich, Wheeler Winston Dixon, Christophe Dupin, Steve Gerrard, Sheldon Hall I. Q. Hunter, James Leggott, Claire Monk, Paul Newland, Dan North, Robert Shail, Justin Smith and Sarah Street.


The British Film Industry in the 1970s

The British Film Industry in the 1970s
Author: S. Barber
Publisher: Springer
Total Pages: 316
Release: 2013-01-22
Genre: Performing Arts
ISBN: 1137305924

Download The British Film Industry in the 1970s Book in PDF, ePub and Kindle

Is there more to 1970s British cinema than sex, horror and James Bond? This lively account argues that this is definitely the case and explores the cultural landscape of this much maligned decade to uncover hidden gems and to explode many of the well-established myths about 1970s British film and cinema.


The Great British Sex Film

The Great British Sex Film
Author: Jon Abbott
Publisher:
Total Pages: 164
Release: 2018-03-15
Genre:
ISBN: 9781986305891

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164 pages / adults only / color When it comes to making money, you can forget about Star Wars. Adventures of a Taxi Driver was made for 30,000 pounds and took just under 48,000 pounds in it's opening week in Birmingham alone. The queues went round the block three times. This phenomenon was then duplicated in every major city in the U.K. It then additionally sold around the world, and like many such films of the '70s, ultimately grossed millions. The truly abysmal Come Play With Me is the most profitable British film of all time. They won't tell you that at the BAFTAs. The reason the Great British Sex Film boom of the 1970s has remained a dirty little secret is that almost everybody, from the British film industry, to the audience for them, to many of the people who made them and appeared in them (not all), considers them a colossal embarrassment from the past. And so do I. Many of them were creepy, stupid, and ignorant, and even more so now. But having had no desire to see such lowbrow fare when I was a teenager in the '70s, I now find myself--like the academic apologists at the unis and the British Film Institute--enjoying them with morbid fascination as social documents and film history, the 1970s captured and frozen in time. Now that they belong to the past, they seem less insulting to our intelligence. We can lie to ourselves that the world has changed. Far from being seen as the salvation of the British film industry that they actually were, keeping studios working and actors employed at a time when television ruled supreme and no-one was going to see anything else, the sex-coms were often unfairly portrayed in the media as the cause of the cinema's decline, which is just not true. Using that old prudes' standby, "what about the children?", critics and cultural commentators would imply that these films were somehow bullying more wholesome fare off the screen, whereas family films were not being made because families in 1970s Britain were sitting at home watching On the Buses, The Benny Hill Show, The Two Ronnies, and Morecambe and Wise on their new color televisions. The British male has long been regarded by foreigners as someone who would rather go to bed with a hot water bottle than a warm woman. "No Sex Please, We're British" goes the old joke. So it's perhaps no surprise that sex films aren't our greatest artistic accomplishment. But like a lot of trashy films (inept sci-fi, badly realised horror, pretentious erotica), the British sex-coms are fun to watch for the wrong reasons (or at least, reasons contrary to the intentions of the makers). They may occasionally be genuinely funny, and they may be fascinating (get a load of the high streets, the cars, the clothes, the haircuts, the decor), but however we might sneer, mock, gasp, and cringe, British sex comedies--particularly those co-featuring television sit-com stars of the era--were phenomenally popular with the Great British Bloke and his Missus, so they must have been doing something right. Snowflakes-prepare to run to your safe spaces... there's a history here that may not "fit the narrative"...! Please note: The text in this book previously appeared in the author's earlier 700 page Strange New World: Sex Films of the 1970s, also available on Amazon.