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Prints and Their Production

Prints and Their Production
Author: New York Public Library
Publisher:
Total Pages: 20
Release: 1917
Genre: Engraving
ISBN:

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Avati

Avati
Author:
Publisher:
Total Pages: 164
Release: 1984
Genre:
ISBN:

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Art Books

Art Books
Author: Wolfgang M. Freitag
Publisher: Taylor & Francis
Total Pages: 572
Release: 1997
Genre: Art
ISBN: 9780824033262

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Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR


A catalogue of the books in the library of the Royal academy of arts, London. [By H.R. Tedder]. [With suppl. entitled] A catalogue of books added ... between 1877 and 1900. (Roy. acad. of arts).

A catalogue of the books in the library of the Royal academy of arts, London. [By H.R. Tedder]. [With suppl. entitled] A catalogue of books added ... between 1877 and 1900. (Roy. acad. of arts).
Author: Henry Richard Tedder
Publisher:
Total Pages: 214
Release: 1901
Genre:
ISBN:

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Sale Catalogues

Sale Catalogues
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
Total Pages: 1302
Release: 1922
Genre:
ISBN:

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The Artist and His Critic Stripped Bare

The Artist and His Critic Stripped Bare
Author: Paul B. Franklin
Publisher: Getty Publications
Total Pages: 422
Release: 2016-06-01
Genre: Art
ISBN: 1606064436

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Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.