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Grande ouverture de "Waverley"

Grande ouverture de
Author: Hector Berlioz
Publisher:
Total Pages: 82
Release: 1899
Genre: Overtures
ISBN:

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The Musical Language of Berlioz

The Musical Language of Berlioz
Author: Julian Rushton
Publisher: Cambridge University Press
Total Pages: 332
Release: 1983-11-24
Genre: Music
ISBN: 9780521242790

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This book is an analytical and critical study of Berlioz's unique musical style. It does not undertake to analyse all his works, but rather to separate characteristic elements and observe them in action. Berlioz's writings and those of his critics are called upon to help focus the discussion. Part I includes material on the sources of Berlioz's idiosyncrasy and a discussion of fundamental pitch elements. Part II pursues this discussion into textural, contrapuntal and orchestral features, and considers melody and rhythm. Part III deals with whole musical forms, vocal and instrumental. The book includes copious musical illustration, much of it analytical reduction, and the expressive purpose of the features analysed is fully considered. The conclusion is that Berlioz's musical language is inescapably peculiar, though not necessarily inept; features which seem inexplicable in the light of compositional theory nearly always contribute to the musical and expressive exactness of communication.


Berlioz

Berlioz
Author: Peter Bloom
Publisher: University Rochester Press
Total Pages: 272
Release: 2008
Genre: Literary Collections
ISBN: 9781580462099

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Presented in six contrasting and complementary pairs, the essays treat such matters as Berlioz's aesthetics and what it means to write about the meaning of his music; the political implications of his fiction and the affinities of his projects as composer and as critic; what the Germans thought of his work before his travels in Germany and what the English made of him when he visited their capital city. We learn in explicit detail how Berlioz deployed the mezzo-soprano voice, what he seems to have written immediately after encountering Shakespeare's Romeo and Juliet (a surprise), and where he benefited from Beethoven in what later became Romeo et Juliette.


Conducting Berlioz

Conducting Berlioz
Author: Norman Del Mar
Publisher: Oxford University Press
Total Pages: 244
Release: 1997
Genre: Music
ISBN: 9780198165590

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Berlioz, the enfant terrible of music if ever there was one, was always a favorite of the late Norman Del Mar. In this volume (seen through the press by his son Jonathan) Norman Del Mar brings all his wide experience to the explanations and elucidation of the more difficult points of conducting these works. The most imaginative orchestrator ever is treated with wisdom and perception and many doubtful technical points are clarified in this invaluable handbook. Anyone wanting to know more about Berlioz's works, be they student or music-loving listener, will find their enjoyment enhanced after reading this indispensable study. The three extraordinary symphonies are considered in detail, followed by six overtures, and other important works. The volume culminates in chapters on the Grande Messe des morts and Te Deum which give true insight into these major choral pieces. Del Mar's writing style is easily approachable and carries the reader along in eager anticipation as understanding is assimilated from his own infectious enthusiasm.


The Cambridge Companion to Berlioz

The Cambridge Companion to Berlioz
Author: Peter Bloom
Publisher: Cambridge University Press
Total Pages: 332
Release: 2000-08-24
Genre: Music
ISBN: 9780521596381

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Provides a comprehensive view of Berlioz the man, the composer, the critic and the writer.