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City and Spectacle in Medieval Europe

City and Spectacle in Medieval Europe
Author: Barbara Hanawalt
Publisher: U of Minnesota Press
Total Pages: 356
Release: 1994
Genre: Social Science
ISBN: 9780816623594

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Urban ceremonial in the Middle Ages took various forms and served a number of different ends--private, collegial, political, and religious. Broadly construed, urban ceremonial included public functions of multiple sorts. From private, but public, celebrations of births, marriages, and deaths to the grand entries of rulers into cities, the spectacles were designed to impress events on collective memory. - from the Introduction.


Media Spectacle

Media Spectacle
Author: Douglas Kellner
Publisher: Routledge
Total Pages: 207
Release: 2003-08-29
Genre: Social Science
ISBN: 1134493959

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During the mid-1990s, the O.J. Simpson murder trial dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to this fascinating new book, the Simpson case was just one example of what the author calls 'media spectacle' - a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display. Through the analysis of several such media spectacles - including Elvis, The X Files, Michael Jordan, and the Bill Clinton sex scandals - Doug Kellner draws out important insights into media, journalism, the public sphere and politics in an era of new technologies. In this excellent follow up to his best selling Media Culture, Kellner's fascinating new volume delivers an informative read for students of sociology, culture and media.


Theatre of Fear & Horror: Expanded Edition

Theatre of Fear & Horror: Expanded Edition
Author: Mel Gordon
Publisher: Feral House
Total Pages: 326
Release: 2016-07-18
Genre: Performing Arts
ISBN: 1627310436

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"Bloodcurdling shrieks, fiendish schemes, deeds of darkness, mayhem and mutilation—we all have a rough idea of what Grand Guignol stands for. But until now it has been hard to find out much more about it than that. According to the American theater historian Mel Gordon, no major history of the theater so much as mentions it, although it is a form of entertainment that held its own on the Paris stage for more than half a century. But Mr. Gordon has made a thorough job of filling the gap."—John Gross, The New York Times Here is the expanded edition of classic outré book, The Grand Guignol, first published in 1988 and now long out of print. Like the original anthology, it includes an illustrated introduction to the theater of Paris and abroad, a breakdown of its stage tricks, a summary of one hundred plots, extensive photo documentation, André de Lord's essay, "Fear in Literature," and two originally produced Grand Guignol scripts. The expanded edition also contains additional graphic and textual material including a color insert of Grand Guignol posters; the 1938 autobiographical account of Maxa, the company's leading female performer entitled "I Am the Maddest Woman in the World"; and the controversial playscript Orgy in the Lighthouse.


The Sketch

The Sketch
Author:
Publisher:
Total Pages: 610
Release: 1896
Genre:
ISBN:

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Punch

Punch
Author: Mark Lemon
Publisher:
Total Pages: 354
Release: 1899
Genre: Caricatures and cartoons
ISBN:

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The English Language

The English Language
Author: Harris Ray Greene
Publisher:
Total Pages: 382
Release: 1879
Genre:
ISBN:

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The Christian World

The Christian World
Author:
Publisher:
Total Pages: 460
Release: 1869
Genre: Missions
ISBN:

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Spectacle Culture and American Identity 1815–1940

Spectacle Culture and American Identity 1815–1940
Author: S. Tenneriello
Publisher: Springer
Total Pages: 324
Release: 2013-12-18
Genre: Performing Arts
ISBN: 1137360623

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Scenic spectacles collapse the borders of graphic and visual arts, multimedia technology, spectatorship and architecture. Drawing upon various systems of commercial, institutional and public spectacle that intersect with scenic stages of the national landscape, Tenneriello examines how spectacle is entrenched in the formation of national identity.