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The Final Spectacle

The Final Spectacle
Author: Julia Thoma
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 368
Release: 2019-03-18
Genre: Art
ISBN: 3110497484

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The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war reporting. The paintings’ entertainment value effectively communicated political agendas, catering to the emerging phenomenon of mass spectatorship and giving rise to innovative compositions. The book also looks at the other side of the artistic spectrum, proposing that smaller formats adapted the sentimental techniques of military memoirs to focus on the soldiers’ experiences of warfare and to elicit a critique of war.


Étude Nouvelle sur Denis Diderot, l'Encyclopédiste du Xviiie Siècle

Étude Nouvelle sur Denis Diderot, l'Encyclopédiste du Xviiie Siècle
Author: Charles Romey
Publisher: Forgotten Books
Total Pages: 98
Release: 2017-07-11
Genre: Literary Collections
ISBN: 9781332678679

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Excerpt from Etude Nouvelle sur Denis Diderot, l'Encyclopediste du Xviiie Siecle: Extrait Inedit du Grand Dictionnaire Universel du Xixe SiecleNous avons ici sous les yeux le genie le plus puissant, la personnalite la mieux m arquee lathlete le philosophe le penseur, le critique, lartiste le plus fortement constitue du XVIIIe siecle... apres, ou plutot avec Danton.Entre Diderot le philosophe et Danton le revolutionnaire, il y a des rapports que lon ne saurait nier la meme impetuosite, lu meme ardeur le meme enthousia me les meme idees a des epoques differentes Si Diderot avait vecu au temps le Mirabeau et de Camille Desmoulins, il eut ete Danton, si Danton avait ete le contemporain de d'Alembert et de Rousseau, peut-etre l'appelle-rait-on aujourd'hui Danton l'encyclopediste. Que de points de ressemblance entre ces deux grandes figures!Citons quelques traits: tous deux Champenois, presque Bourguignons; chez l'un et l'autre mome jeunesse turbulente et agitee, humeur independante, hardiesse indomptable, amour effrene des exercices violents, grande force de corps, penchant extraordinaire a l'amitie.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Confronting Modernity in Fin-de-Siècle France

Confronting Modernity in Fin-de-Siècle France
Author: C. Forth
Publisher: Springer
Total Pages: 265
Release: 2009-11-27
Genre: History
ISBN: 0230246842

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The turn of the twentieth century represented a crossroads in the French experience of modernization, especially in regard to ideas about gender and sexuality. Drawing together prominent scholars in French gender history, this volume explores how historians have come to view this period in light of new theoretical developments since the 1980s.


Gustave Caillebotte as Worker, Collector, Painter

Gustave Caillebotte as Worker, Collector, Painter
Author: Samuel Raybone
Publisher: Bloomsbury Publishing USA
Total Pages: 265
Release: 2020-09-17
Genre: Art
ISBN: 1501339958

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Gustave Caillebotte was more than a painter: he collected and researched postage stamps; designed and built yachts; administered and participated in the sport of yachting; collected paintings; cultivated and collected rare orchids; designed and tended his gardens; and engaged in local politics. Gustave Caillebotte as Worker, Collector, Painter presents the first comprehensive account of Caillebotte's manifold activities. It presents a completely new critical interpretation of Caillebotte's broad career that highlights the singular salience of 'work', and which intersects histories and theories of visual culture, ideology, and psychoanalysis. Where the recent art historical 'rediscovery' of Caillebotte offers multiple narratives of his identification with working men, this book goes beyond them towards excavating what his work was in its own terms. Born to an haut bourgeois milieu in which he was never completely comfortable and assailed by traumatic familial bereavements, Caillebotte adopted and adapted the ideologically normative category of work for his own purposes, deconstructing its ostensibly class-determinate parameters in order to bridge the chasm of his social alienation.