Gran Jota Aragonesa. Fantasía brillante
Author | : F. Lahoz |
Publisher | : |
Total Pages | : 7 |
Release | : 1936 |
Genre | : |
ISBN | : |
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Author | : F. Lahoz |
Publisher | : |
Total Pages | : 7 |
Release | : 1936 |
Genre | : |
ISBN | : |
Author | : Andrew Power |
Publisher | : Lulu.com |
Total Pages | : 134 |
Release | : 2008-12-31 |
Genre | : Biography & Autobiography |
ISBN | : 1326182374 |
This is a monograph of the Paraguayan guitarist and composer Agustín Barrios. It looks particularly his influences and the innovations and range of techniques and styles found in his work.
Author | : Frédéric Zigante |
Publisher | : Max Eschig |
Total Pages | : 0 |
Release | : 2014-05 |
Genre | : Music |
ISBN | : 9781480397293 |
Principally original works for guitar by Francisco Taarrega; the penultimate work by J. Arcas, arranged by Taarrega.
Author | : |
Publisher | : |
Total Pages | : 818 |
Release | : 1999 |
Genre | : Music |
ISBN | : |
Author | : Graham Wade |
Publisher | : Alma Books |
Total Pages | : 289 |
Release | : 2018-01-01 |
Genre | : Music |
ISBN | : 0714544841 |
First published in 1980, Traditions of the Classical Guitar has been described as the first book to examine in detail the many traditions of one of today's most popular instruments. With its central focus on Andres Segovia's pioneering work in establishing the guitar as an international concert instrument, it goes on to examine in detail its subsequent developments with reference to great artists such as Bream, Williams, Diaz and Yepes.Traditions of the Classical Guitar continues to be a classic of twentieth-century guitar scholarship, offering a challenging assessment to perceptions of the guitar's progress throughout the ages. It is also a timely reminder of the glorious years of Segovia's concert career between 1909 and 1987; Segovia himself said of the work: "e;Graham Wade has shown his love for the guitar from the first page to the last; true love and understanding"e;.
Author | : emusicquest |
Publisher | : Musicdata, Incorporated |
Total Pages | : 732 |
Release | : 1995 |
Genre | : Music |
ISBN | : |
Author | : Ivan March |
Publisher | : Penguin Group |
Total Pages | : 1584 |
Release | : 2008 |
Genre | : Music |
ISBN | : |
This new completely revised edition of the Penguin Guidesurveys the major classical recordings issued and reissued over the past five decades, many of which have dominated the catalogue because of their sheer excellence, irrespective of their recording dates. More thorough than ever before, it indicates key recordings on CD, as well as on DVD, with their extra video dimension, and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical work (including DVDs of opera and ballet) you will find it listed and acutely assessed in these pages. THE PENGUIN GUIDE TO RECORDED CLASSICAL MUSIC OFFERS- The pick of the latest releases, as well as all key established recordings The greatest historic recordings, many in outstanding new transfers (including the very first recording of Beethoven's Fifth Symphony) An in-depth survey of the best of the budget-priced CDs, including countless new issues A comprehensive new collection of 'Portraits' of the major artists - singers, conductors and instrumentalists
Author | : |
Publisher | : |
Total Pages | : 1614 |
Release | : 2008 |
Genre | : Compact discs |
ISBN | : |
Author | : John Sullivan Dwight |
Publisher | : |
Total Pages | : 440 |
Release | : 1875 |
Genre | : Music |
ISBN | : |
Author | : Hon-Lun Helan Yang |
Publisher | : University of Hawaii Press |
Total Pages | : 289 |
Release | : 2020-09-30 |
Genre | : Music |
ISBN | : 0824882695 |
Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians established the first opera company in China, as well as choirs, bands, and ensembles, to play for their own and other communities. Russian musicians were the core of Shanghai’s lauded Municipal Orchestra and taught at China’s first conservatory. Two Russian émigré composers in particular—Alexander Tcherepnin and Aaron Avshalomov—experimented with incorporating Chinese elements into their compositions as harbingers of intercultural music that has become a well-recognized trend in composition since the late twentieth century. The Russian musical scene in Shanghai was the embodiment of musical cosmopolitanism, anticipating the hybrid nature of twenty-first-century music arising from cultural contacts through migration, globalization, and technological advancement. As a pioneering study of the Russian community, Networking the Russian Diaspora examines its musical activities and influence in Shanghai. While the focus of the book is on music, it also gives insight into the social dynamics between Russians and other Europeans on the one hand, and with the Chinese on the other. The volume, coauthored by Chinese music specialists, makes a significant contribution to studies of diaspora, cultural identity, and migration by casting light on a little-studied area of Sino-Russian cultural relations and Russian influence in modern China. The discoveries stretch the boundaries of music studies by addressing the relational aspects of Western music: how it has articulated national and cultural identities but also served to connect people of different origins and cultural backgrounds.