Grahame and Inge King
Author | : Grahame E. King |
Publisher | : |
Total Pages | : |
Release | : 1960 |
Genre | : Painters |
ISBN | : |
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Author | : Grahame E. King |
Publisher | : |
Total Pages | : |
Release | : 1960 |
Genre | : Painters |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : Artists, Australian |
ISBN | : |
Author | : Sasha Grishin |
Publisher | : Macmillan Education AU |
Total Pages | : 166 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9781876832599 |
Grahame Kings life as an artist began with his mastery of the new art of colour reproduction as a photolithographic colour etcher in Melbourne in the 1930s. At the same time, study at the National Gallery Art School with George Bell assisted his development as a painter. After war service and travels abroad, King returned to Melbourne with his wife, the sculptor Inge King. The two held a number of joint exhibitions of paintings and sculptures in Australia throughout the 1950s and then, from c.1962 Grahame King turned his attention, increasingly, towards the art of lithography becoming a master in this field of printmaking. He has also devoted himself to promoting the art of lithography and printmaking generally through the Print Council of Australia. He is often called Australias patron saint of printmaking. The book examines his seven decades working as an artist in Melbourne and is lavishly illustrated with colour reproductions throughout.
Author | : Judith Trimble |
Publisher | : Fine Art Publishing |
Total Pages | : 236 |
Release | : 1996 |
Genre | : Antiques & Collectibles |
ISBN | : |
Figurative to abstract imagery - Melbourne school - Welded steel and abstract expressionism - The dance - Works on paper - Exhibitions, awards, commissions and collections.
Author | : Christopher Heathcote |
Publisher | : Macmillan Education AU |
Total Pages | : 282 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9781876832438 |
The most publicly accessible art of the late Roger Kemp is perhaps the magnificent tapestries that hang in the great hall of the National Gallery of Victoria. This major figure of Australia's post war art world is the subject of Christopher Heathcote's latest book.
Author | : Lesley Harding |
Publisher | : The Miegunyah Press |
Total Pages | : 273 |
Release | : 2009 |
Genre | : Art |
ISBN | : 052285673X |
Cubism was a movement that changed fundamentally the course of twentieth-century art. It had far-reaching effects, both conceptual and stylistic, which are still being felt today. Described in 1912 by French poet and commentator Guillaume Apollinaire as 'not an art of imitation, but an art of conception', Cubism irreversibly altered art's relationship to visual reality. 'I paint things as I think them, not as I see them', Picasso said. Cubism and Australian Art examines for the first time the impact of this transformative art movement on the work of Australian artists, from the early 1920s to the present day. The authors argue that by its very nature, Cubism was characterised by variation and change, that the idea of a pure or original Cubism was short lived, and that its appearance in Australian art parallels its uptake and re-interpretation by artists internationally. In the words of French artist Andr Lhote, mentor to several Australians who studied at his Academy in Paris: 'There are a thousand defi nitions of Cubism, because there are a thousand painters practising it'. More than eighty international and Australian artists are showcased with over 300 works, featuring Sam Atyeo, Ralph Balson, Grace Crowley, Frank Hinder, Roger Kemp, Godfrey Miller, Stephen Bram and Daniel Crooks, as well as Pablo Picasso, Georges Braque and Fernand L ger.
Author | : Bernard Smith |
Publisher | : Macmillan Education AU |
Total Pages | : 488 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9781876832667 |
Following art historian Bernard Smith's award-winning autobiographical account of his earlier life ("The Boy Adeodatus: the portrait of a lucky young bastard", first published in 1984) he now reflects on life in the 1940s. Themes recalling the period before the family departed for England in September 1948 include; courtship and marriage; forebodings of war and attitudes to Communism and Fascism; political involvement in cultural activities with artists and emigre European-trained art historians anxious to promote modern art and knowledge of art history (not taught in universities at that time) and early employment at the Art Gallery of New South Wales pioneering the arrangement of travelling exhibitions for regional centres. Smith's formative training as an art historian and critic is the important and recurring theme of this book. It encompasses his encounters at London's Courtauld and Warburg Institutes with art historians Anthony Blunt, Ernst Gombrich, Rudolf Wittkower and many others; his introduction to art historical methodologies and insights (such as Gombrich's insistence on the linkage between image and concept); and his obligatory 'grand tours' of a range of European cities and their museums, art works and architectural monuments.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2022 |
Genre | : Applied art |
ISBN | : 9781350916043 |
Sculpture is drawing from a thousand different angles - Inge King Vibrant, articulate and passionate - Inge King is one of Australia's foremost sculptors. Her work has always been on a grand scale. Her public sculptures invite exploration - to walk through, slide down, sit on or just canoodle around. This insightful portrait of sculptor, Inge King reveals the creative processes involved in making her large public sculptures. Featuring fascinating early footage and recent interviews this film chronicles her life's work and vision. Inge King was born in Berlin in 1918. She studied sculpture at the Berlin Academy of Fine Arts but was forced to flee in 1939. She continued her studies in the UK, later marrying an Australian painter, Grahame King she met in an artist's colony outside London. King arrived in Melbourne in 1951 to find that modern sculpture hadn't shown its face. It was tough going at first, but this determined woman managed to raise a young family and made striking modern jewellery to supplement the family income. Welded steel became her medium in 1959, influenced by her engagement with Abstract Expressionism in New York and she began creating non-representational sculpture inspired by the Australian bush. In 1971 King finally got her first big break, with a large-scale, site-specific, public sculpture in Canberra. Reaction was polarised and the critics were vocal - abstract sculpture was completely alien and puzzled them. Despite the outcry the tide was turning - modernist sculpture was finding acceptance and some recognition. A life-long desire to work in bronze was realised in 1990, along with a new zest for life. The joie- de-vivre invested in King's work is palpable. When you have lived a long time, you cherish what you have had and you celebrate life - she says .
Author | : David Hurlston |
Publisher | : |
Total Pages | : 135 |
Release | : 2014 |
Genre | : King, Inge |
ISBN | : 9780724103867 |
Featuring in-depth written contributions by Jane Eckett and David Hurlston and full colour reproductions of works from King's extraordinary career, this stunning volume celebrates a life of remarkable achievement and, most importantly, acknowledges King's singular role in the development of modern sculpture in Australia. Features photographs from Inge King's personal archive. Includes selected bibliography and exhibition history. Published to coincide with Inge King: Constellation, to be held at The Ian Potter Centre, NGV Australia, Federation Square, 1 May - 31 August 2014
Author | : Harriet Edquist |
Publisher | : RMIT Publishing |
Total Pages | : 288 |
Release | : 2008 |
Genre | : Architecture |
ISBN | : 9781921166914 |