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Graeme and Cyril

Graeme and Cyril
Author: Barry Eric O. Pain
Publisher:
Total Pages: 300
Release: 1893
Genre: British students
ISBN:

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Graeme and Cyril

Graeme and Cyril
Author: Barry Pain
Publisher:
Total Pages:
Release: 1894
Genre:
ISBN:

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Chums

Chums
Author:
Publisher:
Total Pages: 818
Release: 1892
Genre: Children's literature, English
ISBN:

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English Schoolboy Stories

English Schoolboy Stories
Author: Benjamin Watson
Publisher: Scarecrow Press
Total Pages: 238
Release: 1992
Genre: Literary Criticism
ISBN: 9780810825727

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A surprising number of classic English authors wrote school stories, from Mary Shelley and Maria Edgeworth through Evelyn Waugh and Stephen Spender. Coverage spans two centuries of fiction set in the endowed private schools called Public Schools in England. Famous works such as Tom Brown's Schooldays by Hughes and Stalky & Co. by Kipling are described, along with books of accomplished but lesser-known writers such as Charles Turley, Eden Phillpotts, Talbot Baines Reed, and Desmond Coke. In addition to their pure entertainment value, these novels preserve a wealth of cultural information: class attitudes, sexual development, sports history, consciousness of Empire, role of the Established Church, study of the Classics. Biographical sketches are provided for most of the authors.


Happiest Days

Happiest Days
Author: Jeffrey Richards
Publisher: Manchester University Press
Total Pages: 340
Release: 1988
Genre: Education
ISBN: 9780719018794

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Muscular Mirth

Muscular Mirth
Author: John D. Cloy
Publisher: English Literary Studies Monograph Series
Total Pages: 116
Release: 2003
Genre: Literary Criticism
ISBN:

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Understanding Rock

Understanding Rock
Author: John Covach
Publisher: Oxford University Press
Total Pages: 392
Release: 1997-11-20
Genre: Music
ISBN: 0199880123

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Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpretation of older songs; and the use of the recording studio as a compositional tool. A broad range of styles and groups is covered, including Yes, the Beach Boys, Cream, k.d. lang, Paul Simon, Jimi Hendrix, and the Grateful Dead.


The Athenaeum

The Athenaeum
Author:
Publisher:
Total Pages: 948
Release: 1893
Genre:
ISBN:

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The London Stage 1910-1919

The London Stage 1910-1919
Author: J. P. Wearing
Publisher: Scarecrow Press
Total Pages: 797
Release: 2013-12-19
Genre: Performing Arts
ISBN: 0810893002

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Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 1910–1919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and closing dates Number of performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information on adaptations and translations, plot sources, and comments—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1910–1919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.