Gothic Painting in France
Author | : P. A. Lemoisne |
Publisher | : |
Total Pages | : 166 |
Release | : 1973 |
Genre | : Art, Gothic |
ISBN | : |
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Author | : P. A. Lemoisne |
Publisher | : |
Total Pages | : 166 |
Release | : 1973 |
Genre | : Art, Gothic |
ISBN | : |
Author | : Paul-André Lemoisne |
Publisher | : |
Total Pages | : 165 |
Release | : 1931 |
Genre | : Art, Gothic |
ISBN | : |
Author | : P. André Lemoisne |
Publisher | : |
Total Pages | : 170 |
Release | : 1931 |
Genre | : |
ISBN | : |
Author | : Paul-André Lemoisne |
Publisher | : New York : Hacker Art Books |
Total Pages | : 370 |
Release | : 1973 |
Genre | : Art |
ISBN | : |
Author | : Paul-André Lemoisne |
Publisher | : |
Total Pages | : 165 |
Release | : 1973 |
Genre | : Painting, French |
ISBN | : |
Author | : PAUL ANDRE. LEMOISNE |
Publisher | : |
Total Pages | : |
Release | : 1931 |
Genre | : Painting, French |
ISBN | : |
Author | : Frédéric Elsig |
Publisher | : 5Continents |
Total Pages | : 164 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
This examination of a distinctive period of French painting discusses the interrelated artistic cities and regions that formed essential links in Renaissance-era artistic exchanges. The interaction between the French courts and Paris during the International Gothic period, the diffusion of ars nova in France during the days of Charles VII and Louis XI, and the standardization of a French style based on Jean Fouquet's model are among the artistic geographies considered in this analysis. Reproductions of key works that illustrate cultural confluences accompany an updated introduction to the scholarship of these relationships.
Author | : Detroit Institute of Arts |
Publisher | : |
Total Pages | : 108 |
Release | : 1928 |
Genre | : Art, French |
ISBN | : |
Author | : Paul-André Lemoisne |
Publisher | : |
Total Pages | : 165 |
Release | : 1973 |
Genre | : |
ISBN | : |
Author | : Emile Male |
Publisher | : Routledge |
Total Pages | : 752 |
Release | : 2018-02-20 |
Genre | : Art |
ISBN | : 042997244X |
Emile Male's book aids understanding of medieval art and medieval symbolism, and of the vision of the world which presided over the building of the French cathedrals. It looks at French religious art in the Middle Ages, its forms, and especially the Eastern sources of sculptural iconography used in the cathedrals of France. Fully illustrated with many footnotes it acts as a useful guide for the student of Western culture.