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Gospel Music: An African American Art Form

Gospel Music: An African American Art Form
Author: Dr. Joan Rucker-Hillsman
Publisher: FriesenPress
Total Pages: 154
Release: 2014-12-30
Genre: Music
ISBN: 1460232216

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This book is designed for the general reader of gospel music, as well as those who incorporate gospel into their lesson plans on the academic level. “Gospel Music: An African American Art Form” provides music information on the heritage of gospel from its African roots, Negro spirituals, traditional and contemporary gospel music trends. The mission and purpose of this book is to provide a framework of study of gospel music, which is in the mainstream of other music genres. There are 8 detailed sections, appendices and resources on gospel music which include African Roots and Characteristics and history, Negro Spirituals, Black Congregational Singing, Gospel history and Movement, Gripping effects: Cross Over Artists, Youth in Gospel, and Gospel Music in the Academic Curriculum with lesson plans. There is a wealth of knowledge on the cultural heritage of “Gospel Music As An Art Form.”


Gospel Music

Gospel Music
Author: Joan R. Hillsman
Publisher:
Total Pages: 72
Release: 1990
Genre: Music
ISBN: 9781877971006

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Describes the origins, development, and purpose of gospel music.


People Get Ready!

People Get Ready!
Author: Bob Darden
Publisher: A&C Black
Total Pages: 456
Release: 2004-01-01
Genre: Music
ISBN: 9780826414366

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From Africa through the spirituals, from minstrel music through jubilee, and from traditional to contemporary gospel, "People Get Ready!" provides, for the first time, an accessible overview of this musical genre.


Lift Every Voice and Swing

Lift Every Voice and Swing
Author: Vaughn A. Booker
Publisher: NYU Press
Total Pages: 340
Release: 2020-07-21
Genre: Social Science
ISBN: 1479890804

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Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.


When Sunday Comes

When Sunday Comes
Author: Claudrena N. Harold
Publisher: University of Illinois Press
Total Pages: 377
Release: 2020-11-16
Genre: Music
ISBN: 0252052455

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Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.


Souls Grown Deep

Souls Grown Deep
Author: William Arnett
Publisher: Tinwood Books
Total Pages: 616
Release: 2000
Genre: Art
ISBN: 9780965376631

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The first comprehensive overview of an important genre of American art, Souls Grown Deep explores the visual-arts genius of the black South. This first work in a multivolume study introduces 40 African-American self-taught artists, who, without significant formal training, often employ the most unpretentious and unlikely materials. Like blues and jazz artists, they create powerful statements amplifying the call for freedom and vision.


Mahalia Jackson and the Black Gospel Field

Mahalia Jackson and the Black Gospel Field
Author: Mark Burford
Publisher: Oxford University Press, USA
Total Pages: 497
Release: 2019
Genre: African American gospel singers
ISBN: 0190634901

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Nearly a half century after her death in 1972, Mahalia Jackson remains the most esteemed figure in black gospel music history. Born in the backstreets of New Orleans in 1911, Jackson during the Great Depression joined the Great Migration to Chicago, where she became an highly regarded church singer and, by the mid-fifties, a coveted recording artist for Apollo and Columbia Records, lauded as the "World's Greatest Gospel Singer." This "Louisiana Cinderella" narrative of Jackson's career during the decade following World War II carried important meanings for African Americans, though it remains a story half told. Jackson was gospel's first multi-mediated artist, with a nationally broadcast radio program, a Chicago-based television show, and early recordings that introduced straight-out-of-the-church black gospel to American and European audiences while also tapping the vogue for religious pop in the early Cold War. In some ways, Jackson's successes made her an exceptional case, though she is perhaps best understood as part of broader developments in the black gospel field. Built upon foundations laid by pioneering Chicago organizers in the 1930s, black gospel singing, with Jackson as its most visible representative, began to circulate in novel ways as a form of popular culture in the 1940s and 1950s, its practitioners accruing prestige not only through devout integrity but also from their charismatic artistry, public recognition, and pop-cultural cachet. These years also saw shifting strategies in the black freedom struggle that gave new cultural-political significance to African American vernacular culture. The first book on Jackson in 25 years, Mahalia Jackson and the Black Gospel Field draws on a trove of previously unexamined archival sources that illuminate Jackson's childhood in New Orleans and her negotiation of parallel careers as a singing Baptist evangelist and a mass media entertainer, documenting the unfolding material and symbolic influence of Jackson and black gospel music in postwar American society.


The Garland Encyclopedia of World Music

The Garland Encyclopedia of World Music
Author: Timothy Rice
Publisher: Routledge
Total Pages: 1174
Release: 2017-09-25
Genre: Music
ISBN: 1351544268

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First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.


The Evolution of African-American Worship: From Music Ministry to Music Industry, as Pursued by the Independent Gospel Artist: From the Thomas Dorsey

The Evolution of African-American Worship: From Music Ministry to Music Industry, as Pursued by the Independent Gospel Artist: From the Thomas Dorsey
Author: Antonia Arnold-McFarland
Publisher: Eflat Major Productions
Total Pages: 168
Release: 2019-10-24
Genre: Music
ISBN: 9781732336537

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The Evolution of African American Worship is the original manuscript that disserts and documents the doctoral research of Dr. Antonia Arnold-McFarland. As a church music director, she realized a need to bring urgent attention to the concerns affecting the African American Worship Experience of the Black Church Tradition. For this demographic, the worship space, regardless of place, has always been critical to pivotal change in their social climate. To inspire hope and to change the outlook, this research takes a current day and relatable look at the problems faced by the independent gospel artist who, as a Christian disciple, is charged to exalt God and to evangelize to the world. This must be done while balancing demands of the music industry that often conflict against the Christian faith. At the same time, in the local church, the pastor and music ministry leadership must maintain an effective worship experience, heavily influenced by the controversial music industry. They are faced with a series of operational and spiritual challenges, alongside the demands to stay relevant and knowledgeable in the selection of appropriate music.In order to address these dynamics, Dr. Antonia Arnold-McFarland began advocating change as a music clinician and seeking solutions ten years prior to enrolling in the doctoral program. The academic undergirding enabled her to enhance her knowledge and to think critically, as she took an ethnomusicological approach. The emphasis is on the Thomas Dorsey to Kirk Franklin Era yet looks historically from 1619-2015 at key contributors and artists to the Black Sacred music artform. The research leverages the work of world-renown scholars in African American Worship and Church Music. It expands upon their research by including key historical parallels and social conditions. It also quantifies trends in the evolving acceptance for various types of Black Sacred music, as gospel music styles emerged. Her 2018 debut book, Moving Forward and Facing the Future, is an excerpt of the manuscript and a practical guide specifically for use in the music and worship arts ministry of The Black Church. It takes the research up to 2017. After its release and due to the request for copies, "Dr. Toni" realized a need to go back and make easily accessible the full manuscript of The Evolution of African American Worship. It will support ongoing scholastic research and ministerial needs.


Techno Rebels

Techno Rebels
Author: Dan Sicko
Publisher:
Total Pages: 163
Release: 2010
Genre: Techno music
ISBN: 9780814332184

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Although the most vital and innovative trend in contemporary music, techno is notoriously difficult to define. What, exactly, is techno? Author Dan Sicko offers an entertaining, informed, and in-depth answer to this question in Techno Rebels, the music's authoritative American chronicle and a must-read for all fans of techno popular music, and contemporary culture.