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Gordon Parks: the Atmosphere of Crime 1957

Gordon Parks: the Atmosphere of Crime 1957
Author: Sarah Meister
Publisher: Steidl
Total Pages: 168
Release: 2020-03-31
Genre:
ISBN: 9783958296961

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Gordon Parks' ethically complex depictions of crime in New York, Chicago, San Francisco and Los Angeles, with previously unseen photographs When Life magazine asked Gordon Parks to illustrate a recurring series of articles on crime in the United States in 1957, he had already been a staff photographer for nearly a decade, the first African American to hold this position. Parks embarked on a six-week journey that took him and a reporter to the streets of New York, Chicago, San Francisco and Los Angeles. Unlike much of his prior work, the images made were in color. The resulting eight-page photo-essay "The Atmosphere of Crime" was noteworthy not only for its bold aesthetic sophistication, but also for how it challenged stereotypes about criminality then pervasive in the mainstream media. They provided a richly hued, cinematic portrayal of a largely hidden world: that of violence, police work and incarceration, seen with empathy and candor. Parks rejected clichés of delinquency, drug use and corruption, opting for a more nuanced view that reflected the social and economic factors tied to criminal behavior and afforded a rare window into the working lives of those charged with preventing and prosecuting it. Transcending the romanticism of the gangster film, the suspense of the crime caper and the racially biased depictions of criminality then prevalent in American popular culture, Parks coaxed his camera to record reality so vividly and compellingly that it would allow Life's readers to see the complexity of these chronically oversimplified situations. The Atmosphere of Crime, 1957 includes an expansive selection of never-before-published photographs from Parks' original reportage. Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant laborer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself and becoming a photographer. He evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. The first African-American director to helm a major motion picture, he helped launch the blaxploitation genre with his film Shaft (1971). Parks died in 2006.


Gordon Parks

Gordon Parks
Author: Russell Lord
Publisher:
Total Pages: 133
Release: 2013
Genre: Photography
ISBN: 9783869307213

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This volume explores the making of Gordon Parks' first photographie essay for Life magazine in 1948, "Harlem Gang Leader". After gaining the trust of one particular group of gang members and their leader, Leonard "Red" Jackson, Parks produced a series of photographs that are artful, poignant, and, at times, shocking. From this large body of work (Parks made hundreds of negatives) the editors at Life selected twenty-one pictures to print in the magazine, often cropping or enhancing details in the pictures. Gordon Parks : The .Making of an Argument traces this editorial process and parses out the various voices and motives behind the production of the picture essay. This volume. together with an exhibition of the same name at the New Orleans Museum of Art (NOMA), considers Parks' photographic practice within a larger discussion about photography as a narrative device. Featuring vintage photographs, original issues of Life magazine, contact sheets, and proof prints, Gordon Parks : The Making of an Argument raises important questions about the role of photography in addressing social concerns, its use as a documentary tool, and its function in the world of publishing. The book includes contributions from Susan M Taylor, The Montine McDaniel Freeman Director of the New Orleans Museum of Art ; Péter W Kunhardt, Jr., Executive Director of The Gordon Parks Foundation ; and Irvin Mayfield, Artistic Director of the New Orleans Jazz Orchestra.


They Wished They Were Honest

They Wished They Were Honest
Author: Michael F. Armstrong
Publisher: Columbia University Press
Total Pages: 432
Release: 2012-06-05
Genre: Law
ISBN: 0231526989

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In fifty years of prosecuting and defending criminal cases in New York City and elsewhere,Michael F. Armstrong has often dealt with cops. For a single two-year span, as chief counsel to the Knapp Commission, he was charged with investigating them. Based on Armstrong's vivid recollections of this watershed moment in law enforcement accountability—prompted by the New York Times's report on whistleblower cop Frank Serpico—They Wished They Were Honest recreates the dramatic struggles and significance of the Commission and explores the factors that led to its success and the restoration of the NYPD's public image. Serpico's charges against the NYPD encouraged Mayor John Lindsay to appoint prominent attorney Whitman Knapp to chair a Citizen's Commission on police graft. Overcoming a number of organizational, budgetary, and political hurdles, Chief Counsel Armstrong cobbled together an investigative group of a half-dozen lawyers and a dozen agents. Just when funding was about to run out, the "blue wall of silence" collapsed. A flamboyant "Madame," a corrupt lawyer, and a weasely informant led to a "super thief" cop, who was trapped and "turned" by the Commission. This led to sensational and revelatory hearings, which publicly refuted the notion that departmental corruption was limited to only a "few rotten apples." In the course of his narrative, Armstrong illuminates police investigative strategy; governmental and departmental political maneuvering; ethical and philosophical issues in law enforcement; the efficacy (or lack thereof) of the police's anticorruption efforts; the effectiveness of the training of police officers; the psychological and emotional pressures that lead to corruption; and the effects of police criminality on individuals and society. He concludes with the effects, in today's world, of Knapp and succeeding investigations into police corruption and the value of permanent outside monitoring bodies, such as the special prosecutor's office, formed in response to the Commission's recommendation, as well as the current monitoring commission, of which Armstrong is chairman.


Vogue and the Metropolitan Museum of Art Costume Institute

Vogue and the Metropolitan Museum of Art Costume Institute
Author: Hamish Bowles
Publisher: Abrams
Total Pages: 352
Release: 2020-04-07
Genre: Design
ISBN: 1647000777

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An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition—from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations—creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.


A Choice of Weapons

A Choice of Weapons
Author: Gordon Parks
Publisher: Minnesota Historical Society
Total Pages: 300
Release: 2010
Genre: Biography & Autobiography
ISBN: 9780873517690

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"Gordon Parks's spectacular rise from poverty, personal hardships, and outright racism is astounding and inspiring." --from the foreword by Wing Young Huie


Invisible Man

Invisible Man
Author: Michal Raz-Russo
Publisher:
Total Pages: 165
Release: 2016
Genre: African American authors
ISBN: 9783958291096

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By the mid-1940s. Gordon Parks had cemented his reputation as a successful photojournalist and magazine photographer, and Ralph Ellison was an established author working on his first novel, Invisible Man (1952), which would go on to become one of the most acclaimed books of the twentieth century. Less well known, however, is that their vision of racial injustices, coupled with a shared belief in the communicative power of photography, inspired collaboration on two important projects, in 1948 and 1952. Capitalizing on the growing popularity of the picture press, Parks and Ellison first joined forces on an essay titled "Harlem Is Nowhere" for '48: The Magazine of the Year. Conceived while Ellison was already three years into writing Invisible Man, this illustrated essay was centered on the Lafargue Clinic, the first nonsegregated psychiatric clinic in New York City, as a case study for the social and economic conditions in Harlem. He chose Parks to create the accompanying photographs, and during the winter months of 1948, the two roamed the streets of Harlem together, with Parks photographing under the guidance of Ellison's writing. In 1952 they worked together again, on "A Man Becomes Invisible", for the August 25 issue of Life magazine, which promoted Ellison's newly released novel. Invisible Man: Gordon Parks and Ralph Ellison in Harlem focuses on these two projects, neither of which was published as originally intended, and provides an in-depth look at the authors' shared vision of black life in America, with Harlem as its nerve center.


Transparencies

Transparencies
Author: Stephen Shore
Publisher:
Total Pages: 189
Release: 2020-03-05
Genre: Photography, Artistic
ISBN: 9781912339709

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'Transparencies: Small Camera Works 1971-1979' offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore's luminous new vision of the American landscape, 'Uncommon Places'. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are intimate, spontaneous and personal, while retaining Shore's studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and colour. Transparencies uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master. With an afterword by Britt Salvesen, curator at LACMA, titled 'Ordinary Speech: The Vernacular in Stephen Shore's Early 35mm Photography'.


I Am You

I Am You
Author: Peter Kunhardt
Publisher:
Total Pages: 0
Release: 2016
Genre: African American artists
ISBN: 9783958291829

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Injustice, violence, the Civil Rights Movement, fashion and the arts - Gordon Parks captured half a century of the vast changes to the American cultural landscape in his multifaceted career. 'I Am You' reveals the breadth of his work as the first African American photographer for Vogue and Life magazines as well as a filmmaker and writer.


Murder at the Harlem Mosque

Murder at the Harlem Mosque
Author: Sonny Grosso
Publisher:
Total Pages: 224
Release: 1977
Genre: New York (N.Y.)
ISBN: 9780517529713

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Gordon Parks

Gordon Parks
Author: Gordon Parks
Publisher:
Total Pages: 0
Release: 2012
Genre: African American photographers
ISBN: 9783869306025

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Gordon Parks: A Harlem Family 1967 honours the legacy and the work of late iconic artist and photojournalist Gordon Parks, who would have turned 100 on November 30, 2012. The exhibition catalogue is co-published by The Studio Museum in Harlem and The Gordon Parks Foundation and features approximately eighty black and white photographs of the Fontenelle family, whose lives Gordon Parks documented as part of a 1968 Life magazine photo essay. A searing portrait of poverty in the United States, the Fontenelle photographs provide a view of Harlem through the narrative of a specific family at a particular moment in time. Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant labourer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself, and becoming a photographer. In addition to his storied tenures at the Farm Security Administration, the Office of War Information (1941-1945) and Life magazine (1948-1972), Parks was a modern-day Renaissance man who found success as a film director, author and composer. The first African-American director to helm a major motion picture, he popularised the Blaxploitation genre through his film Shaft (1971). He wrote numerous memoirs, novels and books of poetry and received many awards, including the National Medal of Arts and more than fifty honorary degrees. In 1997 the Corcoran Gallery of Art in Washington, D.C., mounted his retrospective exhibition "Half Past Autumn: The Art of Gordon Parks". Parks died in 2006.