Golden-age Greats Spotlight
Author | : Bill Black |
Publisher | : |
Total Pages | : |
Release | : 2003 |
Genre | : Comic books, strips, etc |
ISBN | : |
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Author | : Bill Black |
Publisher | : |
Total Pages | : |
Release | : 2003 |
Genre | : Comic books, strips, etc |
ISBN | : |
Author | : Matt Baker (Illustrator) |
Publisher | : |
Total Pages | : |
Release | : 2003 |
Genre | : Comic books, strips, etc |
ISBN | : |
"Back in the 1940's [sic], a red and blue costumed female crimefighter called PHANTOM LADY was considered to be the sexiest thing going in the four-color pages. The mid 1940s series published by Fox Features is now a highly collectible run priced out of the reach of most collectors. This volume presents seventeen stories broadly encompassing the life span of the character as envisioned by four publishers and is reasonably priced to fit the budget of anybody interested"--Introduction.
Author | : |
Publisher | : |
Total Pages | : 100 |
Release | : |
Genre | : Comics & Graphic Novels |
ISBN | : |
Author | : Gardner F. Fox |
Publisher | : Boardman Books |
Total Pages | : 96 |
Release | : 2015-09-11 |
Genre | : Comics & Graphic Novels |
ISBN | : 9780692525975 |
Collected from Magazine Enterprises' comic books of the late-1940s, the complete adventures of Starr Flagg, the Undercover Girl, present a microcosm of post-war American popular culture and paranoia from the unique perspective of a female protagonist. In the comics of the atomic age espionage was an almost entirely male occupation but chain-smoking Starr traded punches and gun shots with a bevy of antagonists, both male and female. The stories were all most likely written by Gardner Fox and were definitely illustrated by Ogden Whitney. Bob Powell provided the three covers for the three reprint issues of Undercover Girl.
Author | : George Stevens Jr. |
Publisher | : University Press of Kentucky |
Total Pages | : 662 |
Release | : 2022-05-17 |
Genre | : Biography & Autobiography |
ISBN | : 081319525X |
The son of a celebrated Hollywood director emerges from his father's shadow to claim his own place as a visionary force in American culture. George Stevens, Jr. tells an intimate and moving tale of his relationship with his Oscar-winning father and his own distinguished career in Hollywood and Washington. Fascinating people, priceless stories and a behind-the-scenes view of some of America's major cultural and political events grace this riveting memoir. George Stevens, Jr. grew up in Hollywood and worked on film classics with his father and writes vividly of his experience on the sets of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1959). He explores how the magnitude of his father's talent and achievements left him questioning his own creative path. The younger Stevens began to forge his unique career when legendary broadcaster Edward R. Murrow recruited him to elevate the Motion Picture Service at the United States Information Agency in John F. Kennedy's Washington. Stevens' trailblazing efforts initiated what has been called the "golden era" of USIA filmmaking and a call to respect motion pictures as art. His appointment as founding director of the American Film Institute in 1967 placed him at the forefront of culture and politics, safeguarding thousands of endangered films and training a new generation of filmmakers. Stevens' commitment to America's cultural heritage led to envisioning the prestigious Kennedy Center Honors and propelled a creative life of award-winning films and television programs that heightened attention to social justice, artistic achievement, and the American experience. Stevens provides a rare look at a pioneering American family spanning five generations in entertainment: from the San Francisco stage in the 19th century to silent screen comedies, Academy Award-winning films, Emmy Award-winning television programs and a Broadway play in the 21st century. He reveals the private side of the dazzling array of American presidents, first ladies, media moguls, and luminaries who cross his path, including Elizabeth Taylor, Sidney Poitier, the Kennedys, Yo-Yo Ma, Cary Grant, James Dean, Bruce Springsteen, Barack and Michelle Obama, and many more. In My Place in the Sun, George Stevens, Jr. shares his lifelong passion for advancing the art of American film, enlightening audiences, and shining a spotlight on notable figures who inspire us. He provides an insightful look at Hollywood's Golden Age and an insider's account of Washington spanning six decades, bringing to life a sparkling era of American history and culture.
Author | : Mathew Klickstein |
Publisher | : Penguin |
Total Pages | : 320 |
Release | : 2013-09-24 |
Genre | : Social Science |
ISBN | : 1101614099 |
The special 5th Anniversary Edition of SLIMED! An Entertainment Weekly “Best Tell-All” Book One of Parade Magazine's “Best Books About Movies/TV” Included in Publishers Weekly's “Top Ten Social Science Books” Before the recent reboots, reunions, and renaissance of classic Nickelodeon nostalgia swept through the popular imagination, there was SLIMED!, the book that started it all. With hundreds of exclusive interviews and have-to-read-‘em-to-believe-‘em stories you won't find anywhere else, SLIMED! is the first-ever full chronicle of classic Nick…told by those who made it all happen! Nickelodeon nostalgia has become a cottage industry unto itself: countless podcasts, blogs, documentaries, social media communities, conventions, and beyond. But a little less than a decade ago, the best a dyed-in-the-wool Nick Kid could hope for when it came to coverage of the so-called Golden Age (1983–1995) of the Nickelodeon network was the infrequent listicle, op-ed, or even rarer interview with an actual old-school Nick denizen. Pop culture historian Mathew Klickstein changed all of that when he forged ahead to track down and interview more than 250 classic Nick VIP’s to at long last piece together the full wacky story of how Nickelodeon became “the Only Network for You!” Celebrate the fortieth anniversary of Nickelodeon with this special edition of SLIMED! that includes a new introduction by Nick Arcade’s Phil Moore in addition to a foreword by Double Dare’s Marc Summers and an afterword by none other than Artie, the Strongest Man in the World himself (aka Toby Huss). After you get SLIMED!, you’ll never look at Nickelodeon the same way again. “Mathew Klickstein might be the geek guru of the 21st century.”—Mark Mothersbaugh
Author | : Arlen Schumer |
Publisher | : Archway Publishing |
Total Pages | : 195 |
Release | : 2014-09-09 |
Genre | : Comics & Graphic Novels |
ISBN | : 1480806358 |
Carmine Infantino. Steve Ditko. Jack Kirby. Gil Kane. Joe Kubert. Gene Colan. Jim Steranko. Neal Adams. Some of the greatest comic book artists of their generation, who created some of their greatest work during The Silver Age of Comics (circa1956-1970). They not only drew definitive versions of the medium’s greatest characters including The Flash, Batman, Captain America, Superman, Thor, Green Lantern, Spider-Man, Dr. Strange, Green Arrow and more— but set trends in the art of comic book storytelling. Now this popular and influential body of work, along with each artist’s thoughts, ideas and commentary, is presented in The Silver Age of Comic Book Art, a coffee table comic book art history book written and designed in a daringly different format by comic book historian and illustrator Arlen Schumer, and published in hardcover and digital/e-book editions by Archway Publishing (from Simon & Schuster). Dynamic spreads of the actual printed comic art, graphically enlarged, are integrated with comic-styled text, often by the artists themselves, that replaces the original comic book copy with more personalized prose that places the art firmly in the period it was created: the turbulent 1960s. By creating a comic book history book that reads like a comic book, Schumer succeeds spectacularly in making you see, as if for the first time, the comics you’ve been reading your whole life. “Arlen Schumer documents an important period in comic book history, told with an explosive format and stunning design. It reflects the kinetic rhythm of the era.” — Will Eisner (1917-2005), creator of The Spirit and the graphic novel A Contract with God "Through the years, I’ve had the pleasure of seeing many books that pay tribute to the art of comics, but Arlen Schumer has created an entirely new format in presenting the art and words of the artists. It's the most comprehensive and personal way a fan or colleague can learn what lies beneath the art. Arlen has found the perfect way to inform and entertain. It’s simply awesome —and the best representation of my work ever!” —Gene Colan (1926-2011), legendary comic book artist “A lovingly crafted tribute to the superhero comic of the 1960s, The Silver Age of Comic Book Art recaptures the four-color visionary surge of the era, its jet-age psychedelic rush of imagination and the titanic, luminous figures, both real and imaginary, that glittered in its firmament. For a brief moment in the late 20th century, it seemed as if the spirit of the age wore a vivid leotard, a chest emblem, and traveled in a strobing blur of speed lines. For anyone with any interest in or affection for that moment, this beautiful volume is indispensible.” — Alan Moore, author of Swamp Thing and Watchmen For more on The Silver Age of Comic Book Book Art, join Arlen’s Facebook group of the same name, and visit Arlen’s website: www.arlenschumer.com
Author | : Nalo Hopkinson |
Publisher | : DC Comics |
Total Pages | : 26 |
Release | : 2018-09-12 |
Genre | : Comics & Graphic Novels |
ISBN | : |
An all-new corner has been added to Neil GaimanÕs Sandman Universe! Welcome to the House of Dahomey, the houseboat of Erzulie Frda, where the souls of Voodoo followers go when they sleep to beseech the flirtatious and tragic goddess to grant them their heartsÕ desires and counsel them on their futures and fortunes. When you arrive, youÕll find a party is in full swing, filled with all kinds of fabulous and fierce folk, while fish fry and music blasts. From her bayou, Erzulie scries upon the mortal realm and sees four human girls open a mysterious and magical journal filled with whispers and rumors that, if they spread, could cause a pandemic unlike any the Earth has seen, with the power to release Sopona, the loa lord of infectious disease and cousin to Erzulie, who is currently banned from the human plane. But even the fearsome Erzulie cannot be of assistance when her dream river turns tumultuous, tossing her house from her realm and into anotherÉ
Author | : Brent Phillips |
Publisher | : University Press of Kentucky |
Total Pages | : 368 |
Release | : 2014-12-02 |
Genre | : Biography & Autobiography |
ISBN | : 0813147239 |
From the trolley scene in Meet Me in St. Louis (1944) to Fred Astaire and Ginger Rogers's last dance on the silver screen ( The Barkleys of Broadway, 1949) to Judy Garland's timeless, tuxedo-clad performance of "Get Happy" ( Summer Stock, 1950), Charles Walters staged the iconic musical sequences of Hollywood's golden age. During his career, this Academy Award--nominated director and choreographer showcased the talents of stars such as Gene Kelly, Doris Day, Debbie Reynolds, and Frank Sinatra. However, despite his many critical and commercial triumphs, Walters's name often goes unrecognized today. In the first full-length biography of Walters, Brent Phillips chronicles the artist's career, from his days as a featured Broadway performer and protégé of theater legend Robert Alton to his successes at Metro-Goldwyn-Mayer. He takes readers behind the scenes of many of the studio's most beloved musicals, including Easter Parade (1948), Lili (1953), High Society (1956), and T he Unsinkable Molly Brown (1964). In addition, Phillips recounts Walters's associations with Lucille Ball, Joan Crawford, and Gloria Swanson, examines the director's uncredited work on several films, including the blockbuster Gigi (1958), and discusses his contributions to musical theater and American popular culture. This revealing book also considers Walters's personal life and explores how he navigated the industry as an openly gay man. Drawing on unpublished oral histories, correspondence, and new interviews, this biography offers an entertaining and important new look at an exciting era in Hollywood history.
Author | : Bill Black |
Publisher | : |
Total Pages | : 298 |
Release | : 2006 |
Genre | : Comic books, strips, etc |
ISBN | : |