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Goethe and Palladio

Goethe and Palladio
Author: David Lowe
Publisher: SteinerBooks
Total Pages: 126
Release: 2005-11
Genre: Architecture
ISBN: 1584204850

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The poet, dramatist, novelist, and scientist, Johann Wolfgang von Goethe had to wait many years before he was able to travel south to Italy, "the land where the lemon trees bloom." He had gained success in several fields, but he had a sense of being trapped and confined and felt a need for light. Italy would give this to him in a number of ways. Taking as their basis Goethe's Italian Journey, the authors of this fascinating and unusual study explore how Goethe's experience of Palladio's architecture influenced his view of the relationship between art and nature in general and, in particular, helped him form his understanding of metamorphosis, leading to his discovery of the "archetypal plant." In his carefully written account of his travels, Goethe seems to oscillate between experiences of architecture and experiences of nature. In nature, he searched for the "archetypal plant," the essential form whose metamorphosis through time would produce the plant we see in its cycle from seed to fruit. In the art and architecture of antiquity and in Palladio's classical reformulation of it, he tried to understand the purpose and function of artistic creation. Until now, no one has put these two together. David Lowe and Simon Sharp show for the first time how these seemingly unrelated subjects are related--how the living geometries and volumes of harmoniously proportioned buildings, the "great idea" of architecture, can lead to the intuition of similar principles in nature. David Lowe and Simon Sharp have worked together for twenty-one years. One of their first projects was the recreation of Goethe's Italian Journey. They have given numerous workshops and presentations on the subject in the U.S. and U.K., including The British Museum, the German Embassy, and the Edinburgh Festival. This is must-reading for anyone interested in Goethe's ideas on plants and metamorphosis.


The Younger Goethe and the Visual Arts

The Younger Goethe and the Visual Arts
Author: William Douglas Robson-Scott
Publisher: Cambridge University Press
Total Pages: 197
Release: 1981-02-26
Genre: Literary Criticism
ISBN: 0521233216

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This 1981 book tells of the part which the visual arts played in Goethe's life and thought.


Goethe Yearbook 15

Goethe Yearbook 15
Author: Simon Richter
Publisher: Camden House
Total Pages: 260
Release: 2008
Genre: Literary Criticism
ISBN: 9781571133144

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New, interdisciplinary essays on an array of topics ranging from Goethe and mineralogy to theories of masculinity around 1800.


On the Ruins of Babel

On the Ruins of Babel
Author: Daniel Purdy
Publisher: Cornell University Press and Cornell University Library
Total Pages: 329
Release: 2011-03-15
Genre: History
ISBN: 0801460050

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The eighteenth century struggled to define architecture as either an art or a science—the image of the architect as a grand figure who synthesizes all other disciplines within a single master plan emerged from this discourse. Immanuel Kant and Johann Wolfgang Goethe described the architect as their equal, a genius with godlike creativity. For writers from Descartes to Freud, architectural reasoning provided a method for critically examining consciousness. The architect, as philosophers liked to think of him, was obligated by the design and construction process to mediate between the abstract and the actual. In On the Ruins of Babel, Daniel Purdy traces this notion back to its wellspring. He surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum. Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings.


Goethe in Italy, 1786-1986

Goethe in Italy, 1786-1986
Author: Gerhart Hoffmeister
Publisher:
Total Pages: 204
Release: 1988
Genre: Literary Criticism
ISBN:

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The Oxford Dictionary of Architecture

The Oxford Dictionary of Architecture
Author: James Stevens Curl
Publisher: Oxford University Press, USA
Total Pages: 1040
Release: 2015
Genre: Architecture
ISBN: 0199674981

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With over 6,000 entries, this is the most authoritative dictionary of architectural history available.


The Reception of Classical German Literature in England, 1760-1860, Volume 9

The Reception of Classical German Literature in England, 1760-1860, Volume 9
Author: John Boening
Publisher: Routledge
Total Pages: 570
Release: 2020-02-11
Genre: Literary Collections
ISBN: 1000766268

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The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. One of the most important features of British literary and intellectual history over the past 250 years is the influence of German literature. From the second half of the 18th Century, through the first decades of the 19th, German books and ideas attracted, then gained the attention of a nation. Despite the acknowledged importance of the influence on writers such as Coleridge and Carlyle the subject, though often alluded to, was rarely studied. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail. In order to make the collection useful to scholars with a wide range of interest, it has been divided into three parts: Part 1 is a chronological presentation of commentary on German literature in general. It also contains collective reviews of multiple German authors, notices of important anthologies and reactions to influential works about Germany and its culture. Part 2 collects reviews of 18th Century individual German authors and Part 3 is devoted to the English reception of Goethe and Schiller. Parts 2 & 3 contain cross-references to the collective reviews of Part 1. Containing over 200 British serials and articles and reviews from all the major English literary periodicals, the collection also includes a broad sampling of opinion from the more general magazines, including some popular religious publications.