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Gnomon

Gnomon
Author: Hugh Kenner
Publisher: New York : McDowell, Obolensky
Total Pages: 318
Release: 1958
Genre: Literary Criticism
ISBN:

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Contemporary Literary Critics

Contemporary Literary Critics
Author: NA NA
Publisher: Springer
Total Pages: 556
Release: 2015-12-25
Genre: Literary Criticism
ISBN: 134981475X

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A reference guide to the work of 115 modern British and American critics.


Essays in Honour of Eamonn Cantwell

Essays in Honour of Eamonn Cantwell
Author: Warwick Gould
Publisher: Open Book Publishers
Total Pages: 510
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1783741805

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This number of Yeats Annual collects the essays resulting from the University College Cork/ESB International Annual W. B. Yeats Lectures Series (2003-2008) by Roy Foster, Warwick Gould, John Kelly, Paul Muldoon, Bernard O’Donoghue and Helen Vendler. Those that were available in pamphlet form are now collectors’ items, but here is the complete series. These revised essays cover such themes as Yeats and the Refrain, Yeats as a Love Poet, Yeats, Ireland and Europe, the puzzles he created and solved with his art of poetic sequences, and his long and crucial interaction with the emerging T. S. Eliot. The series was inaugurated by a study of Yeats and his Books, which marked the gift to the Boole Library, Cork, of Dr Eamonn Cantwell’s collection of rare editions of books by Yeats (here catalogued by Crónán Ó Doibhlin). Many of the volume’s fifty-six plates offer images of artists’ designs and resulting first editions. This bibliographical theme is continued with Colin Smythe’s census of surviving copies of Yeats’s earliest separate publication, Mosada (1886) and a resultant piece by Warwick Gould on that dramatic poem’s source in the legend of The Phantom Ship. John Kelly reveals Yeats’s ghost-writing for Sarah Allgood; Geert Lernout discovers the source for Yeats’s ‘Tulka’, Günther Schmigalle unearths his surprising connexions with American communist colonists in Virginia, while Deirdre Toomey edits some new letters to the French anarchist, Auguste Hamon—all providing new annotation for standard editions. The volume is rounded with review essays by Colin McDowell (on A Vision, and Berkeley, Hone and Yeats), shorter reviews of current studies by Michael Edwards, Jad Adams and Deirdre Toomey, and obituaries of Jon Stallworthy (Nicolas Barker) and Katharine Worth (Richard Cave).


The New Cambridge Bibliography of English Literature: Volume 4, 1900-1950

The New Cambridge Bibliography of English Literature: Volume 4, 1900-1950
Author: George Watson
Publisher: CUP Archive
Total Pages: 746
Release: 1972-12-07
Genre: Language Arts & Disciplines
ISBN:

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More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.


Flaubert, Joyce and Beckett

Flaubert, Joyce and Beckett
Author: Hugh Kenner
Publisher: Dalkey Archive Press
Total Pages: 140
Release: 2005
Genre: Literary Criticism
ISBN: 9781564783806

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An enlightening study of three writers, Flaubert, Joyce and Beckett: The Stoic Comedians begins with an explanation of the effect of the printing press on books. The "book as book" has been removed from the oral tradition by such features as prefaces, footnotes, and indexes. Books have become voiceless in some sense--they are to be read silently, not recited aloud. How this mechanical change affected the possibilities of fiction is Kenner's subject. Each of the three featured authors approached this situation in a unique, yet connected way: Flaubert as the "Comedian of the Enlightenment," categorizing man's intellectual follies; Joyce as the "Comedian of the Inventory," with his meticulously constructed lists; and Beckett as the "Comedian of the Impasse," eliminating facts and writing novels about a man alone writing.


The Counterfeiters

The Counterfeiters
Author: Hugh Kenner
Publisher: Dalkey Archive Press
Total Pages: 180
Release: 2005
Genre: Fiction
ISBN: 9781564784162

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Wide-ranging enough to encompass Buster Keaton, Charles Babbage, horses, and a man riding a bicycle while wearing a gas mask, "The Counterfeiters" is one of Hugh Kenner's greatest achievements. In this fascinating work of literary and cultural criticism, Kenner seeks the causes and outcomes of man's ability to simulate himself (a computer that can calculate quicker than we can) and his world (a mechanical duck that acts the same as a living one). This intertangling of art and science, of man and machine, of machine and art is at the heart of this book. He argues that the belief in art as a uniquely human expression is complicated and questioned by the prevalence of simulations--or "counterfeits"--in our culture. Kenner, with his characteristically accessible style and wit, brings together history, literature, science, and art to locate the personal in what is an increasingly counterfeit world.


W.B. Yeats, Ezra Pound, and the Poetry of Paradise

W.B. Yeats, Ezra Pound, and the Poetry of Paradise
Author: Sean Pryor
Publisher: Routledge
Total Pages: 286
Release: 2016-02-24
Genre: Literary Criticism
ISBN: 1317000757

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Emphasizing the interplay of aesthetic forms and religious modes, Sean Pryor's ambitious study takes up the endlessly reiterated longing for paradise that features throughout the works of W. B. Yeats and Ezra Pound. Yeats and Pound define poetry in terms of paradise and paradise in terms of poetry, Pryor suggests, and these complex interconnections fundamentally shape the development of their art. Even as he maps the shared influences and intellectual interests of Yeats and Pound, and highlights those moments when their poetic theories converge, Pryor's discussion of their poems' profound formal and conceptual differences uncovers the distinctive ways each writer imagines the divine, the good, the beautiful, or the satisfaction of desire. Throughout his study, Pryor argues that Yeats and Pound reconceive the quest for paradise as a quest for a new kind of poetry, a journey that Pryor traces by analysing unpublished manuscript drafts and newly published drafts that have received little attention. For Yeats and Pound, the journey towards a paradisal poetic becomes a never-ending quest, at once self-defeating and self-fulfilling - a formulation that has implications not only for the work of these two poets but for the study of modernist literature.


The Cambridge History of Literary Criticism: Volume 7, Modernism and the New Criticism

The Cambridge History of Literary Criticism: Volume 7, Modernism and the New Criticism
Author: George Alexander Kennedy
Publisher: Cambridge University Press
Total Pages: 584
Release: 1989
Genre: Literary Criticism
ISBN: 9780521300124

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The history of the most hotly debated areas of literary theory, including structuralism and deconstruction.


Yeats, Philosophy, and the Occult

Yeats, Philosophy, and the Occult
Author: Matthew Gibson
Publisher: Oxford University Press
Total Pages: 368
Release: 2016
Genre: Literary Criticism
ISBN: 1942954255

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Yeats, Philosophy, and the Occult\ is a collection of essays examining the thought of the Irish poet W. B. Yeats and particularly his philosophical reading and explorations of older systems of thought, where philosophy, mysticism, and the supernatural blend. It opens with a broad survey of the current state of Yeats scholarship, which also includes an examination of Yeats's poetic practice through a manuscript of the original core of a poem that became a work of philosophical thought and occult lore, The Phases of the Moon. The following essay examines an area where spiritualism, eugenic theory, and criminology cross paths in the writings of Cesare Lombroso, and Yeats's response to his work. The third paper considers Yeats's debts to the East, especially Buddhist and Hindu thought, while the fourth looks at his ideas about the dream-state, the nature of reality, and contact with the dead. The fifth essay explores Yeats's understanding of the concept of the Great Year from classical astronomy and philosophy, and its role in the system of his work\ A Vision, and the sixth paper studies that work's theory of contemporaneous periods affecting each other across history in the light of Oswald Spengler's\ The Decline of the West. The seventh essay evaluates Yeats's reading of Berkeley and his critics' appreciation (or lack of it) of how he responds to Berkeley's idealism. The book as a whole explores how Yeats's mind and thought relate to his poetry, drama, and prose, and how his reading informs all of them.


A Companion to The Cantos of Ezra Pound

A Companion to The Cantos of Ezra Pound
Author: Carroll F. Terrell
Publisher: Univ of California Press
Total Pages: 820
Release: 1993-04-16
Genre: Language Arts & Disciplines
ISBN: 9780520082878

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The Companion is a major contribution to the literary evaluation of Pound's great, but often bewildering and abstruse work, The Cantos. Available in a one-volume paperback edition for the first time, the Companion brings together in conveniently numbered glosses for each canto the most pertinent details from the vast body of work on the Cantos during the last thirty years. The Companion contains 10,421 separate glosses that include translations from eight languages, identification of all proper names and works, Pound's literary and historical allusions, and other exotica, with exegeses based upon Pound's sources. Also included is a supplementary bibliography of works on Pound, newly updated, and an alphabetized index to The Cantos.