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Ideology and Utopia in China's New Wave Cinema

Ideology and Utopia in China's New Wave Cinema
Author: Xiaoping Wang
Publisher: Springer
Total Pages: 268
Release: 2018-06-27
Genre: Literary Criticism
ISBN: 3319911406

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Ideology and Utopia in China’s New Wave Cinema investigates the ways in which New Wave filmmakers represent China in this age of neoliberal reform. Analyzing this paradigm shift in independent cinema, this text explores the historicity of the cinematic form and its cultural-political visions. Through a close reading of the narrative strategy of key films in New Wave Cinema, Xiaoping Wang studies the movement’s impact on film, literature, culture and politics.


Cinema, Space, and Polylocality in a Globalizing China

Cinema, Space, and Polylocality in a Globalizing China
Author: Yingjin Zhang
Publisher: University of Hawaii Press
Total Pages: 274
Release: 2009-10-09
Genre: Political Science
ISBN: 0824833376

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In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism. The book begins by addressing theories and practices related to space, place, and polylocality in contemporary China before focusing on the space of scholarship and urging scholars to move beyond the current paradigm and explore transnational and comparative film studies. This is followed by a chapter that concentrates on the space of production and surveys the changing landscape of postsocialist filmmaking and the transformation of China’s urban generation of directors. Next is an examination of the space of polylocality and the cinematic mappings of Beijing and a persistent "reel" contact with polylocality in hinterland China. In the fifth chapter Zhang explores the space of subjectivity in independent film and video and contextualizes experiments by young directors with various documentary styles. Chapter 6 calls attention to the space of performance and addresses issues of media and mediation by way of two kinds of playing: the first with documentary as troubling information, the second with piracy as creative intervention. The concluding chapter offers an overview of Chinese cinema in the new century and provides production and reception statistics. Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture.


Globalizing Independent Cinema

Globalizing Independent Cinema
Author: Jing Wang (Ph. D. in radio-television-film)
Publisher:
Total Pages: 0
Release: 2022
Genre:
ISBN:

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“Globalizing Independent Cinema: Transnational Circulation of Chinese Independent Documentaries (1991-2017)” delves into the complex dynamics involved in the overseas circulation of Chinese independent documentaries, from their domestic production sectors into the global documentary market. By identifying key intermediating actors who play critical roles in this process and mapping out a circulation network among them, this study also examines the cultural ramifications of how the process has shaped independent production culture in China. To this purpose, I propose a “transnational film circulation model” to illustrate the interconnected relations among the players and the various kinds of cultural flows that have taken place as they have promoted Chinese documentary films on the global stage. Specifically, by looking into the history of these films’ transnational dispersion between 1991 and 2017, I argue that three groups of industrial stakeholders, namely filmmakers/producers, film festival directors, and transnational distributors, have wielded significant cultural influence over the production, circulation, and reception of the Chinese independent documentary, leading to the hybridized, multifaceted nature of this cinematic culture. By systematically examining independent Chinese documentaries’ international dissemination, a key contribution of the project is to propose a new analytical model for conceptualizing international media circulation, with industry actors as central nodes of contact and power. Their interactions constitute an intricate, ever-changing network that encompasses several kinds of transborder sub-flows, including exchanges among filmmaking and industrial professionals, production funds, and creative ideas. This framework not only helps us to map out the broader dynamics of transnational communication through the mobility of media products, it also points up the importance of key non-major industry stakeholders, as opposed to the Hollywood media conglomerates alone, in managing the availability and visibility of media products from non-Western countries. Overall, the study seeks to elucidate the hybrid, fluid nature of media globalization, by analyzing the contra-flows of media product movement from the “media-poor” South to the “media-rich” North


Cinema, Space, and Polylocality in a Globalizing China

Cinema, Space, and Polylocality in a Globalizing China
Author: Yingjin Zhang
Publisher: University of Hawaii Press
Total Pages: 274
Release: 2009-10-09
Genre: Political Science
ISBN: 0824833376

Download Cinema, Space, and Polylocality in a Globalizing China Book in PDF, ePub and Kindle

In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism. The book begins by addressing theories and practices related to space, place, and polylocality in contemporary China before focusing on the space of scholarship and urging scholars to move beyond the current paradigm and explore transnational and comparative film studies. This is followed by a chapter that concentrates on the space of production and surveys the changing landscape of postsocialist filmmaking and the transformation of China’s urban generation of directors. Next is an examination of the space of polylocality and the cinematic mappings of Beijing and a persistent "reel" contact with polylocality in hinterland China. In the fifth chapter Zhang explores the space of subjectivity in independent film and video and contextualizes experiments by young directors with various documentary styles. Chapter 6 calls attention to the space of performance and addresses issues of media and mediation by way of two kinds of playing: the first with documentary as troubling information, the second with piracy as creative intervention. The concluding chapter offers an overview of Chinese cinema in the new century and provides production and reception statistics. Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture.


Independent Filmmaking Around the Globe

Independent Filmmaking Around the Globe
Author: Doris Baltruschat
Publisher: University of Toronto Press
Total Pages: 328
Release: 2015-05-04
Genre: Performing Arts
ISBN: 1442620382

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Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it more and more possible for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints. With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time.


Hong Kong and Bollywood

Hong Kong and Bollywood
Author: Joseph Tse-Hei Lee
Publisher: Springer
Total Pages: 303
Release: 2016-09-27
Genre: Performing Arts
ISBN: 1349949329

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This volume examines the transmission, reception, and reproduction of new cinematic styles, meanings, practices, and norms in early twenty-first-century Asia. Hong Kong and Bollywood offers new answers to the field of inter-Asian cultural studies, which has been energized by the trends towards transnationalism and translatability. It brings together a team of international scholars to capture the latest development in the film industries of Hong Kong and Mumbai, and to explore similar cross-cultural, political, and socioeconomic issues. It also explains how Hong Kong and Bollywood filmmakers have gone beyond the traditional focus on nationalism, urbanity and biculturalism to reposition themselves as new cultural forces in the pantheon of global cinema.


Playing to the World's Biggest Audience

Playing to the World's Biggest Audience
Author: Michael Curtin
Publisher: Univ of California Press
Total Pages: 355
Release: 2007-08-02
Genre: Performing Arts
ISBN: 0520940733

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In this provocative analysis of screen industries in China, Hong Kong, Taiwan, and Singapore, Michael Curtin delineates the globalizing pressures and opportunities that since the 1980s have dramatically transformed the terrain of Chinese film and television, including the end of the cold war, the rise of the World Trade Organization, the escalation of democracy movements, and the emergence of an East Asian youth culture. Reaching beyond national frameworks, Curtin examines the prospect of a global Chinese audience that will include more viewers than in the United States and Europe combined. He draws on in-depth interviews with a diverse array of media executives plus a wealth of historical material to argue that this vast and increasingly wealthy market is likely to shake the very foundations of Hollywood’s century-long hegemony. Playing to the World’s Biggest Audience profiles the leading Chinese commercial studios and telecasters, and delves into the operations of Western conglomerates extending their reach into Asia. Advancing a dynamic and integrative theory of media capital, this innovative book explains the histories and strategies of screen enterprises that aim to become central players in the Global China market and offers an alternative perspective to recent debates about cultural globalization.


Youth Culture in Global Cinema

Youth Culture in Global Cinema
Author: Timothy Shary
Publisher: University of Texas Press
Total Pages: 347
Release: 2007
Genre: Performing Arts
ISBN: 0292795742

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Globalization and Contemporary Chinese Cinema

Globalization and Contemporary Chinese Cinema
Author: Xuelin Zhou
Publisher: Springer
Total Pages: 138
Release: 2017-06-21
Genre: Performing Arts
ISBN: 9811043280

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This pivot considers key transformations within the Chinese film industry since the country opened its doors to the outside world in the late 1970s, and moved from an ideologically-centred censorship system to one of contestation and cooperation between politics, art and market. Focusing on Zhang Yimou, arguably one of China’s most innovative and controversial filmmakers and directors, the author addresses the challenges faced by contemporary Chinese cinema in the face of Hollywood dominance, notably making genre films in an increasingly globalized context, and the necessary compromises between the local and global, the national and the international. Through a combination of textual analysis and context study, it examines action-oriented films Zhang made as responses to a rapidly changing film market and industry.


Cinema at the Periphery

Cinema at the Periphery
Author: Dina Iordanova
Publisher: Wayne State University Press
Total Pages: 282
Release: 2010
Genre: Performing Arts
ISBN: 9780814333884

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Highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema. From Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin--exploring faraway places, interacting with barely known peoples, and making new localities imaginable. In these films, previously entrenched spatial divisions no longer function as firmly fixed grid coordinates, the hierarchical position of place as "center" is subverted, and new forms of representation become possible. In Cinema at the Periphery, editors Dina Iordanova, David Martin-Jones, and Belén Vidal assemble criticism that explores issues of the periphery, including questions of transnationality, place, space, passage, and migration. Cinema at the Periphery examines the periphery in terms of locations, practices, methods, and themes. It includes geographic case studies of small national cinemas located at the global margins, like New Zealand and Scotland, but also of filmmaking that comes from peripheral cultures, like Palestinian "stateless" cinema, Australian Aboriginal films, and cinema from Quebec. Therefore, the volume is divided into two key areas: industries and markets on the one hand, and identities and histories on the other. Yet as a whole, the contributors illustrate that the concept of "periphery" is not fixed but is always changing according to patterns of industry, ideology, and taste. Cinema at the Periphery highlights the inextricable interrelationship that exists between production modes and circulation channels and the emerging narratives of histories and identities they enable. In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies.