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Gli equivoci nel sembiante

Gli equivoci nel sembiante
Author: Alessandro Scarlatti
Publisher: Harvard University Press
Total Pages: 196
Release: 1982
Genre: Music
ISBN: 9780674640337

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Opera in three acts.


The History of a Baroque Opera

The History of a Baroque Opera
Author: Frank A. D'Accone
Publisher:
Total Pages: 208
Release: 1985
Genre: Juvenile Nonfiction
ISBN:

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This study of Scarlatti's first and most-performed opera investigates the reasons for its popularity, initially political, but subsequently musical. Among the details inspected are the social and political situation in Rome; an analysis of the music and libretto; the earliest Roman performances using hitherto unpublished contemporary documents and comparisons with other works performed-during the Carnival of 1679; Queen Christina's early patronage of Scarlatti and his first opera; subsequent performances through 1699, the last-known production; and conclusions about the importance of this opera.


The Operas of Alessandro Scarlatti, Volume VII: Gli Equivoci Nel Sembiante

The Operas of Alessandro Scarlatti, Volume VII: Gli Equivoci Nel Sembiante
Author: Alessandro Scarlatti
Publisher:
Total Pages: 0
Release: 1982-05-26
Genre: Music
ISBN: 9780674640337

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Gli Equivoci nel Sembiante (1679), Scarlatti's first opera, is a comedy of mistaken identities and amorous intrigue in the pastoral mode. It was one of the most popular works of the composer's career. In preparing the score, D'Accone compared the 6 extant manuscripts. His Introduction sketches the opera's history and discusses performance practice.


Alessandro Scarlatti

Alessandro Scarlatti
Author: Edward Joseph Dent
Publisher: London : E. Arnold
Total Pages: 258
Release: 1905
Genre: Juvenile Nonfiction
ISBN:

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Alessandro and Domenico Scarlatti

Alessandro and Domenico Scarlatti
Author: Carole Franklin Vidali
Publisher: Taylor & Francis
Total Pages: 428
Release: 1993
Genre: Music
ISBN: 9780824059422

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First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.


A Sociable Moment

A Sociable Moment
Author: Colleen Reardon
Publisher: Oxford University Press
Total Pages: 321
Release: 2016-05-02
Genre: Music
ISBN: 0190496312

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After their military defeat by the Florentines in the mid-sixteenth century, the citizens of Siena turned from politics to celebratory, social occasions to express their civic identity and show their capacity for collective action. In the first major work of its kind, Colleen Reardon opens a window on the ways in which the Sienese absorbed the new genre of opera into their own festive apparatus and challenges the prevailing view that operatic productions in the city were merely an extension of Medici power to the provinces. It was, rather, members of the expatriate Chigi family who exploited the festive impulse of their countrymen, coordinating operatic performances with their triumphant visits home by activating ties of friendship and family as well as connections to Sienese institutions, most notably the Assicurate, possibly the first all-female academy in Italy. If the Chigi proved successful at inserting opera into larger patterns of sociability that conveyed the very essence of what it meant to be Sienese (senesità), their successor, the flamboyant playwright and librettist Girolamo Gigli, struggled in his attempts to transform operatic performances into professional enterprises. Fluidly written and richly embellished with anecdotes from historical chronicles, A Sociable Moment offers insight into the Sienese experience with opera during the genre's rapid expansion throughout the Italian peninsula during the late seventeenth and early eighteenth centuries.


Europäische Musiker in Venedig, Rom und Neapel 1650-1750

Europäische Musiker in Venedig, Rom und Neapel 1650-1750
Author: Anne-Madeleine Goulet
Publisher: Bärenreiter-Verlag
Total Pages: 723
Release: 2018-11-07
Genre: Music
ISBN: 376187202X

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Der Abschlussband des deutsch-französischen ANR-DFG-Projekts MUSICI widmet sich der Musikermigration im Europa der Frühen Neuzeit mit einem kultur- und musikgeschichtlichen Blick auf Venedig, Rom und Neapel als Reiseziele und Wirkungsorte von Instrumentalisten, Sängern, Komponisten und Instrumentenbauern, die nicht von der italienischen Halbinsel stammten. Im Sinne einer "histoire croisée" werden Netzwerke, Integrations- und Austauschprozesse aufgedeckt, mit denen fremde Musiker zwischen musikalischem Alltag und herausragenden Festlichkeiten konfrontiert waren. Auf dieser Grundlage wird eine systematische Betrachtung der frühneuzeitlichen Musikermigration sowie eine Untersuchung musikalischer Stile jenseits nationaler Forschungstraditionen möglich.