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| Author | : Philip Auslander |
| Publisher | : University of Michigan Press |
| Total Pages | : 296 |
| Release | : 2006 |
| Genre | : Music |
| ISBN | : 9780472068685 |
Explores the many ways glam rock paved the way for new explorations of identity in terms of gender, sexuality, and performance
| Author | : Alwyn W. Turner |
| Publisher | : Victoria & Albert Museum |
| Total Pages | : 0 |
| Release | : 2013-10-29 |
| Genre | : Music |
| ISBN | : 9781851777648 |
Drawing on the collections of the V&A, Glam Rock narrates the story of glam and explores its impact on fashion, theatre and film. In the early 1970s, glam rock changed the face of popular culture in Britain and, against a backdrop of a nation racked by economical and social crises, its flamboyancy and theatricality provided an excuse for a party and an escapist dream for musicians and fans alike. British acts like David Bowie, Roxy Music, T. Rex and Mott the Hoople - together with American fellow-travellers including Lou Reed, Alice Cooper and Sparks - drew on the original blueprint of rock and roll, as well as a host of other traditions, from Hollywood to the music hall, Berlin cabaret and Broadway musicals to science fiction and pop art. The resulting music was a wild blend of camp artifice and avant-garde decadence. By 1975 the era had come to an end, but glam never truly went away. Indeed, its attitudes and aesthetics have shaped much that has followed since, from disco to punk, the new romantics to Britpop, Prince to Lady Gaga.
| Author | : Simon Reynolds |
| Publisher | : HarperCollins |
| Total Pages | : 347 |
| Release | : 2016-10-11 |
| Genre | : Music |
| ISBN | : 0062279815 |
NPR Great Read of 2016 From the acclaimed author of Rip It Upand Start Again and Retromania—“the foremost popular music critic of this era (Times Literary Supplement)—comes the definitive cultural history of glam and glitter rock, celebrating its outlandish fashion and outrageous stars, including David Bowie and Alice Cooper, and tracking its vibrant legacy in contemporary pop. Spearheaded by David Bowie, Alice Cooper, T. Rex, and Roxy Music, glam rock reveled in artifice and spectacle. Reacting against the hairy, denim-clad rock bands of the late Sixties, glam was the first true teenage rampage of the new decade. In Shock and Awe, Simon Reynolds takes you on a wild cultural tour through the early Seventies, a period packed with glitzy costumes and alien make-up, thrilling music and larger-than-life personas. Shock and Awe offers a fresh, in-depth look at the glam and glitter phenomenon, placing it the wider Seventies context of social upheaval and political disillusion. It explores how artists like Lou Reed, New York Dolls, and Queen broke with the hippie generation, celebrating illusion and artifice over truth and authenticity. Probing the genre’s major themes—stardom, androgyny, image, decadence, fandom, apocalypse—Reynolds tracks glam’s legacy as it unfolded in subsequent decades, from Eighties art-pop icons like Kate Bush through to twenty-first century idols of outrage such as Lady Gaga. Shock and Awe shows how the original glam artists’ obsessions with fame, extreme fashion, and theatrical excess continue to reverberate through contemporary pop culture.
| Author | : Mick Rock |
| Publisher | : Omnibus Press |
| Total Pages | : 208 |
| Release | : 2005-11-14 |
| Genre | : Music |
| ISBN | : 1783230258 |
“Glam was about make-up, mirrors and androgyny. It was narcissistic, obsessive, decadent and subversive. It was bohemian, but also strangely futuristic. It was Oscar Wilde meets A Clockwork Orange. It was a mutant bastard offspring of glitter. But while glitter was sparkling distraction, glam was anarchy in drag. It was sexy, glamorous, on the edge. It was the moment hippie finally died. It was absolutely rock’n’roll. But it was also fashion, art, theatre, lifestsyle. It was gay, straight, multisexual. It was totally titillating and absolutely naughty. Everybody held hands with everybody, kissed everybody, went home with everybody. It was an age of accelerated discovery, when all the kinks of sexual yearning were flushed out. It was absolutely self-indulgent and it was ridiculously camp. It was a time we thought would never end. A time so long ago now it seems like a dream. But it wasn’t and I have the pictures to prove it.” Mick Rock
| Author | : Simon Philo |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 237 |
| Release | : 2018-10-15 |
| Genre | : Music |
| ISBN | : 1442271485 |
Until recently, glam rock has been a mere footnote in popular music history: a style-over-substance lark in an otherwise serious industry. Glam Rock: Music in Sound and Vision reveals the true story of how glam carved out a place as a diverse musical style and how it related to the artistic, political, economic, emotional, sexual, and commercial scenes of the late twentieth century. Committed to spectacle but also to musical ingenuity, glam delivered an exhilarating burst of color that offered a joyful reboot for pop culture—“a total blam blam!” Glam swept through Britain to North America in the early 1970s with the foundational stardom of T Rex and David Bowie, offering an alternative to the established rock and pop styles that had started to bore a segment of young listeners. As Alice Cooper and KISS filled concert arenas, British acts as diverse as the Rolling Stones, Elton John, and Queen consciously adopted glam’s flair for drama. Refreshing and reinvigorating, glam influenced later musical movements and moments from glitterfunk to punk, from new wave to new romanticism, and from hair metal to the synth-pop of self-conscious changelings like Marilyn Manson and Lady Gaga. In Simon Philo’s engaging history, glam finally gets the spotlight it deserves. As an essential force in the history of popular music, glam offers a prism through which to explore ’70s pop culture in all its glitter and charm.
| Author | : Barney Hoskyns |
| Publisher | : |
| Total Pages | : 131 |
| Release | : 1998 |
| Genre | : Popular music |
| ISBN | : 9780571195428 |
Bowie, Bolan, Bryan Ferry and Iggy Pop are the icons that defined the particular type of music that came to be known as glam rock in the early 1970s. It was a period characterized by visual excess and ambisexual confrontation, where performance came to be as important as the music. Glam gave pop back to disaffected teenagers who lapped it up and reinvented themselves as space-age androgynes. Tying in with the release of Todd Haynes' film, Velvet Goldmine, Barney Hoskyns' Glam! is a trenchant survey of a thrilling, thoroughly over-the-top time in pop's life. From Oscar Wilde to Ziggy Stardust, from Liberace to Lou Reed, Hoskyns explores the flamboyant decadence, the bisexuality, and the sheer unadulterated fun of the early seventies. 'It was a brilliant pop era, wasn't it? The last proper pop era, probably.' Mickie Most 'I think rock should be tarted up, made into a prostitute, a parody of itself. It should be the clown, the pierrot medium.' David Bowie 'Our function really is to relieve adolescents of their ills, of all the mental cruelty that's been bestowed on them.' David Johansen, New York Dolls
| Author | : Ian Chapman |
| Publisher | : Routledge |
| Total Pages | : 347 |
| Release | : 2016-02-12 |
| Genre | : Music |
| ISBN | : 1317588185 |
This book is the first to explore style and spectacle in glam popular music performance from the 1970s to the present day, and from an international perspective. Focus is given to a number of representative artists, bands, and movements, as well as national, regional, and cultural contexts from around the globe. Approaching glam music performance and style broadly, and using the glam/glitter rock genre of the early 1970s as a foundation for case studies and comparisons, the volume engages with subjects that help in defining the glam phenomenon in its many manifestations and contexts. Glam rock, in its original, term-defining inception, had its birth in the UK in 1970/71, and featured at its forefront acts such as David Bowie, T. Rex, Slade, and Roxy Music. Termed "glitter rock" in the US, stateside artists included Alice Cooper, Suzi Quatro, The New York Dolls, and Kiss. In a global context, glam is represented in many other cultures, where the influences of early glam rock can be seen clearly. In this book, glam exists at the intersections of glam rock and other styles (e.g., punk, metal, disco, goth). Its performers are characterized by their flamboyant and theatrical appearance (clothes, costumes, makeup, hairstyles), they often challenge gender stereotypes and sexuality (androgyny), and they create spectacle in popular music performance, fandom, and fashion. The essays in this collection comprise theoretically-informed contributions that address the diversity of the world’s popular music via artists, bands, and movements, with special attention given to the ways glam has been influential not only as a music genre, but also in fashion, design, and other visual culture.
| Author | : Melanie Mills |
| Publisher | : Penguin |
| Total Pages | : 162 |
| Release | : 2013-09-03 |
| Genre | : Health & Fitness |
| ISBN | : 0698154525 |
Dazzling Makeup Tips for Date Night, Club Night, and Beyond Maximize the glam, access your inner diva, grab the glitter, and get excited about makeup! With stunning photos, featuring stars like Jennette McCurdy, Ariana Grande, Brandy, and Willa Ford, and easy-to-follow step-by-step instructions, Melanie Mills shows you the makeup techniques for creating fun, trendsetting looks inspired by rock ’n’ roll vixens and fairy tale characters. She inspires you to experiment with stunning makeup for all occasions, from a party or a night out with friends to a special date or anytime you want to amplify your look. Melanie offers advice on makeup for any skin tone, and shows you how to master color combinations, taking you through a rainbow of shades to inspire you to break out of your everyday color palette. These looks are stunning, sometimes wild, and guaranteed to make a statement!
| Author | : Chuck Klosterman |
| Publisher | : Simon and Schuster |
| Total Pages | : 358 |
| Release | : 2012-12-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 1471104508 |
The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he lives in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, SHOUT AT THE DEVIL, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Poison, Lita Ford and Guns N' Roses. In the hilarious, young-man-growing-up-with-a-soundtrack-tradition, FARGO ROCK CITY chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.
| Author | : Martin Popoff |
| Publisher | : Voyageur Press (MN) |
| Total Pages | : 227 |
| Release | : 2014-08-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 0760345465 |
"An oral history and timeline of the popular 1980s heavy metal subgenre, including its prehistory and decline, profusely illustrated with relevant photographs and memorabilia"--
