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Gifts, Markets and Economies of Desire in Virginia Woolf

Gifts, Markets and Economies of Desire in Virginia Woolf
Author: K. Simpson
Publisher: Springer
Total Pages: 200
Release: 2008-10-09
Genre: Literary Criticism
ISBN: 0230228437

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This book brings a new dimension to the critical debate about the complex relationship of Woolf to the marketplace and commodity culture through a focus on the gift economy at work in Woolf's writing, exploring the political subversiveness of the gift and its significance in her modernist aesthetics.


Economies of Desire at the Victorian Fin de Sie

Economies of Desire at the Victorian Fin de Sie
Author: Jane Ford
Publisher: Routledge
Total Pages: 227
Release: 2015-10-14
Genre: Business & Economics
ISBN: 1317576594

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This volume marks the first sustained study to interrogate how and why issues of sexuality, desire, and economic processes intersect in the literature and culture of the Victorian fin de siècle. At the end of the nineteenth-century, the move towards new models of economic thought marked the transition from a marketplace centred around the fulfilment of ‘needs’ to one ministering to anything that might, potentially, be desired. This collection considers how the literature of the period meditates on the interaction between economy and desire, doing so with particular reference to the themes of fetishism, homoeroticism, the literary marketplace, social hierarchy, and consumer culture. Drawing on theoretical and conceptual approaches including queer theory, feminist theory, and gift theory, contributors offer original analyses of work by canonical and lesser-known writers, including Oscar Wilde, A.E. Housman, Baron Corvo, Vernon Lee, Michael Field, and Lucas Malet. The collection builds on recent critical developments in fin-de-siècle literature (including major interventions in the areas of Decadence, sexuality, and gender studies) and asks, for instance, how did late nineteenth-century writing schematise the libidinal and somatic dimensions of economic exchange? How might we define the relationship between eroticism and the formal economies of literary production/performance? And what relation exists between advertising/consumer culture and (dissident) sexuality in fin-de-siecle literary discourses? This book marks an important contribution to 19th-Century and Victorian literary studies, and enhances the field of fin-de-siècle studies more generally.


Virginia Woolf in Context

Virginia Woolf in Context
Author: Bryony Randall
Publisher: Cambridge University Press
Total Pages: 521
Release: 2012-12-17
Genre: Literary Criticism
ISBN: 110700361X

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Covering a wide range of historical, theoretical, critical and cultural contexts, this collection studies key issues in contemporary Woolf studies.


Virginia Woolf and the Literary Marketplace

Virginia Woolf and the Literary Marketplace
Author: J. Dubino
Publisher: Springer
Total Pages: 263
Release: 2010-11-22
Genre: Literary Criticism
ISBN: 0230114792

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These unique essays focus primarily on Woolf's non-fiction and considers her in the context of the modernist marketplace. With research based on new archival material, this volume makes important new contributions to the study of the 'gift economy.'


Virginia Woolf

Virginia Woolf
Author: Jeanne Dubino
Publisher: Edinburgh University Press
Total Pages: 240
Release: 2014-11-30
Genre: Literary Criticism
ISBN: 0748693947

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Reconsiders Virginia Woolf's work for the 21st century focusing on coevolution, duality and contradiction. These eleven newly commissioned essays represent the evolution, or coevolution, of Woolf studies in the early twenty-first century. Divided into five parts. Self and Identity; Language and Translation; Culture and Commodification; Human, Animal and Nonhuman; and Genders, Sexualities and Multiplicities, the essays represent the most recent scholarship on the subjective, provisional, and contingent nature of Woolf's work. The expert contributors consider unstable constructions of self and identity, and language and translation from multiple angles, including shifting textualities, culture and the marketplace, critical animal studies, and discourses that fracture and revise gender and sexuality.Key Features: - Extends existing critical work that considers a multiplicity of constructions of Virginia Woolf- Demonstrates original and diverse ways of reading this canonical (and contradictory) author- Explores multiple meanings related to the conjoined, fused, connected and evolving nature of Woolf studies- Considers new configurations, new pairings, and new ways of placing ideas in tension around Woolf's work for a postmodern, postmillennial eraEditor bio: Jeanne Dubino is Professor of English and Global Studies, Department of Cultural, Gender, and Global Studies, Appalachian State University, Boone. Gill Lowe is Senior Lecturer in English at University Campus Suffolk, School of Arts and Humanities, University Campus Suffolk. Vara Neverow is Professor of English and Women's Studies, English Department, Engleman Hall, Southern Connecticut State University. Kathryn Simpson is Senior Lecturer in English at Cardiff Metropolitan University.


The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence

The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence
Author: Benjamin D. Hagen
Publisher: Liverpool University Press
Total Pages: 276
Release: 2020-08-04
Genre: Literary Criticism
ISBN: 1949979288

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Winner of the D.H. Lawrence Society of North America’s Biennial Award for a Newly Published Scholar in Lawrence Studies Though the differences in style and politics between Virginia Woolf (1882-1941) and D.H. Lawrence (1885-1930) are many, they both had formative experiences as teachers. Between 1905 and 1907, Woolf taught history and composition courses at Morley College while Lawrence spent nearly a decade in the field of elementary education between 1902 and 1912. The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence reframes Woolf and Lawrence’s later experiments in fiction, life-writing, and literary criticism as the works of former teachers, of writers (that is) still preoccupied with pedagogy. More specifically, the book argues that across their respective writing careers they conceptualize problems of teaching and learning as problems of sensation, emotion, or intensity. But the “sensuous pedagogies” Woolf and Lawrence depict and enact are not limited to classroom spaces or strategies; rather, they pertain to non-institutional relationships, developmental narratives, spaces, and needs. Friendships and other intimate relationships in Lawrence’s fiction, for instance, often take on a pedagogical shape or texture (one person playing the student; the other, the teacher) while Woolf’s literary criticism models a novel approach to taste-training that prioritizes the individual freedom of common readers (who must learn to attend to books that give them pleasure). In addition, Sensuous Pedagogies reads Lawrence’s literary criticism as reparative, Woolf’s fiction as sustained feminist pedagogy, and their respective theories of life and love as fundamentally entangled with pedagogical concerns.


Woolf and the City

Woolf and the City
Author: Elizabeth F. Evans
Publisher: Oxford University Press
Total Pages: 265
Release: 2010
Genre: Literary Criticism
ISBN: 098425983X

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Edited collection from acclaimed contemporary Woolf scholars, focusing on urban issues. These include addressing the ethical and political implications of Virginia Woolf's work, a move that suggests new insights into Woolf as a "real world" and social critic.


Katherine Mansfield and the Arts

Katherine Mansfield and the Arts
Author: da Sousa Correa Delia da Sousa Correa
Publisher: Edinburgh University Press
Total Pages:
Release: 2019-06-01
Genre: Art and literature
ISBN: 1474465862

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Reveals how Katherine Mansfield's understanding of art and music shaped and inspired her writingThis volume emphasises the centrality of Katherine Mansfield to the cultural life of her time, illuminating how her love of painting and of music inspired her art. The Fauvist paintings of the Scottish colourist F.D. Fergusson, the music of Debussy, and indeed, of Wagner, all helped to forge a precise aesthetic, founded above all on the intense study and - in the case of music - practice of artistic technique. The essays in this volume explore Mansfield's relationships with the visual arts and with music, bringing to light the way in which these helped to shape the formal qualities of her writing: its beauty of line and intensely musical effects. Mansfield's relationship with Woolf is also strongly in the frame. As befits a volume dedicated to the arts, there is an introduction, poetry and a new short story by highly-acclaimed writers who count Mansfield amongst their chief inspirations.


Jane Austen, Virginia Woolf and Worldly Realism

Jane Austen, Virginia Woolf and Worldly Realism
Author: Pam Morris
Publisher: Edinburgh University Press
Total Pages: 256
Release: 2017-11-01
Genre: Realism in literature
ISBN: 1474423531

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Austen and Woolf are materialists, this book argues. 'Things' in their novels give us entry into some of the most contentious issues of the day. This wholly materialist understanding produces worldly realism, an experimental writing practice which asserts egalitarian continuity between people, things and the physical world. This radical redistribution of the importance of material objects and biological existence, challenges the traditional idealist hierarchy of mind over matter that has justified gender, class and race subordination. Entering their writing careers at the critical moments of the French Revolution and the First World War respectively, and sharing a political inheritance of Scottish Enlightenment scepticism, Austen's and Woolf's rigorous critiques of the dangers of mental vision unchecked by facts is more timely than ever in the current world dominated by fundamentalist neo-liberal, religious and nationalist belief systems.


Modernism and Market Fantasy

Modernism and Market Fantasy
Author: C. Mickalites
Publisher: Springer
Total Pages: 245
Release: 2012-10-16
Genre: Literary Criticism
ISBN: 0230391532

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Examining work from Ford and Conrad's pre-war impressionism through Rhys's fiction of the late 1930s, the author shows how modernist innovation engages with transformations in early twentieth-century capitalism and tracks the ways in which modernist fiction reconfigures capitalist mythologies along the fault lines of their internal contradictions.