Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Gibson Girls And Suffragists PDF full book. Access full book title Gibson Girls And Suffragists.
| Author | : Catherine Gourley |
| Publisher | : Twenty-First Century Books |
| Total Pages | : 148 |
| Release | : 2008-01-01 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0822571501 |
Examines the symbols that defined perceptions of women from the turn of the century through the end of World War I and how they changed women's role in society.
| Author | : Charles Dana Gibson |
| Publisher | : |
| Total Pages | : |
| Release | : 1968 |
| Genre | : |
| ISBN | : |
| Author | : Martha H. Patterson |
| Publisher | : Rutgers University Press |
| Total Pages | : 358 |
| Release | : 2008-05-01 |
| Genre | : Literary Criticism |
| ISBN | : 0813544947 |
In North America between 1894 and 1930, the rise of the “New Woman” sparked controversy on both sides of the Atlantic and around the world. As she demanded a public voice as well as private fulfillment through work, education, and politics, American journalists debated and defined her. Who was she and where did she come from? Was she to be celebrated as the agent of progress or reviled as a traitor to the traditional family? Over time, the dominant version of the American New Woman became typified as white, educated, and middle class: the suffragist, progressive reformer, and bloomer-wearing bicyclist. By the 1920s, the jazz-dancing flapper epitomized her. Yet she also had many other faces. Bringing together a diverse range of essays from the periodical press of the late nineteenth and early twentieth centuries, Martha H. Patterson shows how the New Woman differed according to region, class, politics, race, ethnicity, and historical circumstance. In addition to the New Woman’s prevailing incarnations, she appears here as a gun-wielding heroine, imperialist symbol, assimilationist icon, entrepreneur, socialist, anarchist, thief, vamp, and eugenicist. Together, these readings redefine our understanding of the New Woman and her cultural impact.
| Author | : Edmund Vincent Gillon |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1969 |
| Genre | : |
| ISBN | : 9780486219868 |
| Author | : Langhorne Gibson |
| Publisher | : |
| Total Pages | : 232 |
| Release | : 1997 |
| Genre | : Women |
| ISBN | : 9780965762106 |
| Author | : Selected Edmund Vincent Gillon jr. introductory essay Henry C. Pitz |
| Publisher | : |
| Total Pages | : 144 |
| Release | : 1969 |
| Genre | : |
| ISBN | : |
| Author | : Linda J. Lumsden |
| Publisher | : Indiana University Press |
| Total Pages | : 292 |
| Release | : 2004-07-08 |
| Genre | : Social Science |
| ISBN | : 9780253110961 |
Inez Milholland was the most glamorous suffragist of the 1910s and a fearless crusader for women's rights. Moving in radical circles, she agitated for social change in the prewar years, and she epitomized the independent New Woman of the time. Her death at age 30 while stumping for suffrage in California in 1916 made her the sole martyr of the American suffrage movement. Her death helped inspire two years of militant protests by the National Woman's Party, including the picketing of the White House, which led in 1920 to ratification of the 19th Amendment granting women the right to vote. Lumsden's study of this colorful and influential figure restores to history an important link between the homebound women of the 19th century and the iconoclastic feminists of the 1970s.
| Author | : Cathleen Nista Rauterkus |
| Publisher | : University Press of America |
| Total Pages | : 96 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 076184788X |
Go Get Mother's Picket Sign tells the story of American suffragists who worked to balance their public and private lives as wives, mothers, and homemakers. American suffragists battled an intense fight against the idea that women in America could not engage in politics without also creating a great void in the home. It was believed that if women allowed this void to occur, the decline and decay of the home life would destroy 19th and 20th century society. Men could not help women fill the role of homemaker, as it was thought that men had neither experience nor the ability to learn the order and method of caring for home and children. The family framework known by Victorians remained doomed. However, to counter this concept, suffragists created a new woman who functioned in both the home and the public world. All of their suffrage materials showed that these women did not forget their responsibility to the home. Everything they used encompassed the right of suffrage and maintained the image of the dutiful wife and mother. By combining the forces of material culture and suffrage, this work will further the study of women's suffrage and expand knowledge of women within both political and domestic spheres.
| Author | : Ellen Wiley Todd |
| Publisher | : Univ of California Press |
| Total Pages | : 464 |
| Release | : 1993-01-01 |
| Genre | : Art |
| ISBN | : 9780520074712 |
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
| Author | : Susan Goodier |
| Publisher | : Cornell University Press |
| Total Pages | : 299 |
| Release | : 2017-09-15 |
| Genre | : History |
| ISBN | : 1501713191 |
Women Will Vote celebrates the 2017 centenary of women’s right to full suffrage in New York State. Susan Goodier and Karen Pastorello highlight the activism of rural, urban, African American, Jewish, immigrant, and European American women, as well as male suffragists, both upstate and downstate, that led to the positive outcome of the 1917 referendum. Goodier and Pastorello argue that the popular nature of the women’s suffrage movement in New York State and the resounding success of the referendum at the polls relaunched suffrage as a national issue. If women had failed to gain the vote in New York, Goodier and Pastorello claim, there is good reason to believe that the passage and ratification of the Nineteenth Amendment would have been delayed. Women Will Vote makes clear how actions of New York’s patchwork of suffrage advocates heralded a gigantic political, social, and legal shift in the United States. Readers will discover that although these groups did not always collaborate, by working in their own ways toward the goal of enfranchising women they essentially formed a coalition. Together, they created a diverse social and political movement that did not rely solely on the motivating force of white elites and a leadership based in New York City. Goodier and Pastorello convincingly argue that the agitation and organization that led to New York women’s victory in 1917 changed the course of American history.
