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| Author | : W. H. Bruford |
| Publisher | : CUP Archive |
| Total Pages | : 388 |
| Release | : 1935-01-02 |
| Genre | : Business & Economics |
| ISBN | : 9780521092593 |
This 1935 book plunges the reader into life in Germany two hundred years ago, linking everyday life with the thought of the age.
| Author | : Walter Horace Bruford |
| Publisher | : |
| Total Pages | : 354 |
| Release | : 1965 |
| Genre | : German literature |
| ISBN | : |
| Author | : Barbara Becker-Cantarino |
| Publisher | : Boydell & Brewer |
| Total Pages | : 363 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 1571132465 |
The Enlightenment was based on the use of reason, common sense, and "natural law," and was paralleled by an emphasis on feelings and the emotions in religious, especially Pietist circles. Progressive thinkers in England, France, and later in Germany began to assail the absolutism of the state and the orthodoxy of the Church; in Germany the line led from Leibniz, Thomasius, and Wolff to Lessing and Kant, and eventually to the rise of an educated upper middle class. Literary developments encompassed the emergence of a national theater, literature, and a common literary language. This became possible in part because of advances in literacy and education, especially among bourgeois women, and the reorganization of book production and the book market. This major new reference work provides a fresh look at the major literary figures, works, and cultural developments from around 1700 up to the late Enlightenment. They trace the 18th-century literary revival in German-speaking countries: from occasional and learned literature under the influence of French Neoclassicism to the establishment of a new German drama, religious epic and secular poetry, and the sentimentalist novel of self-fashioning. The volume includes the new, stimulating works of women, a chapter on music and literature, chapters on literary developments in Switzerland and in Austria, and a chapter on reactions to the Enlightenment from the 19th century to the present. The recent revaluing of cultural and social phenomena affecting literary texts informs the presentations in the individual chapters and allows for the inclusion of hitherto neglected but important texts such as essays, travelogues, philosophical texts, and letters. Contributors: Kai Hammermeister, Katherine Goodman, Helga Brandes, Rosmarie Zeller, Kevin Hilliard, Francis Lamport, Sarah Colvin, Anna Richards, Franz M. Eybl, W. Daniel Wilson, Robert Holub. Barbara Becker-Cantarino is Research Professor in German at the Ohio State University.
| Author | : William E. Petig |
| Publisher | : Peter Lang Incorporated, International Academic Publishers |
| Total Pages | : 258 |
| Release | : 1984 |
| Genre | : Literary Criticism |
| ISBN | : |
Pietism had a considerable impact on the cultural and social life of eighteenth-century Germany. However, the confrontation between what was essentially a religious movement and the literary world has not been adequately explored. This is particularly true of the negative reaction to Pietism in German literature or «literary antipietism», as it is referred to here. After establishing the background against which literary anti- pietism develops, the book examines those German literary works from the first half of the eighteenth century which portray Pietists in a negative manner and sheds light on the genesis as well as on the public reception of these works. The last chapter dis- cusses the theological basis for the Pietists' opposition to secular literature and the theater, chronicles their efforts in Halle to close theaters and forbid the reading of worldly literature in the schools, and analyzes the Pietists' understanding of the creative process as it relates to literature and the arts.
| Author | : Wendy Sutherland |
| Publisher | : Routledge |
| Total Pages | : 243 |
| Release | : 2017-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 1317050851 |
Focusing on eighteenth-century cultural productions, Wendy Sutherland examines how representations of race in philosophy, anthropology, aesthetics, drama, and court painting influenced the construction of a white bourgeois German self. Sutherland positions her work within the framework of the transatlantic slave trade, showing that slavery, colonialism, and the triangular trade between Europe, West Africa, and the Caribbean function as the global stage on which German bourgeois dramas by Friedrich Wilhelm Ziegler, Ernst Lorenz Rathlef, and Theodor Körner (and a novella by Heinrich von Kleist on which Körner's play was based) were performed against a backdrop of philosophical and anthropological influences. Plays had an important role in educating the rising bourgeois class in morality, Sutherland argues, with fathers and daughters offered as exemplary moral figures in contrast to the depraved aristocracy. At the same time, black female protagonists in nontraditional dramas represent the boundaries of physical beauty and marriage eligibility while also complicating ideas of moral beauty embodied in the concept of the beautiful soul. Her book offers convincing evidence that the eighteenth-century German stage grappled with the representation of blackness during the Age of Goethe, even though the German states were neither colonial powers nor direct participants in the slave trade.
| Author | : H. B. Nisbet |
| Publisher | : Cambridge University Press |
| Total Pages | : 978 |
| Release | : 2005-12-08 |
| Genre | : Literary Criticism |
| ISBN | : 9780521317207 |
This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
| Author | : George Alexander Kennedy |
| Publisher | : Cambridge University Press |
| Total Pages | : 978 |
| Release | : 1989 |
| Genre | : Literary Criticism |
| ISBN | : 9780521300094 |
This comprehensive 1997 account of eighteenth-century literary criticism is now available in paperback.
| Author | : Daniel Hall |
| Publisher | : Peter Lang |
| Total Pages | : 304 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 9783039100774 |
The literature of terror and horror continues to fascinate readers both casual and more critical, and it has long been recognised as an international, not merely British, phenomenon. This study provides an in-depth and text-based analysis of Gothic fiction in France and Germany from earlier literary traditions, through the influence of the English Gothic novel, to an extraordinary popularity and dominance by the end of the eighteenth century. It examines how some of the motifs most closely associated with the Gothic - secret societies, the supernatural and suspense, among others - are the product of an uncertain age, and how the use of those motifs differed not just across languages and borders, which in fact the Gothic often crossed with ease, but according to the views, concerns and sometimes insecurities of individual authors. What emerges is a complex genre more diverse than any 'list of Gothic ingredients' would have us believe. Many of the notions and devices explored by the French and German Gothic then continue to intrigue, disturb and unsettle today.
| Author | : E.G. Ruestow |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 192 |
| Release | : 2012-12-06 |
| Genre | : Philosophy |
| ISBN | : 9401024634 |
2 result of the attitudes characteristic of the small group of permanent residents at the schools, the academic scholars. This conservatism, however, was not everywhere equally efficacious. In the sixteenth century, the universities of northern Italy, Padua above all, had nurtured an intellectual ferment of considerable significance to the rise of the new science, and they continued to be penetrated by the influence of that science throughout the seventeenth century. The Uni versity of Oxford momentarily played host to' leading members of the English scientific community during the Commonwealth period, and Cambridge was shortly to boast the genius of Isaac Newton. Indeed, a small number of the one-hundred-odd universities in Europe strove more or less purposefully to come to grips with the new science and to in at least, within the body of learning for which they corporate facets of it, 2 held themselves responsible. Among the most notable of these more progressive schools must be included the University of Leiden, recently founded by the Lowlanders in revolt against the King of Spain, Philip II. The doors of the University of Leiden had first opened, to be sure, in the midst of rebellion, and had been forced open, as it were, by rumors of peace. In 1572, the revolt, with the Calvinists now clearly in the van, acquired what was to prove an enduring foothold in the maritime prov inces of Holland and Zeeland.
| Author | : W. Arons |
| Publisher | : Springer |
| Total Pages | : 270 |
| Release | : 2006-10-03 |
| Genre | : Education |
| ISBN | : 0230600735 |
In this book, Wendy Arons examines how women writers used theater and performance to investigate the problem of female subjectivity and to intervene in the dominant discourse about ideal femininity. Arons shows how contemporary demands for sincerity and authenticity placed a peculiar burden on women in the public sphere, especially on actresses, who - like professional writers - overstepped the boundaries of what was considered proper behavior for women. Paradoxically, in their representations of ideal women engaged in performance, these writers expose ideal femininity as an impossible act, even as they attempt to perform it in their writing and in their lives.
