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| Author | : Luca Crispi |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 552 |
| Release | : 2007 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Publisher description
| Author | : Daniel Ferrer |
| Publisher | : University Press of Florida |
| Total Pages | : 234 |
| Release | : 2023-05-30 |
| Genre | : Literary Criticism |
| ISBN | : 0813070473 |
An introduction to the fascinating world of Joyce’s manuscripts This book shows how the creative process of modernist writer James Joyce can be reconstructed from his manuscripts. Daniel Ferrer offers a practical demonstration of the theory of genetic criticism, the study of the manuscript and textual development of a literary text. Using a concrete approach focused on the materiality of Joyce’s writing process, Ferrer demonstrates how to recover the process of invention and its internal dynamics. Using specific, detailed examples, Ferrer analyzes the part played by chance in Joyce’s creative process, the spatial dimension of writing, the genesis of the “Sirens” episode, and the transition from Ulysses to Finnegans Wake. The book includes a study of Joyce’s mysterious Finnegans Wake notebooks, examining their strange form of intertextuality in light of Joyce’s earlier forms of note-taking. Moving beyond the single author perspective, Ferrer contrasts Joyce’s notes alluding to Virginia Woolf’s criticism of Ulysses with Woolf’s own notes on the novel’s first episodes. Throughout this book, Ferrer describes the logic of the creative process as seen in the record left by Joyce in notebooks, drafts, typescripts, proofs, correspondence, early printed versions, and other available documents. Each change detected reveals a movement from one state to another, a new direction, challenging readers to understand the reasons for each movement and to appreciate the wealth of information to be found in Joyce’s manuscripts. A volume in the Florida James Joyce Series, edited by Sam Slote
| Author | : Jed Deppman |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 270 |
| Release | : 2004-04-14 |
| Genre | : Literary Criticism |
| ISBN | : 9780812237771 |
This volume introduces English speakers to genetic criticism, arguably the most important critical movement in France today. In recent years, French literary scholars have been exploring the interpretive possibilities of textual history, turning manuscript study into a recognized form of literary criticism. They have clearly demonstrated that manuscripts can be used for purposes other than establishing an accurate text of a work. Although its raw material is a writer's manuscripts, genetic criticism owes more to structuralist and poststructuralist notions of textuality than to philology and textual criticism. As Genetic Criticism demonstrates, the chief concern is not the "final" text but the reconstruction and analysis of the writing process. Geneticists find endless richness in what they call the "avant-texte": a critical gathering of a writer's notes, sketches, drafts, manuscripts, typescripts, proofs, and correspondence. Together, the essays in this volume reveal how genetic criticism cooperates with such forms of literary study as narratology, linguistics, psychoanalysis, sociocriticism, deconstruction, and gender theory. Genetic Criticism contains translations of eleven essays, general theoretical analyses as well as studies of individual authors such as Flaubert, Proust, Joyce, Zola, Stendhal, Chateaubriand, and Montaigne. Some of the essays are foundational statements, while others deal with such recent topics as noncanonical texts and the potential impact of hypertext on genetic study. A general introduction to the book traces genetic criticism's intellectual history, and separate introductions give precise contexts for each essay.
| Author | : Dirk van Hulle |
| Publisher | : |
| Total Pages | : 260 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : |
By taking the principles of manuscript genetics and using them to engage in a comparative study of James Joyce and Samuel Beckett, Dirk Van Hulle has produced a provocative work that re-imagines the links between the two authors. His elegant readings reveal that the most striking similarities between these two lie not in their nationality or style but in their shared fascination with the process of revision. Van Hulle's thoughtful application of genetic theory--the study of a work from manuscript to final form in its various iterations--marks a new phase in this dynamic field of inquiry. As one of only a handful of books in English dealing with this emerging area of study, Manuscript Genetics, Joyce's Know-How, Beckett's Nohow will be indispensable not only to Joyce and Beckett scholars but also to anyone interested in genetic criticism.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 151 |
| Release | : 2018-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 9004364285 |
James Joyce and Genetic Criticism offers the most contemporary developments in manuscript-based analysis in Joyce scholarship.
| Author | : Hans Walter Gabler |
| Publisher | : Open Book Publishers |
| Total Pages | : 410 |
| Release | : 2018-02-20 |
| Genre | : Literary Criticism |
| ISBN | : 1783743662 |
This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent exploring textual criticism, genetic criticism, and literary criticism. In these sixteen stimulating contributions, he develops theories of textual criticism and editing that are inflected by our advance into the digital era; structurally analyses arts of composition in literature and music; and traces the cultural implications discernible in book design, and in the canonisation of works of literature and their authors. Distinctive and ambitious, these essays move beyond the concerns of the community of critics and scholars. Gabler responds innovatively to the issues involved and often endeavours to re-think their urgencies by bringing together the orthodox tenets of different schools of textual criticism. He moves between a variety of topics, ranging from fresh genetic approaches to the work of James Joyce and Virginia Woolf, to significant contributions to the theorisation of scholarly editing in the digital age. Written in Gabler’s fluent style, these rich and elegant compositions are essential reading for literary and textual critics, scholarly editors, readers of James Joyce, New Modernism specialists, and all those interested in textual scholarship and digital editing under the umbrella of Digital Humanities.
| Author | : Marian Eide |
| Publisher | : Cambridge University Press |
| Total Pages | : 228 |
| Release | : 2002-10-17 |
| Genre | : Literary Criticism |
| ISBN | : 9780521814980 |
Publisher Description
| Author | : James Joyce |
| Publisher | : |
| Total Pages | : 194 |
| Release | : 2001 |
| Genre | : Literary Criticism |
| ISBN | : |
The Finnegans Wake Notebook Edition is a fully integrated and cross-referenced edition of all the extant work-books compiled by Joyce after the completion of Ulysses. It will be published as a series of fascicles, one per authorial notebook, three per scribal notebook, fifty-five in all. This will make individual notebooks available to scholars as they appear and allow critical feedback, laying the foundations for an electronic edition that will be prepared simultaneously. The editorial aim is to bring together all of the information relevant to each note in as concise and simple a way as possible. The Finnegans Wake Notebook Edition will provide a reference library of comprehensively quoted source material-in effect an annotated digest of Joyce's working library-which will serve as a new starting point not just for exegesis of Finnegans Wake, but also for biographical, textual, and literary criticism of Joyce. Furthermore, the Edition will allow for a reconstruction of Joyce's intellectual concerns and compositional habits during the drafting of Work in Progress / Finnegans Wake.
| Author | : Jeremy Colangelo |
| Publisher | : University Press of Florida |
| Total Pages | : 180 |
| Release | : 2022-02-14 |
| Genre | : Literary Criticism |
| ISBN | : 0813072123 |
In this book, the first to explore the role of disability in the writings of James Joyce, contributors approach the subject both on a figurative level, as a symbol or metaphor in Joyce’s work, and also as a physical reality for many of Joyce’s characters. Contributors examine the varying ways in which Joyce’s texts represent disability and the environmental conditions of his time that stigmatized, isolated, and othered individuals with disabilities. The collection demonstrates the centrality of the body and embodiment in Joyce’s writings, from Dubliners and A Portrait of the Artist as a Young Man to Ulysses and Finnegans Wake. Essays address Joyce’s engagement with paralysis, masculinity, childhood violence, trauma, disorderly eating, blindness, nineteenth-century theories of degeneration, and the concept of “madness.” Together, the essays offer examples of Joyce’s interest in the complexities of human existence and in challenging assumptions about bodily and mental norms. Complete with an introduction that summarizes key disability studies concepts and the current state of research on the subject in Joyce studies, this volume is a valuable resource for disability scholars interested in modernist literature and an ideal starting point for any Joycean new to the study of disability. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles Contributors: Rafael Hernandez | Boriana Alexandrova | Casey Lawrence | Giovanna Vincenti | Jeremy Colangelo | Jennifer Marchisotto | Marion Quirici | John Morey | Kathleen Morrissey | Maren T. Linett
| Author | : John Bishop |
| Publisher | : University of Wisconsin Pres |
| Total Pages | : 496 |
| Release | : 1986-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 0299108236 |
“Joyce’s Book of the Dark gives us such a blend of exciting intelligence and impressive erudition that it will surely become established as one of the most fascinating and readable Finnegans Wake studies now available.”—Margot Norris, James Joyce Literary Supplement
