Games Rednecks Play
Author | : Jeff Foxworthy |
Publisher | : Longstreet Press |
Total Pages | : 64 |
Release | : 1995 |
Genre | : Humor |
ISBN | : 9781563522543 |
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Author | : Jeff Foxworthy |
Publisher | : Longstreet Press |
Total Pages | : 64 |
Release | : 1995 |
Genre | : Humor |
ISBN | : 9781563522543 |
Author | : Jeff Foxworthy |
Publisher | : Andrews McMeel Publishing |
Total Pages | : 56 |
Release | : 1997-10 |
Genre | : Humor |
ISBN | : 9780836237382 |
Designed to generate impulse sales, titles in this line are carefully balanced for gift giving, self-purchase, or collecting. Little Books may be small in size, but they're big in titles and sales.
Author | : Jeff Foxworthy |
Publisher | : Hachette Books |
Total Pages | : 261 |
Release | : 2009-06-15 |
Genre | : Humor |
ISBN | : 1401394655 |
America's favorite Southern-fried, stand-up comedian and TV sitcom star Jeff Foxworthy brings his humor to the page in this riotous laugh-out-loud book. In No Shirt. No Shoes. . . . No Problem!, Foxworthy examines the hilarity of growing up, love, sex, crazy families, roommates, friendship, mooning, having a crush on your cousin, and the real stories behind many of his favorite Redneck jokes. So get ready: You're in for a helluva good time!
Author | : Jeff Foxworthy |
Publisher | : |
Total Pages | : 148 |
Release | : 1995 |
Genre | : Humor |
ISBN | : 9781563522284 |
This volume picks the most memorable lines from all six previous books and offer approximately 25 percent new material, including 150 previously unpublished You Might Be A Redneck If... punch lines. Let the laughter roll on.
Author | : Donny Cates |
Publisher | : Image Comics |
Total Pages | : 32 |
Release | : 2018-01-24 |
Genre | : Comics & Graphic Novels |
ISBN | : |
The Bowmans are drowning in the flood of fresh blood. With the cops hot on their tail, can they survive the rising tide?
Author | : Jeff Foxworthy |
Publisher | : Longstreet Press |
Total Pages | : |
Release | : 2008-11-01 |
Genre | : Humor |
ISBN | : 9781563525889 |
10 Final Helping, 8 Redneck Classic, 12 You Might Be a Redneck If..., 6 Red Ain't Dead, 6 You're Not a Kid Anymore..., 6 Check Your Neck, 6 Games Rednecks Play, 6 Hick is Chic
Author | : Jeff Foxworthy |
Publisher | : Harper Collins |
Total Pages | : 33 |
Release | : 2009-10 |
Genre | : Juvenile Nonfiction |
ISBN | : 0061765252 |
In this hilarious collection of poems, comedian Jeff Foxworthy creates a neighborhood filled with fun, family, friends, and more. Here you'll meet Cousin Lizzy, Uncle Ed and Aunt Foo Foo, cows with horns that don't go beep, dads in sweaters, also sheep. From the thrill of flying to the imaginary planet Woosocket to bonding with a friend over a shared hatred of spinach, these poems capture the very essence of being a kid. Filled with sly humor and always affectionate, "Dirt on My Shirt" is sure to delight kids, big and little, everywhere.
Author | : Irwin Stambler |
Publisher | : Macmillan |
Total Pages | : 758 |
Release | : 2000-07-14 |
Genre | : Music |
ISBN | : 9780312264871 |
A comprehensive reference source on the history, impact, and current state of country music, offering portraits of figures in the country music world.
Author | : J. D. Vance |
Publisher | : HarperCollins |
Total Pages | : 270 |
Release | : 2018-05-01 |
Genre | : Social Science |
ISBN | : 0062872257 |
THE #1 NEW YORK TIMES BESTSELLER IS NOW A MAJOR-MOTION PICTURE DIRECTED BY RON HOWARD AND STARRING AMY ADAMS, GLENN CLOSE, AND GABRIEL BASSO "You will not read a more important book about America this year."—The Economist "A riveting book."—The Wall Street Journal "Essential reading."—David Brooks, New York Times Hillbilly Elegy is a passionate and personal analysis of a culture in crisis—that of white working-class Americans. The disintegration of this group, a process that has been slowly occurring now for more than forty years, has been reported with growing frequency and alarm, but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck. The Vance family story begins hopefully in postwar America. J. D.’s grandparents were “dirt poor and in love,” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them. They raised a middle-class family, and eventually one of their grandchildren would graduate from Yale Law School, a conventional marker of success in achieving generational upward mobility. But as the family saga of Hillbilly Elegy plays out, we learn that J.D.'s grandparents, aunt, uncle, sister, and, most of all, his mother struggled profoundly with the demands of their new middle-class life, never fully escaping the legacy of abuse, alcoholism, poverty, and trauma so characteristic of their part of America. With piercing honesty, Vance shows how he himself still carries around the demons of his chaotic family history. A deeply moving memoir, with its share of humor and vividly colorful figures, Hillbilly Elegy is the story of how upward mobility really feels. And it is an urgent and troubling meditation on the loss of the American dream for a large segment of this country.
Author | : Mark Kemp |
Publisher | : Simon and Schuster |
Total Pages | : 336 |
Release | : 2007-11-01 |
Genre | : Music |
ISBN | : 1416590463 |
Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.